O TYM ODCINKU
Austė Skrupskytė Cullbrand is creative director and editor of Playground magazine, the independent publication that fills its pages with stories about creativity and the creative industries. Based between Lithuania and Sweden, the magazine has always had a Nordic / Baltic character, but it's evolving fast, and leaning further into its regional identity as a way to stand out on international newsstands. In this conversation, Austė shares her thoughts on the magazine's progress so far, and the creative community they are building.
Język angielski
Stany Zjednoczone
wyraźne treści
TRANSKRYPCJA 🔗
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WYSZUKAJ MINIONE ODCINKI
Wyszukaj minione odcinki Stack Magazines.
INNE ODCINKI W TYM PODCASCIE
The latest issue of Debris opens its editorial on an uncompromisingly negative note: "It's the time of no. No war, no genocide, no corporatism, no big business, no oligarchies, no neo-feudalism, no rapacious plunder of land, no capitulation, no phone, no imperialism, no capital, no future." Editors…
Editorial directors Kathryn Tann and Robert Harries share their thoughts on the first year of running Folding Rock, the literary magazine that publishes "new writing from Wales and beyond".
Andy Crysell is editor of No Way Back, an archive publishing project that looks back at music and subcultures of the late 20th century, republishing stories from the music press to show how people experienced key turning points in the moment. It would be easy for No Way Back to slide into fond nost…
Chris Hassell and Josh Jones created Ralph magazine to swim against the digital tide. In this conversation they explain how they were inspired by the chaotic fun of pop culture magazines from the 90s, and why they decided to make a magazine that's guided by creativity and joy.
Hear our independent magazine show, recorded live at St Bride Foundation on Thursday 5 February, and featuring stories from The Fence, Die Quieter Please, Dispatch and Piscine
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Stack Magazines, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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