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We're back Mix Tapes Podcast. We got Stevie with us. Stevie, well, yeah,
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let's see that teeth. Put your up theres so we
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can see those teeth there.
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I love it. That's the mascot. She looks like a
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happy girl, very happy today.
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She's a happy girl, very happy today.
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So we're back on Mix Tapes Podcast and we got
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to go go before you.
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It just came out Today's Saturday.
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We're actually recording on a Saturday, which we usually don't do,
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but we got the new Rob Zombie coming out, so
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we wanted to do this and get this out there,
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New Rob Zombie.
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You like Rob Zombie, right, Stevie girl, she.
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Loves Rob Zombie like. The album's called The Great Satan. Okay.
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So it was released February twenty seventh on Nuclear Blast Records.
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She's Making You Laugh, Produced by Chris Seuss Harris. It's
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his eighth record, his eighth studio record, Solo Studio Records,
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Should Say you Know and h Steve. If anything, we're
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gonna get into it near the end of this, but uh,
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it's definitely a return to that raw, aggressive.
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Zombie. That's the best way I can put it. Yeah,
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the best way I can put it on the record.
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Rob Zombie lead vocals, lyricist, creative director, Mike Riggs. Riggs
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is back in the fold. Mike Griggs guitar, also just
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as Riggs, Rob Blasco Nicholson also just known as Blasco
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on bass, and Gingerfish on drums. Ginger Fish, you know,
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of course it's from Marilyn Manson. It's got a great lineup. Man,
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He's always got a good lineup though.
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Man, you know, I actually I actually prefer uh John
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five guitar player over John five.
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Riggs is perfect because if you listen to riggs solo stuff,
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it's in the same vein. It's really in the same vein.
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If I believe Riggs's solo thing is Scum of the Earth,
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if you listen to Scum on the Earth, it's very
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close to Rob Zombie stuff.
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So it fits.
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Well.
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Yeah, he's got some really cool stuff, all right. So
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there's fifteen tracks. Three tracks we're not gonna do. There's
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two talking tracks and an awesome altro. But it's only
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like a minute long. But it is really cool. It
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works with the record, So we're not gonna do them.
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We're gonna do twelve tracks, and yeah, we take all
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our scores from one to ten, we average them ount
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and that's how we get our number from our least
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favorite track on the record to our favorite track. We're
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gonna start it off with number twelve. Sir Lord Acid
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wolf Man, What do you got, Dame?
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Uh?
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Yeah, this song didn't really do too much for me.
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I didn't think it was terrible though, But yeah, I
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got the lowest score, which was a six, and there
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was another song with a sex on here. But yeah,
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I mean, for the most part, the whole record is
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really solid, but this wasn't too crazy about this.
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Mike Ding I kind of liked this.
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I thought it was a little breakup in the record.
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Can you not like that title that? That was a
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couple of points right there on its own. And yeah,
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I gave it a seven point five.
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I gave Sir Lord Acid wolf Man a six point
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five out of ten. It's got some strong ass atmosphere
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stuff going on. The spoken word style it works, you know.
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But the real standout on this track, you know, the
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backbone of it all is the musicianship.
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Definitely on this one. The music is pretty cool. Not
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a high score for me.
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The song said Okay, it works good with the record,
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but yeah, it's definitely probably my least.
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Favorite on the record.
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Coming in number eleven, Revolution Motherfuckers, What do you Got damon?
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Great title, so he got uh, he got points for that,
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and I just kind of liked the basic, you know,
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drum thing on the on the verses, and it's got
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a it's got a really really good chorus.
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That gave it a seven point two I think.
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Yeah, Okay, Mike Day, Yeah, I mean it's got some
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cool things going on. I mean for me though, and
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I'm gonna say, like a lot of the album, I'll
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get it up.
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Front, just didn't have the replay value for me.
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So I gave it a six.
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Okay, Revolution Motherfuckers, I gave a seven point five out
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of ten. It's driven by some cool electronics and pounding drums.
