O TYM ODCINKU
Dystopian thinking has taken over our imagination. The world is burning, the fascists are spreading, the corporations are manipulating, the robots are rising, the asteroids are coming, the end is near. Cancel the Apocalypse.
- Steve Lambert
- Andrew Hudson
- Mushon Zer-Aviv
- Maya Indira Ganesh
How can we use data analysis and AI, deterministic technological practices that are conservative by design, to build models for better futures? What can we learn from new genres in science fiction that break from dystopia and envision new, different and desirable futures? And how can activists and artists use Utopia as a tool in their political and creative practice?
Język angielski
Stany Zjednoczone
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WYSZUKAJ MINIONE ODCINKI
Wyszukaj minione odcinki re:publica 18 - Politics & Society.
INNE ODCINKI W TYM PODCASCIE
Drei Wochen nach der re:publica treten die neuen EU-Datenschutzregeln in Kraft. Doch viele Verbraucher*innen wissen noch immer nicht, was diese Reform für sie bedeutet. Welche neuen Rechte verleiht ihnen das Gesetz
und wie können sie diese durchsetzen? Antworten auf diese und weitere Fragen geben w…
Social/political blogging contributes to diversity of opinion across Africa. Bloggers are filling the shoes of traditional media that struggles to stand as a real pillar of democracy. In this context, blogging provides news analysis in contrast to the hysteria of social media news coverage. Away fr…
Digital data offers manifold opportunities to development. However, it can also generate new forms of exclusion, new methods of surveillance and threaten individual privacy. In this session, we will explore six emerging trends identified in a recently published study on the future of data in develo…
Why is it, that despite our current fascination and fear of the singularity, it is still not the cyborgs, representing a transitional state of human beings becoming machines, but the rather old fashioned zombies, that dominate pop culture and our collective imagination?
Both of these dystopian sce…
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z re:publica, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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