OVER DEZE AFLEVERING
ARTISTIC DIFFERENCES invites legendary Chilean filmmaker Ignacio Agüero to engage in questions and provocations inspired by our cineclub and articulated by programmer Cintia Gil and UnionDocs Founder, Christopher Allen.
In this episode, learn more about Agüero’s unflinching and empathetic mode of filmmaking, one that never shies from strong political stakes. Tune in as we consider his latest feature Notas para una película (Notes for a film) (2022), an essay, which slips fluidly in time and space, borrowing competing voices and memories to question the legacy of the train and the engineering of colonial infrastructure in a region where the indigenous Mapuche were forcibly displaced by the state.
Fundamentally grounded questions continue as the discussion turns to Agüero’s early film Como me da la gana (This is the Way I Like it) (1985), a film in which Agüero mischievously interrupts many filmmakers on their sets, right in the middle of production to ask them explicitly; what’s the point of filming in Chile under the Pinochet dictatorship.
Editor: Rui Alves de Sousa
Music: Andres Simoes
Production support: Constanca Pinelo, Tara Aliya Kesavan
ARTISTIC DIFFERENCES is co-curated and co-organized by Cíntia Gil, Christopher Allen & Jenny Miller
This is a production of https://uniondocs.org/about-us/
Sign up to be a part of our drifting cinema club: https://uniondocs.org/artistic-differences/
https://membership.uniondocs.org/programs/artistic-differences-what-is-a-film?category_id=118802
Follow https://www.instagram.com/uniondocs/!
In this episode, learn more about Agüero’s unflinching and empathetic mode of filmmaking, one that never shies from strong political stakes. Tune in as we consider his latest feature Notas para una película (Notes for a film) (2022), an essay, which slips fluidly in time and space, borrowing competing voices and memories to question the legacy of the train and the engineering of colonial infrastructure in a region where the indigenous Mapuche were forcibly displaced by the state.
Fundamentally grounded questions continue as the discussion turns to Agüero’s early film Como me da la gana (This is the Way I Like it) (1985), a film in which Agüero mischievously interrupts many filmmakers on their sets, right in the middle of production to ask them explicitly; what’s the point of filming in Chile under the Pinochet dictatorship.
Editor: Rui Alves de Sousa
Music: Andres Simoes
Production support: Constanca Pinelo, Tara Aliya Kesavan
ARTISTIC DIFFERENCES is co-curated and co-organized by Cíntia Gil, Christopher Allen & Jenny Miller
This is a production of https://uniondocs.org/about-us/
Sign up to be a part of our drifting cinema club: https://uniondocs.org/artistic-differences/
https://membership.uniondocs.org/programs/artistic-differences-what-is-a-film?category_id=118802
Follow https://www.instagram.com/uniondocs/!
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IN DEZE AFLEVERING
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OUDE AFLEVERINGEN ZOEKEN
Zoek naar eerdere afleveringen van Artistic Differences.
ANDERE AFLEVERINGEN IN DEZE PODCAST
In our third episode, Artistic Differences has invited Dora García to speak about her formidable film Si Pudiera Desear Algo (If I Could Wish for Something) which traces the contemporary resonances of the rich feminist legacy of Alexandra Kollontai, a prominent Marxist theorist, Soviet revolutionar…
Artistic Differences returns with an atmospheric conversation with filmmaker Tyler Taormina (Christmas Eve in Miller’s Point, Ham on Rye)! Hosts Cíntia Gil and Christopher Allen sit down with Taormina to discuss his haunting second feature, Happer’s Comet, a film that explores the emotional archite…
Artistic Differences returns with a revelatory conversation with filmmaker Trương Minh Quý, whose work reshapes our understanding of memory, history, and exile. In this latest episode, our hosts Cintia Gil and Christopher Allen sit down with Quý to explore his radical approach to storytelling—one …
In our second episode, Artistic Differences has invited Declan Clarke to speak about his radically minimalistic and melancholic form of filmmaking that opens a maximal poetic potential for representing histories economic, political, ideological, affective and material.
Our hosts, Cíntia Gil (Indep…
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