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I like the little tom pattern that the drum plays
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going in the second verse.
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He might only do once, but it's pretty it's pretty cool.
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The Cory's carries you know, that big rebellious you know
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energy works well for this record, works well seven point five,
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coming in number ten, Unclean Animals, What We Got Theame?
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Uh Yeah, this was the other song that that got
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a that got the same score. Six Uh, another tied
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for my least favorite. I think I don't know if
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it's the music or maybe his vocal. I don't like
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it when it does that high you know, that high
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pitch kind of vocal thing.
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I like his lower guttural voice. So yeah, that's why
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I gave it a six.
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Okay, Mike Ding, Yeah, I kind of like this one
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a little different. I gave it a seven point twenty five.
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Unclean Animals this is another one that got a seven
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point five out of ten for me. It grabs your
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attention immediately. I believe this is the one that has
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that Tom Sewyer kind of beginning right do your vocal effect.
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I like one of his voice. It sounds like a phaser.
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It adds some good texture to the song.
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The song builds, it's kind of build up. It evolves
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a little bit with a cool interlude. Yeah, I think
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it it's it sounds like you're on a journey. It's
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not the best song off the record, but it's something
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different to break up the rest. I think seven point
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five coming in number nine out of Sight demo.
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Yeah, I like the intro. I liked the I like
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the bass rip going on in this song. I gave
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it a seven point five.
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Okay Mike dam Yeah.
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Another one felt like kind of different for him, a
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little like kind of spaceier of a feel to it.
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I like this one.
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I gave it a seven point five.
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Out of sight, I gave a six point seven five.
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It opens up with that slightly kind of surfy kind
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of thing going on. The verse is pretty straightforward, but
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the pre chorus is really where the melody is at.
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From me. Uh.
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The the middle section is probably the highlight of the
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whole song. I think it elevates the track overall. So uh,
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six point seven five, come on number eight givel man
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Uh Yeah.
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I like the intro and uh and and the verses
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and the chorus and everything. It kind of it kind
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of reminds me like it's got like an Aussie feel
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to it. I think this song it kind of reminds
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me like it could have been a NAUSI song. Yeah,
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this is a This is a really solid track. I
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gave it a seven point sixty five.
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Nice Mike, good track.
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I felt like he did this one a lot though
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in the past.
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Six point seven.
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I think that's why I like this one for that
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exactly opposite reason few seven point seven five out of
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ten for devil Man. For me, I think it's got
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some excellent melodic guitar parts, you know, especially the leading
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into them, gritty vocal parts, big chorus, effective gang vocal
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shouts in there, layer guitars, man, love the layers man.
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It definitely gives it some weight, It gives it some thickness.
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Uh yeah, seven point seven five. I loo like this
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one coming number seven. Punks and Demons damo.
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Yeah, I believe this was the the first single I think, yep,
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this one.
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I really liked it.
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Kind of kind of remind me like an old like
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kind of like old White Zombie meets like Ministry.
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Ah yeah. I gave it a seven point eight.
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Mike Dan, Yeah, this is all right.
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It kind of reminded me of like an old industrial
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feel like like old White Zombie, you know, Ministry Ham
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FDN gave it a seven.
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I gave Punks and Demons a seven point five out
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of ten. This song's relentless and aggressive, That's the best
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way I could put it. And it hits hard, it
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moves fast, and it's finishes before you know it.
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It's over quick. It's not that long.
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It's short, sharp, and motherfucking effective, and it actually took me.
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First time I listened to it. I talked to dam
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I'm like, got new rob Zombies out. I don't know.
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I heard the first song when you put out the single.
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Dame was like, no, man, it's great. Give it a
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couple more listens.
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It's great because my first thing was like, I don't know,
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but listen back to it. It's pretty freaking good. It's
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it's it's really relentless. I mean, it's a pounder coming
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at number six. The Black Scorpion, Uh, I.
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Like this one.
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It's short, it's fast, it's punky. I gave it a
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uh seven point eighty five Mike.
