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O TYM ODCINKU
As a member of the People of Cabaret, Rhys Velasquez is a leader amongst the industry for actively striving to ensure creative spaces across Australia are safe and equitable for everyone. They join us to discuss the reality of having their contract in the Australian tour of Shrek the Musical finish early as a result of COVID 19 and how their journey as someone who identifies as gender fluid has influenced their career for the better. Rhys also speaks to their hopes for the industry as we move out of restrictions in place as a result of COVID 19.
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INNE ODCINKI W TYM PODCASCIE
Andrew is a 2018 graduate from the Western Australian Academy of Performing Arts (WAAPA). He joins us to chat about dealing with the loss of multiple professional performing projects before even beginning rehearsals, ways he has kept himself focused throughout lockdown and the significance of prior…
Episode Content Warning/Trigger Warning: Domestic Abuse.
Madi Lee is a choreographer and director working around Australia in work that spans across theatre and television. She speaks to us about the adjustments she had to make after losing work as a result of COVID 19 and how this time has allowed…
Dean Drieberg is a much respected creative, working consistently amongst the independent theatre scene. A member of Media, Entertainment & Arts Alliance’s Equity Diversity committee, Dean is a passionate activist for performance spaces to be equitable and safe for all. He joins us to discuss th…
TW: Sexual Harassment. Bianca Baykara has worked consistently for the last 10 years in the commercial arts industry here in Australia and on tours around the continent. She speaks to us about her transition from the Australia/Asia tour of School of Rock to employment as a result of COVID 19 and the…
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Lily Baulderstone & Jack Duff, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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