O TYM ODCINKU
Richard Mabey discusses his biography of Flora Thompson, author of Lark Rise to Candleford, and choreographer Richard Alston joins Anne McElvoy on the eve of Radio 3's Ravel Day. Plus there’s a discussion about the ongoing fascination with ruins; whether a picturesque castle ruin glimpsed through the mist or the eerie photographs of an abandoned Detroit. Anne talks to the curator of a new exhibition at Tate Britain and the writer, Amanda Hopkinson.
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W TYM ODCINKU
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INNE ODCINKI W TYM PODCASCIE
Shahidha Bari investigates the child’s-eye view of the world. From navigating AI, to living through war, to the joys of reading, what makes children’s perspectives so distinctive? With writer Katherine Rundell, psychotherapist Josh Cohen, nature writer and novelist Elizabeth-Jane Burnett, historian…
300 years after the publication of Jonathan Swift’s Gulliver’s Travels, Matthew Sweet looks at satire, past and present. How can satirists reflect critically and humorously on political events in an age of social media saturation and at a time when reality can seem stranger than fiction?
He is join…
How has the figure of the outsider or eccentric has been used to explore English culture, history, politics, and our relationship with nature and the countryside? Matthew Sweet discusses, including a re-reading of Sylvia Townsend Warner's 1926 novel Lolly Willowes, in which a middle aged woman leav…
What does trade set in motion beyond the exchange of goods? Anne McElvoy explores the movement of commerce across time as a carrier of habits, ideas, ambitions and influence, as well as of material things. From the early modern world, where trade was entangled with colonial expansion and shaped by …
Do we have a responsibility to inform ourselves about the state of the world? Is the experience of some people valued more highly than that of others? Matthew Sweet investigates the ethics of knowledge in Radio 4's round table discussion programme.
With:
Quassim Cassam, philosopher and author of …
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z BBC Radio 4, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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