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D just like Damien said, this is probably my favorite
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track off the album. This is seven point seventy five.
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Okay, the Black score beings six point seven five out
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of ten for me. I mean, it's got the pure
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it's pure metal energy, you know what I mean. From
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the start, it's layered with some cool horror theme accents
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going on. Musically, Uh, not the strongest track for me,
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but it's good.
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You know, it's you know, it's close to a seven.
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It's it's it fits well with the record, which you
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know I say often, but it really does.
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It works. There's a reason why certain records are put
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together this way. Coming to number five, Black Coffin, what
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do you got dam.
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Yeah, I like this one. This is uh it's got
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like an old school rob zombie. Uh vibe to it.
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I think I love I love it one. He has
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the samples put in there in me too. I love
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that ship, you know, I I love that stuff.
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I wish she would I wish she would just throw
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it in.
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Every every I would be fine with it.
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Yeah, be fine, yea. I gave it a seven point five.
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Okay, Mike Day seven point five wow.
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And as everybody else, I gave it a seven point
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five Black Coffin seven point five strong melody, strong hook,
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the mid guitar, the guitar section in the middle. It
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carries like this sci fi kind of thing going on,
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which I like.
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It just fits.
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Man, it's sci fi thing is awesome, Black coff I
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dig it. Coming to number four heath in Days, which
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I believe might have been the second single day.
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Yeah, this is a great driving song.
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It's funny thing.
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Yeah, I could picture be driving listen to this in
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the morning. Trying to get to work running late, you know,
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flooring it.
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I really like the chorus and.
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Yeah, it's just like a really heavy tune. I gave
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it a seven seven point nine to five.
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It's funny you said about It's funny you said about
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the Drive thing because I have it in I have
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it in my my notes too, like that's it's a
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that's actually a big part for you know, in my notes.
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But uh yeah, man, Mike David, he got yeah.
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I mean another one I just felt like heard before,
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I don't know, had some cool stuff in it. Not
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my favorite six point.
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Heathen Days eight out of ten, man high energy.
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I wrote Drive with the windows down type of track,
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you know, so uh, I mean it's it definitely channels
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that classic nineties zombie slash Manson kind of sound, which
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I that's the ship I loved in the nineties, was
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that zombie Manson with the samples with the little weird effects.
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Brought me back to why I liked them two bands
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in the nineties. Big Time the riff.
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It's got an infectious riff in there. It don't let
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up this album. The one thing I'll say about this
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album is it don't let up it's just it's it's statue.
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It keeps, it keeps jabbing you, you know, though I don't.
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I don't.
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I gotta say, I don't think I got hit with
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a knockout punch, but I got jabbed pretty fucking good
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through the whole fucking.
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Coming in number three, I'm a rock and rock and roller.
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I'm a rock and roller.
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David Week, Yeah, that's another one I like.
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Uh it's another one that's got that old school white
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zombie rob zombie nineties nineties vibe. I really like the
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the verses with the you know, with the constant kick drums.
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You know, it's almost like kind of like a dancy vibe.
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And I love the chorus, the pre chorus I'm not
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that crazy about. But uh still I get scored at
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a seven point seventy five.
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Mike ding Man, I mean, if you didn't like that
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Mega Death song from the last album about the guitars
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and on the stage and the rock and roll, I
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don't know.
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I mean, besides the lyrics that once a really really
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really good track. I wanted to like it more. Just
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the lyrics are killing it for me. Six point five.
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Okay, I gave it an eight point five out of ten,
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and that was rolling Megative. That's that should have scored
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higher for me because that Megatith record is fucking awesome.
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Wait, like it just got better and better.
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But anyway, going back to I'm a Rock and Roller,
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eight point five out of ten for me, it really's
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got that astro creep two thousand mix. Uh, you know
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that kind of feel to it. Wait, Zombie, it's got
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some wall guitars, some distorted vocals. You know, it shifts
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into a dynamic where it gets heavier. Uh yeah, I
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mean I think it's.
