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INNE ODCINKI W TYM PODCASCIE

I had the great pleasure of meeting Ben Baldanza last summer online when he ordered my Shires signature trombone through Hip-Bone Music. After several emails and a few more orders of books and arrangements, I felt like I was a friend of Ben’s. Ben and I have kept in touch regularly over the past ye…
I first became aware of the great Chris Gekker as a student at the Eastman School of Music. His impeccable reputation had lived on at the school well after he departed. I went on to have the distinct pleasure to work with Chris many times on a great variety of projects in New York. His musicianship…
I have had the pleasure of knowing Bones Malone for the better part of 30 years. When I first moved to New York in the mid-80s, Tom was kind enough to send me in on some much needed gigs to sub for him. I’ve always been grateful to him for those opportunities. Tom’s exemplary musicianship has been …
Chuck Findley is one of my heroes. The Wall Street Journal front page, feature article on Chuck from the early ’80s hung on my college dorm room wall for a year. He has set the standard for what it means to be a studio musician for five decades. I first met Chuck and heard him live at a Manhattan T…
I first worked with Gene Pokorny when he played on my CD, Brass Nation. His playing was sublime and he was an absolute pleasure to work with. Everyone, and I do mean everyone, says the same thing about Gene: the greatest musician to ever pick up a tuba and the greatest guy you’d ever want to be aro…
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Michael Davis, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.