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Founded on what its creator called "vindicated evidence," the Schomburg holds one of the most comprehensive collections of Black art in any public institution — including diaries, correspondence, photographs, poetry, and sculptures by Meta Vaux Warrick Fuller. In this episode, Crystal Moten, Associ…
More than a cultural flourishing, the Harlem Renaissance was a deliberate act of remaking the image of Black America at a moment when it was suppressed and rendered invisible by the mainstream art world. For the women artists at its center, that effort operated under an additional pressure: the exp…
Museums rarely build a permanent space around a single artist's life, but doing so can transform how an institution understands its own collection. The Danforth Art Museum's relationship to Meta Vaux Warrick Fuller, whose family gifted nearly 400 works to the museum in 2006, has evolved through bui…
At the turn of the twentieth century, Paris drew young American artists with the promise of training unavailable at home. For African American artists, it also promised an escape from the racism that governed their professional lives in the United States, though that promise was not always kept. In…
In this episode, Kellie Jones, Hans Hoffman Professor of Modern Art at Columbia University and MacArthur Fellow, and Heather Nickels, independent curator and doctoral candidate at Columbia, discuss Meta Vaux Warrick Fuller's place within African American art history, the structural conditions that …
Zastrzeżenie: Podcast i grafika osadzone na tej stronie pochodzą z Columbia Global Paris Center, który jest własnością jego właściciela i nie jest powiązany ani wspierany przez Listen Notes, Inc.