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We dug into our first random pick from Michael Weldon’s Psychotronic Encyclopedia of Film: Goke, Body Snatcher from Hell (1968). This Japanese flick has everything: airplane crashes, aliens, goo, social commentary, a mismatchedband of messy passengers, and gorgeous imagery inspired by the bold colors ofMario Bava.
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At 6’9”, George Eastman, AKA Luigi Montefiori was a literal giant, in addition to being a giant of Italian cinema. We had a lot to say about this prolific actor and screenwriter who also had his moments behind the camera.
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This ep we talk about four flicks we’ve loved lately that we think you should watch! Our selections will take you on a bizarre trip through time and space.
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Visit our site, sign up for email updates h…
It’s Slab City meets Burning Man in Dead End Drive-In (1986). Aussie director Brian Trenchard-Smith’s entertaining, action-packed flick is even more relevant today in the way it reflects car culture, the prison system, and the way society as a whole can be a prison. This is part two of our Aussie D…
Carroll Baker reached the heights of her successful career in Italy in the four films she made with director Umberto Lenzi. In this episode we talk about their first two collaborations, both filmed in 1969: Orgasmo (aka Paranoia) and So Sweet…So Perverse. Lenzi knew how to elevate genre flicks and …
The legendary Italian director Mario Bava is best known for defining horror genres like giallo and slashers, so it should come as no surprise that his early work in peplum films had a darker, edgier feel than most of the genre. This bizarre, beautiful flick is also an early example of Bava’sinfluen…
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Kristina and Kendahl, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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