O TYM ODCINKU
Part of the Sacred Spaces project - find out more at http://www.citiesandmemory.com/sacredspaces
Reimagined by Aimee Chapman.
"I chose sound 64 because I was drawn to the constant through-line of the voice, the way in which it was both driving and constant then suddenly lilting and melodic. I wanted to capture the same surprising evolving sound in my piece, so I sliced the vocal sounds into rhythmic elements and also created pads and synth sounds from the original recording to build and flesh out the piece."
Język angielski
Stany Zjednoczone
TRANSKRYPCJA 🔗
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WYSZUKAJ MINIONE ODCINKI
Wyszukaj minione odcinki Cities and Memory - remixing the world.
INNE ODCINKI W TYM PODCASCIE
"There are memories in everything.
"In nature, in our voices, in all of the world.
"This field recording may sound like the memories of others, but at the same time it sounds like a shimmer of my own memories.
"In a shared landscape, individual memories accumulate to form a faintly sacred scene.P…
In Vilnius we were grateful that the Black Ceramics Centre welcomed us into their studio for a behind the scenes close recording session of their manufacturing processes. Here, Ieva Paukstyte is kneading together a blend of wet and dry clay until it becomes usable for moulding her work, with the …
Sound from the walk through Nature enclave Bobrowisko in Stary Sącz, Poland. Recorded by Dominik Witaszczyk.
Platforms 9 and 10 at Oslo central station, waiting for a train to depart, we hear arrivals and departures, loud train sounds, trolley bags, announcements and the general hum of a major railway station.
Recorded in 2025 by Cities and Memory.
The sound of the ocean on the beaches of Cabo Frio, Brazil - a cloudy day with little wind.
Recorded by Patricio Lerma.
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Cities and Memory, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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