O TYM ODCINKU
When writing for the stage, playwright Sarah Ruhl follows her instinct and ear for dialogue. She knows the rhythms of speech and conversation. But for the upcoming world premiere of Eurydice at LA Opera, based on her 2004 play, she had to learn some new techniques that apply in the musical world. Teaming with composer Matthew Aucoin, she had to pare down much of the language.
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