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A stronger cut on the record. I really do. Coming
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in number two, Tarantula, What you Got Dan?
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Yeah, this is my second favorite track on the album.
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I love the drums of double bass. It's heavy. Uh,
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this is what I like that He does the best
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when he does that, the heavy stuff, And I gave
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it an eight out of ten.
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Mike Dan, Yeah, it seems like when he does his stuff,
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like the creepy animals and bugs and stuff, that's his best.
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Seven point two five For me.
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I gave Tarantula eight out of ten. Direct force, full attitude.
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Three words.
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That's all you get from that, That's all you need.
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Coming in number one, ft W eighty four, dam.
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O what you got.
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Yeah, this is a great opener up thirty forty seconds in,
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I was like, yeah, this is the fucking nine right
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right right off the bat out even here in the course,
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and uh yeah, it's just it's just a great opening track.
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It's heavy, it's fast, it's Kicksie and the teeth, and
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it's uh, you know, it's got a great course.
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I gave it a nine.
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Mike d Yeah.
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I mean it's pretty powerful, got some cool stuff going
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musically on. Lyric wise, I don't know, but replay value
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not too much for me. Six point seventy five.
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Wow, So you gave that one.
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Wow?
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Yeah. Ft W eighty four eight point five out of ten.
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You know, probably my favorite off the record. I would
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say it's probably my favorite opening track that immediately brings
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you back to classic White Zombie, like Golden age White Zombie,
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you know, not the stuff, not the stuff before, you know,
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devil uh danceable beats, grinding rifts, killer outro, strong, strong
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way to kick off the album.
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I love.
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When I put the record on, first thing I thought
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back was like, oh shit, I'm back.
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I'm back, you know, from from the beginning. Yeah, I think.
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It's a great tune. Okay, here goes our ratings. Damien
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gave it a seven point five to one. Mike d
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gave it a seven point oh four. I gave it
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a seven point five six a mixtapes rating of seven
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point three seven, which is a good rating. Anything that
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hits a seven is a good rating. Yeah, so let's
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go with your final thoughts, Dame, what do you got?
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Yeah?
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I thought it was really, uh, really solid record. Did
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we review the last one? I don't even even remember.
321
00:16:01.320 --> 00:16:02.799
I think we might. We talked about it. If we
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didn't review it, we talked about it.
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Yeah, so I remember. I think I did check it out,
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and I wasn't that crazy about it. I haven't really
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been that crazy about a lot of his recent stuff,
326
00:16:14.039 --> 00:16:17.600
to be honest. I kind of think, uh, John five
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not being in the band is pretty refreshing to my years.
328
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I kinda I kind of like it. Uh, nothing nothing
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against him.
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Keeps it heavy.
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Yeah, I think the simplicity heaviness is really is really
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what's needed. And uh and it just sounds like a
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classic the classic record that he that he would have done. Yeah,
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you know, like in the nineties or something, so I
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was really surprised.
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I was happy with it. I liked it.
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Mike dank at this point, if I want to listen
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to Rob Zombie, and you know, I'm not like this
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with everybody but Rob Zombie, if I want to listen
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to him, I'm going to listen to his first two
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White Zombies and his first soul album. I don't really
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need to go much past that. It's not terrible. I mean,
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if you're a Rob Zombie finger, you're probably gonna love this.
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It's it's good, but I don't need it so for
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replay value alone, it just didn't make the cut for
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me as a you know something great. It was good,
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though I didn't hate it.
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Okay.
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My final thoughts is that Wathern may not be a
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single that knocks me off my feet. The album is
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a complete thing.
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It is great.
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It's just great.
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So it don't have that oh my god, this is
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the hit single, but it don't need it. It's it's
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all about the vibe. When I try and do rankings,
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I kind of break it down to some categories, and
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with him, I just can't do that because it don't
359
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work that way.
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It's more of a vibe a feel and energy.
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You know.
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Of course the hooks are got to count.
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A little bit, but that's the whole collection.
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It's the collection of it, man. I mean the albums.
