OVER DEZE AFLEVERING
Cinematographer Stuart Dryburgh explains how natural light, practical sources and an invisible camera shaped Netflix’s East of Eden, shot in New Zealand with director Garth Davis.
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OUDE AFLEVERINGEN ZOEKEN
Zoek naar eerdere afleveringen van The Cinematography Podcast.
ANDERE AFLEVERINGEN IN DEZE PODCAST
DP Brett Pawlak on grounding Spider-Man: Brand New Day in natural light, practical suit design, and 17 years collaborating with Destin Cretton.
Podcast highlights include:
-How Pawlak and Cretton’s input about the suit design kept Peter Parker feeling human. The mask allowed Tom Holland's jaw to m…
DOP Gustav Danielsson, FSF on shooting HBO's A Knight of the Seven Kingdoms with naturalistic firelight, practical battlefield fog, and in-camera POV shots
Podcast highlights include:
-How Gustav and director Owen Harris planned the show's night time, fire-light-driven look.
-Beginning their sho…
Cinematographer John Matysiak on shooting Motor City's nearly dialogue-free story, real in-camera stunts, and building its 1970s Detroit look from film tests.
Podcast highlights include:
-Why Motor City tells its story with almost no dialogue, and how that shaped everything from frame rate to nee…
DP Michael Bauman, ASC on shooting Monster: The Ed Gein Story, building a visual language with period lenses, and lighting with just reflectors and flashlights.
Podcast highlights include:
-How Michael built a distinct visual language for each era with lensing shifting from period to period. Colo…
DP Julia Swain on faking the Golden Gate Bridge, rigging a real tour bus, and bringing indie instincts to Netflix's Voicemails for Isabelle
Podcast highlights include:
-How Julia shot the film's pivotal Golden Gate Bridge overlook scenes without using a stage. The team scouted the real Marin Head…
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