O TYM ODCINKU
Kate Mulvany and Tom Wright are two of Australia’s most prolific adapters for theatre, and in this episode they discuss the explosion of novel adaptations on the Australian mainstage since the 2010s. How do playwrights navigate the relationships between the texts they are adapting and new voices, stories, and ideas? What draws theatre makers and audiences back to stories that have been told before?
This conversation was recorded in summer 2021–22.
Język angielski
Australia
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INNE ODCINKI W TYM PODCASCIE
Verbatim and biographical theatre raises complex ethical and creative questions. Who has the right to tell another person’s story? Can the total complexity of a person or event be captured in a play? Can a playwright separate themselves from the person or people whose story/ies they are telling? In…
In this episode, Mary Anne Butler and Angus Cerini discuss the Australian landscape play. How is human drama enhanced by the presence of the natural environment? How does writing about the Australian landscape open up conversations around politics, colonisation, ownership, and culture? How do these…
In the age of the Anthropocene, Australian playwrights are finding ways to challenge audiences and portray a rapidly changing world. In this episode, playwrights David Finnigan and Andrew Bovell discuss questions including, how should humans deal with despair, melancholy, and uncertainty in the fac…
In this episode, Glace Chase and Lally Katz discuss the Australian autobiographical play. How do true life experiences intersect with storytelling in their craft? What does it mean to write authentically, and why do Australian theatre audiences value authenticity so highly?
This conversation was …
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