365
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It's got that classic Rob Zombie twisted gool infused heavy
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metal dam party.
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You know, it's the best way to put it.
368
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It definitely carries the spirit of White Zombie. Absolutely, gritty vocals,
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horror samples, layered guitars, pounding drums, pulsing low end, you
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know what I mean. It feels like you're at like
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a fucking metal rave or something like that, if that
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even exists.
373
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You know.
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I think the guitar playing shines throughout the record really.
375
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Man.
376
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The drums, you know, got a good balance of thrash punk,
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you know, groove. The production it's pretty good. I think
378
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the production's pretty tight on it. It's got raw edge,
379
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it's got rawness to it, you know. And I think
380
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if you're a long time White Zombie fan, you will
381
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absolutely love this record.
382
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You know, get in your car and just drive.
383
00:18:46.079 --> 00:18:49.039
Kind of record, like Damien said it earlier, high energy,
384
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a lot of fun, aggressive, it's got the horror elements
385
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that you know, I like, Yeah, do you're looking for
386
00:18:57.799 --> 00:19:00.839
something that's going back to, you know, the nineties or
387
00:19:00.839 --> 00:19:03.839
something like this. This is what he does best, definitely,
388
00:19:03.960 --> 00:19:06.839
so why not. You know, while it's not, oh my god,
389
00:19:06.920 --> 00:19:08.920
this is there's no more human than human kind of
390
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someone it, but it doesn't matter. It's one of those
391
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things where you just fucking let the whole thing play.
392
00:19:12.799 --> 00:19:15.319
It's under forty minutes. Let it ride, you know what
393
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I mean. Mixtapes, We'll see you soon.
1
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We're back Mix Tapes Podcast. We got Stevie with us. Stevie, well, yeah,
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let's see that teeth. Put your up theres so we
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can see those teeth there.
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I love it. That's the mascot. She looks like a
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happy girl, very happy today.
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She's a happy girl, very happy today.
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So we're back on Mix Tapes Podcast and we got
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to go go before you.
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It just came out Today's Saturday.
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We're actually recording on a Saturday, which we usually don't do,
11
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but we got the new Rob Zombie coming out, so
12
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we wanted to do this and get this out there,
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New Rob Zombie.
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You like Rob Zombie, right, Stevie girl, she.
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Loves Rob Zombie like. The album's called The Great Satan. Okay.
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So it was released February twenty seventh on Nuclear Blast Records.
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She's Making You Laugh, Produced by Chris Seuss Harris. It's
18
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his eighth record, his eighth studio record, Solo Studio Records,
19
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Should Say you Know and h Steve. If anything, we're
20
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gonna get into it near the end of this, but uh,
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it's definitely a return to that raw, aggressive.
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Zombie. That's the best way I can put it. Yeah,
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the best way I can put it on the record.
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Rob Zombie lead vocals, lyricist, creative director, Mike Riggs. Riggs
25
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is back in the fold. Mike Griggs guitar, also just
26
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as Riggs, Rob Blasco Nicholson also just known as Blasco
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on bass, and Gingerfish on drums. Ginger Fish, you know,
28
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of course it's from Marilyn Manson. It's got a great lineup. Man,
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He's always got a good lineup though.
30
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Man, you know, I actually I actually prefer uh John
31
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five guitar player over John five.
32
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Riggs is perfect because if you listen to riggs solo stuff,
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it's in the same vein. It's really in the same vein.
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If I believe Riggs's solo thing is Scum of the Earth,
35
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if you listen to Scum on the Earth, it's very
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close to Rob Zombie stuff.
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So it fits.
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Well.
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Yeah, he's got some really cool stuff, all right. So
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there's fifteen tracks. Three tracks we're not gonna do. There's
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two talking tracks and an awesome altro. But it's only
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like a minute long. But it is really cool. It
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works with the record, So we're not gonna do them.
