O TYM ODCINKU
Charles Dickens died 150 years ago this month. A famous chronicler and critic of English industrial capitalism, Dickens was also immensely popular in the United States. But in an age of widespread debate about slave versus wage labor, his writings meant different things to different readers.
Music:
Bright White by Podington Bear
Outmoded Waltz by Podington Bear
Quatrefoil by Podington Bear
Theme in G by Podington Bear
Refraction by Podington Bear
Stages of Awakening by Podington Bear
Associations by Podington Bear
Arboles by Podington Bear
Język angielski
Stany Zjednoczone
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WYSZUKAJ MINIONE ODCINKI
Wyszukaj minione odcinki BackStory.
INNE ODCINKI W TYM PODCASCIE
As BackStory nears the end of its production, we’ve asked our listeners to call in with moments from the show’s history and compile their very own “Best of BackStory.”
We got some great responses covering a range of topics, each of them meaningful to the present moment in their own way.
So …
Coming Feb 2021…
In most history classes, students learn that the Emancipation Proclamation and Union victories “freed the slaves.” But ending slavery in America required much more than battlefield victories and official declarations. Black people battled for their own freedom, taking incredibl…
The COVID-19 pandemic has disproportionately impacted communities of color. According to the CDC, 33% of people who’ve been hospitalized due to the virus have been African-American, despite making up only 18% of the population. The ongoing crisis is a reminder of the racial health disparities that…
The Last Archive is a show from Pushkin Industries about the history of truth, and the historical context for our current fake news, post-truth moment.
It’s a show about how we know what we know, and why it seems, these days, as if we don’t know anything at all anymore. The show is driven by host…
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z BackStory, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.
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