O TYM ODCINKU
In this episode Al answers questions about sheet music for Flute Thing, about Al’s old manger Sam Polley, from a nephew of Denny Cordell, a guy from Al’s old school, producer money from the Dylan days, and Al’s at Birdland as a kid. And Nilly the Dog is back in the swing of things, added a canine comment after each answer by Al.
Język angielski
Stany Zjednoczone
TRANSKRYPCJA 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
WYSZUKAJ MINIONE ODCINKI
Wyszukaj minione odcinki KooperKast.
INNE ODCINKI W TYM PODCASCIE
Al and Jimmy talk about their great admiration for the work of Thom Bell, the Philly sound legend.
The guys talk about how pervasive influence of The Band on everyone from Eric Clapton to Elton John, then about how John Simon produced two great albums for The Band... and one for Blood, Sweat & Tears.
The guys talk about the great arranger Charles Calello, then move on to to about arranging in general, and about live recording vs today's multi-tracked.
The guys talk about producers from Phil Spector to Brian Wilson to George Martin to Al Kooper.
The guys start talking about Elton John, his great producer Gus Dudgeon, other great producers and that somehow leads to Al's legendary French horn opening to the Stone's "You Can't Always Get What You Want".
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Al Kooper, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
EDYTUJ
Dziękujemy za pomoc w aktualizowaniu podcastowej bazy danych.