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We're gonna do twelve tracks, and yeah, we take all
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our scores from one to ten, we average them ount
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and that's how we get our number from our least
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favorite track on the record to our favorite track. We're
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gonna start it off with number twelve. Sir Lord Acid
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00:02:42.039 --> 00:02:43.560
wolf Man, What do you got, Dame?
50
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Uh?
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00:02:45.039 --> 00:02:47.479
Yeah, this song didn't really do too much for me.
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I didn't think it was terrible though, But yeah, I
53
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got the lowest score, which was a six, and there
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00:02:54.560 --> 00:02:58.360
was another song with a sex on here. But yeah,
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I mean, for the most part, the whole record is
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really solid, but this wasn't too crazy about this.
57
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Mike Ding I kind of liked this.
58
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I thought it was a little breakup in the record.
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Can you not like that title that? That was a
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couple of points right there on its own. And yeah,
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I gave it a seven point five.
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I gave Sir Lord Acid wolf Man a six point
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five out of ten. It's got some strong ass atmosphere
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stuff going on. The spoken word style it works, you know.
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But the real standout on this track, you know, the
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backbone of it all is the musicianship.
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Definitely on this one. The music is pretty cool. Not
68
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a high score for me.
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The song said Okay, it works good with the record,
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but yeah, it's definitely probably my least.
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Favorite on the record.
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Coming in number eleven, Revolution Motherfuckers, What do you Got damon?
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Great title, so he got uh, he got points for that,
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and I just kind of liked the basic, you know,
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drum thing on the on the verses, and it's got
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a it's got a really really good chorus.
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That gave it a seven point two I think.
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Yeah, Okay, Mike Day, Yeah, I mean it's got some
79
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cool things going on. I mean for me though, and
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I'm gonna say, like a lot of the album, I'll
81
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get it up.
82
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Front, just didn't have the replay value for me.
83
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So I gave it a six.
84
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Okay, Revolution Motherfuckers, I gave a seven point five out
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of ten. It's driven by some cool electronics and pounding drums.
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I like the little tom pattern that the drum plays
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going in the second verse.
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He might only do once, but it's pretty it's pretty cool.
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The Cory's carries you know, that big rebellious you know
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energy works well for this record, works well seven point five,
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coming in number ten, Unclean Animals, What We Got Theame?
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Uh Yeah, this was the other song that that got
93
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a that got the same score. Six Uh, another tied
94
00:04:57.600 --> 00:05:00.639
for my least favorite. I think I don't know if
95
00:05:00.639 --> 00:05:03.639
it's the music or maybe his vocal. I don't like
96
00:05:03.639 --> 00:05:06.959
it when it does that high you know, that high
97
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pitch kind of vocal thing.
98
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I like his lower guttural voice. So yeah, that's why
99
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I gave it a six.
100
00:05:15.240 --> 00:05:18.560
Okay, Mike Ding, Yeah, I kind of like this one
101
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a little different. I gave it a seven point twenty five.
102
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Unclean Animals this is another one that got a seven
103
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point five out of ten for me. It grabs your
104
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attention immediately. I believe this is the one that has
105
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that Tom Sewyer kind of beginning right do your vocal effect.
106
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I like one of his voice. It sounds like a phaser.
107
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It adds some good texture to the song.
108
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The song builds, it's kind of build up. It evolves
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a little bit with a cool interlude. Yeah, I think
110
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it it's it sounds like you're on a journey. It's
111
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not the best song off the record, but it's something
112
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different to break up the rest. I think seven point
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five coming in number nine out of Sight demo.
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Yeah, I like the intro. I liked the I like
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the bass rip going on in this song. I gave
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it a seven point five.
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Okay Mike dam Yeah.
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Another one felt like kind of different for him, a
119
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little like kind of spaceier of a feel to it.
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I like this one.
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I gave it a seven point five.
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Out of sight, I gave a six point seven five.
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It opens up with that slightly kind of surfy kind
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of thing going on. The verse is pretty straightforward, but
125
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the pre chorus is really where the melody is at.
126
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From me. Uh.
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The the middle section is probably the highlight of the
128
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whole song. I think it elevates the track overall. So uh,
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six point seven five, come on number eight givel man
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Uh Yeah.
