Capturing Light – Episode 180 with Arnaud Potier, AFC
In this episode, we talk about
Sense and Sensibility
Choosing 35mm film and how they achieved the softness, texture and richness of period paintings vs a modern, overly sharp look
Creating naturalistic lighting within historic estates and the challenge of making sure that what the location…
How Dir. Georgia Oakley Captured Austen's Yearning on Celluloid in 'Sense and Sensibility'
How do you bring Jane Austen's Sense and Sensibility to life for a modern audience while preserving its emotional depth? Director Georgia Oakley joins No Film School's GG Hawkins to discuss her new adaptation, starring Daisy Edgar-Jones and Esmé Creed-Miles as the Dashwood sisters. Oakley shares ho…
Painting With Light: The Cinematography of Sense and Sensibility | Arnaud Potier
How do you create the visual richness of a period painting while keeping a film emotionally intimate and natural? Cinematographer Arnaud Potier joins the Filmmaker Mixer Podcast to discuss his work on Sense and Sensibility, directed by Georgia Oakley, and the creative decisions behind the film's di…
5. Shooting on Film, Shooting on Location
In this episode, production designer Francesca di Mottola, cinematographer Arnaud Potier and director Georgia Oakley chat to producer Tim Bevan about their collaborative relationship and how they created the world of the movie together. From finding the locations, palette and an undone earthy aesth…
Capturing Light – Episode 180 with Arnaud Potier, AFC
In this episode, we talk about
Sense and Sensibility
Choosing 35mm film and how they achieved the softness, texture and richness of period paintings vs a modern, overly sharp look
Creating naturalistic lighting within historic estates and the challenge of making sure that what the location…
Oscar Watch: Andrew Scott vs John Malkovich, La Bola Negra plus New Sense and Sensibility
In this week's Cinema in One Take, Kaleem Aftab is excited about Elsinore after its critical acclaim at Toronto, and convinced Andrew Scott will win an Oscar. Emma Jones has another Best Actor contender in mind: John Malkovich from Wild Horse Nine.
They also disagree over the TIFF audience prize…
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