O TYM ODCINKU
When small-time money counterfeiter Edward L. Montoro nearly dies in a plane crash, he decides to reinvent himself as a filmmaker. It's the late 1970s, the dawn of the age of the blockbuster, and Montoro pioneers the "mockbuster"—knock-off productions that capitalize on the popularity of mainstream Hollywood films. But as his little studio attracts the wrath of the movie industry, Montoro makes a desperate decision, sparking one of the great unsolved mysteries in cinematic history.
JOURNALIST: SHAUN RAVIV
EDITING: THOMAS CURRY
SOUND-DESIGN & AUDIO MIX: ALICE BOYD
VOICE: ERIC JASON MARTIN
Hosted on Acast. See acast.com/privacy for more information.
Język angielski
Stany Zjednoczone
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INNE ODCINKI W TYM PODCASCIE
A conversation about fakes, hustlers, and how to rip off the Grateful Dead with Harmon Leon, author of “Blinkers.
Host: Michael LaPointe
Journalist: Harmon Leon
Audio: Natalia Rodriguez Ford
Hosted on Acast. See acast.com/privacy for more information.
A conversation with journalist Yochai Maital author of "The Badir Brothers".
HOST: MICHAEL LAPOINTE
JOURNALIST: YOCHAI MAITAL
AUDIO: NATALIA RODRIGUEZ FORD
Hosted on Acast. See acast.com/privacy for more information.
It's Los Angeles in the mid-2000s and Nina is chasing the LA dream. She falls into sex work and gets caught up in her boyfriend/pimp's latest scheme: robbing banks. A disparate group of sex workers are transformed into a gang of bank robbers named The Starlet Bandits...
Narrator: Jurnee Smolle…
It's Los Angeles in the mid-2000s and Nina is chasing the LA dream. She falls into sex work and gets caught up in her boyfriend/pimp's latest scheme: robbing banks. A disparate group of sex workers are transformed into a gang of bank robbers named The Starlet Bandits...
Narrator: Jurnee Smolle…
Teenage hustler Conor MacKay makes his living selling counterfeit tickets—or blinkers—at concerts and sporting events across the United States. It’s the early 1990s, the golden age of the blinker game, but as the federal authorities and Ticketmaster close in, Conor has to find what’s authentic in t…
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