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I like the intro and uh and and the verses
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and the chorus and everything. It kind of it kind
133
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of reminds me like it's got like an Aussie feel
134
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to it. I think this song it kind of reminds
135
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me like it could have been a NAUSI song. Yeah,
136
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this is a This is a really solid track. I
137
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gave it a seven point sixty five.
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Nice Mike, good track.
139
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I felt like he did this one a lot though
140
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in the past.
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Six point seven.
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I think that's why I like this one for that
143
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exactly opposite reason few seven point seven five out of
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ten for devil Man. For me, I think it's got
145
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some excellent melodic guitar parts, you know, especially the leading
146
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into them, gritty vocal parts, big chorus, effective gang vocal
147
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shouts in there, layer guitars, man, love the layers man.
148
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It definitely gives it some weight, It gives it some thickness.
149
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Uh yeah, seven point seven five. I loo like this
150
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one coming number seven. Punks and Demons damo.
151
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Yeah, I believe this was the the first single I think, yep,
152
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this one.
153
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I really liked it.
154
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Kind of kind of remind me like an old like
155
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kind of like old White Zombie meets like Ministry.
156
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Ah yeah. I gave it a seven point eight.
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Mike Dan, Yeah, this is all right.
158
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It kind of reminded me of like an old industrial
159
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feel like like old White Zombie, you know, Ministry Ham
160
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FDN gave it a seven.
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I gave Punks and Demons a seven point five out
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of ten. This song's relentless and aggressive, That's the best
163
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way I could put it. And it hits hard, it
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moves fast, and it's finishes before you know it.
165
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It's over quick. It's not that long.
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It's short, sharp, and motherfucking effective, and it actually took me.
167
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First time I listened to it. I talked to dam
168
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I'm like, got new rob Zombies out. I don't know.
169
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I heard the first song when you put out the single.
170
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Dame was like, no, man, it's great. Give it a
171
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couple more listens.
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It's great because my first thing was like, I don't know,
173
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but listen back to it. It's pretty freaking good. It's
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it's it's really relentless. I mean, it's a pounder coming
175
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at number six. The Black Scorpion, Uh, I.
176
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Like this one.
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It's short, it's fast, it's punky. I gave it a
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uh seven point eighty five Mike.
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D just like Damien said, this is probably my favorite
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track off the album. This is seven point seventy five.
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Okay, the Black score beings six point seven five out
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of ten for me. I mean, it's got the pure
183
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it's pure metal energy, you know what I mean. From
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the start, it's layered with some cool horror theme accents
185
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going on. Musically, Uh, not the strongest track for me,
186
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but it's good.
187
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You know, it's you know, it's close to a seven.
188
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It's it's it fits well with the record, which you
189
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know I say often, but it really does.
190
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It works. There's a reason why certain records are put
191
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together this way. Coming to number five, Black Coffin, what
192
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do you got dam.
193
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Yeah, I like this one. This is uh it's got
194
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like an old school rob zombie. Uh vibe to it.
195
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I think I love I love it one. He has
196
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the samples put in there in me too. I love
197
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that ship, you know, I I love that stuff.
198
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I wish she would I wish she would just throw
199
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it in.
200
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Every every I would be fine with it.
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Yeah, be fine, yea. I gave it a seven point five.
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Okay, Mike Day seven point five wow.
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And as everybody else, I gave it a seven point
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five Black Coffin seven point five strong melody, strong hook,
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the mid guitar, the guitar section in the middle. It
206
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carries like this sci fi kind of thing going on,
207
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which I like.
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It just fits.
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Man, it's sci fi thing is awesome, Black coff I
210
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dig it. Coming to number four heath in Days, which
211
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I believe might have been the second single day.
212
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Yeah, this is a great driving song.
213
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It's funny thing.
214
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Yeah, I could picture be driving listen to this in
215
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the morning. Trying to get to work running late, you know,
216
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flooring it.
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I really like the chorus and.
