OVER DEZE AFLEVERING
This week, Forrest and Lina read chapters 21-40 of Angels and Demons. We're whisked away on a whirlwind trip to the Vatican, where more symbol-based crime and plenty of suspicious clergymen await. Robert Langdon continues to be clueless, Vittoria is single and ready to mingle (despite having recently suffered a tragedy), and we get introduced to the world's hottest priest. You can follow The Dan Brown Code at @danbrowncodepod on Twitter. Lina can be found at @linajemili.
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OUDE AFLEVERINGEN ZOEKEN
Zoek naar eerdere afleveringen van The Dan Brown Code.
ANDERE AFLEVERINGEN IN DEZE PODCAST
In this episode, Forrest and Lina get back to the action in Chapters 91-105 of The Book That Never Ends. Things are moving quickly, like how a person is technically moving quickly whey they’re frantically skidding down a steep hill with little to no traction. Dan brown leans heavily on the bait-and…
After yet another instance of technical sabotage from the NSA, who will stop at nothing to prevent us from revealing their secrets. Forrest and Lina return to the inescapable purgatory that is Digital Fortress. I wish I could tell you what happens in this episode, but unfortunately I read this sec…
CW: Transphobia and racial slursIt’s summertime* let’s party**!!! Gone is the curse of Digital Fortress. In this episode, Forrest and Lina jump into The Lost Symbol. This book has everything: men in robes, secret societies, and sexy sexy villains. We’re back to describing women skin and running aft…
By absolutely no demand, here is a mini episode in which Forrest and Lina watch the very bizarre and very cinephilic music video for “Don’t Lose My Number” by Phil Collins. The last episode of Digifort will be on its way shortly. Follow us @DanBrownCodePod. Follow Lina at @LinaJemili and Forrest at…
CW: Sexual assault, workplace sexual violence. This upload goes out to @chrisispoopin, an angel who deserves the return of his *favorite* podcast. In this episode, Forrest and Lina discuss the film Disclosure (1994), a film as old and as timeless as Lina herself. In a film that orbits wokeness with…
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