OVER DEZE AFLEVERING
This week on Hate to Interrupt, we talk about The Black Phone 2 — the long-awaited sequel to Scott Derrickson’s breakout horror hit — and Peter Jackson’s The Frighteners, a 90s cult classic that blends ghosts, comedy, and chaos in a way only Jackson could pull off.
We break down whether The Black Phone 2 justifies its existence, how it fits into modern horror trends, and why The Frighteners might secretly be one of the most underrated supernatural films ever made.
StopCulture
Engels
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OUDE AFLEVERINGEN ZOEKEN
Zoek naar eerdere afleveringen van Hate to Interrupt.
ANDERE AFLEVERINGEN IN DEZE PODCAST
The gang is back for another round of movie talk, this time diving into the brand-new Toxic Avenger reboot, the indie drama Caught Stealing, and the offbeat coming-of-age comedy Youth in Revolt. From splatter-filled reimaginings to quirky teenage rebellion, we break down what works, what doesn’t, a…
In this episode of Hate to Interrupt, we dive into two films at opposite ends of the spectrum. First up is Alejandro González Iñárritu’s Birdman, the surreal, one-take exploration of ego, artistry, and legacy that helped redefine what “prestige cinema” could look like in the 2010s. Then, we turn ou…
For our 50th episode, we’re celebrating by talking about some of our all-time favorite films: The Iron Giant, Tropic Thunder, and No Country for Old Men. From animated cult classics to razor-sharp Hollywood satire to Coen Brothers bleakness, we dig into why these movies stick with us, how they’ve a…
In Episode 47 of Hate to Interrupt, we’re diving headfirst into the wild and unpredictable career of Zack Cregger. From the raunchy absurdity of his directorial debut Miss March (2009), to the shocking genre-bending horror of Barbarian (2022), all the way to his freshly released and highly anticipa…
This week on Hate to Interrupt, we explore the legacy of Citizen Kane—a film often crowned the greatest of all time—and its unexpected companion piece, David Fincher’s Mank. How do the two films mirror and contradict one another, and what do they say about Hollywood’s obsession with storytelling my…
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