# Clement Greenberg

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Francine Tint

Francine Tint In the Studio Over more than five decades, Francine Tint has created a remarkable body of work. Her paintings display an exhilarating freedom of execution combined with an original and frequently surprising color sensibility, varying in size from 10 inches to nearly 20 feet. Her brus…

Francine Tint

Francine Tint In the Studio Over more than five decades, Francine Tint has created a remarkable body of work. Her paintings display an exhilarating freedom of execution combined with an original and frequently surprising color sensibility, varying in size from 10 inches to nearly 20 feet. Her bru…

Joyce Kozloff’s Patterns of Protest

In 1973, gallerist Tibor de Nagy gave Joyce Kozloff a call. His voice quivered as he told her that Clement Greenberg had just left the back room after giving a searing review of her latest work. Greenberg had scoffed at the artist’s “Three Facades” (1973), a painting based on the rich tapestry of i…

Clement Greenberg: Avant-Garde and Kitsch

In this episode, we dive into Clement Greenberg’s influential 1939 essay ‘Avant-Garde and Kitsch’. We explore and outline the concepts of avant-garde and kitsch, unpack their complex relationship, and examine how Greenberg connects kitsch with totalitarianism. Join us as we unpack these ideas and t…

Episode 79: Kitsch, Pop, and Democratic Art

Jake and Phil discuss Clement Greenberg's 1939 "Kitsch and the Avant-Garde" alongside Taylor Swift's "I Knew You Were Trouble" and Leonard Cohen's "Chelsea Hotel No. 2" The Manifesto: Clement Greenberg, "Avant-Garde and Kitsch" https://resources.finalsite.net/images/v1606923282/slcschoolsorg/wum…

Helen Frankenthaler Retrospective at Kunstmuseum Basel

The special exhibition Helen Frankenthaler at the Kunstmuseum Basel presents more than fifty works spanning six decades of the American artist’s career. It offers a comprehensive overview of her oeuvre and is the largest exhibition of her work ever held in Europe, as well as her first institution…

Ep. 156: #SWAG Dadaism

In this episode, we coin a new term for one of the most interesting creative impulses of our generation: #SWAG Dadaism. Like the original Dadaists responding to the whiplash of industrialization and WWI, a certain subset of young creatives are responding to the vertigo of global instability and bre…

Curating Class 1: Dr Rebecca Starr on Working Class Art Histories

Dr Rebecca Starr, Lecturer in History of Art in the School of Fine Art, History of Art and Cultural Studies, University of Leeds, gives an overview of art history’s relationship with class, which she traces back to the discipline's origins in Enlightenment philosophy.    The idea of the autonomous …

#003 - Chaim Soutine with Celeste Marcus

Michael Kimmage speaks with Celeste Marcus about the life and legacy of Chaim Soutine. The conversation explores Soutine’s childhood in present-day Belarus, his move to Paris and the ways identity, displacement and environment shaped his art. Marcus discusses the energy that defines Soutine’s work,…