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Yeah, it's just like a really heavy tune. I gave
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it a seven seven point nine to five.
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It's funny you said about It's funny you said about
221
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the Drive thing because I have it in I have
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it in my my notes too, like that's it's a
223
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that's actually a big part for you know, in my notes.
224
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But uh yeah, man, Mike David, he got yeah.
225
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I mean another one I just felt like heard before,
226
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I don't know, had some cool stuff in it. Not
227
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my favorite six point.
228
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Heathen Days eight out of ten, man high energy.
229
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I wrote Drive with the windows down type of track,
230
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you know, so uh, I mean it's it definitely channels
231
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that classic nineties zombie slash Manson kind of sound, which
232
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I that's the ship I loved in the nineties, was
233
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that zombie Manson with the samples with the little weird effects.
234
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Brought me back to why I liked them two bands
235
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in the nineties. Big Time the riff.
236
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It's got an infectious riff in there. It don't let
237
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up this album. The one thing I'll say about this
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album is it don't let up it's just it's it's statue.
239
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It keeps, it keeps jabbing you, you know, though I don't.
240
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I don't.
241
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I gotta say, I don't think I got hit with
242
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a knockout punch, but I got jabbed pretty fucking good
243
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through the whole fucking.
244
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Coming in number three, I'm a rock and rock and roller.
245
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I'm a rock and roller.
246
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David Week, Yeah, that's another one I like.
247
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Uh it's another one that's got that old school white
248
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zombie rob zombie nineties nineties vibe. I really like the
249
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the verses with the you know, with the constant kick drums.
250
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You know, it's almost like kind of like a dancy vibe.
251
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And I love the chorus, the pre chorus I'm not
252
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that crazy about. But uh still I get scored at
253
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a seven point seventy five.
254
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Mike ding Man, I mean, if you didn't like that
255
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Mega Death song from the last album about the guitars
256
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and on the stage and the rock and roll, I
257
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don't know.
258
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I mean, besides the lyrics that once a really really
259
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really good track. I wanted to like it more. Just
260
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the lyrics are killing it for me. Six point five.
261
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Okay, I gave it an eight point five out of ten,
262
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and that was rolling Megative. That's that should have scored
263
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higher for me because that Megatith record is fucking awesome.
264
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Wait, like it just got better and better.
265
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But anyway, going back to I'm a Rock and Roller,
266
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eight point five out of ten for me, it really's
267
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got that astro creep two thousand mix. Uh, you know
268
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that kind of feel to it. Wait, Zombie, it's got
269
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some wall guitars, some distorted vocals. You know, it shifts
270
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into a dynamic where it gets heavier. Uh yeah, I
271
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mean I think it's.
272
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A stronger cut on the record. I really do. Coming
273
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in number two, Tarantula, What you Got Dan?
274
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Yeah, this is my second favorite track on the album.
275
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I love the drums of double bass. It's heavy. Uh,
276
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this is what I like that He does the best
277
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when he does that, the heavy stuff, And I gave
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it an eight out of ten.
279
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Mike Dan, Yeah, it seems like when he does his stuff,
280
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like the creepy animals and bugs and stuff, that's his best.
281
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Seven point two five For me.
282
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I gave Tarantula eight out of ten. Direct force, full attitude.
283
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Three words.
284
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That's all you get from that, That's all you need.
285
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Coming in number one, ft W eighty four, dam.
286
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O what you got.
287
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Yeah, this is a great opener up thirty forty seconds in,
288
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I was like, yeah, this is the fucking nine right
289
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right right off the bat out even here in the course,
290
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and uh yeah, it's just it's just a great opening track.
291
00:14:30.639 --> 00:14:34.679
It's heavy, it's fast, it's Kicksie and the teeth, and
292
00:14:34.720 --> 00:14:36.279
it's uh, you know, it's got a great course.
293
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I gave it a nine.
294
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Mike d Yeah.
295
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I mean it's pretty powerful, got some cool stuff going
296
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musically on. Lyric wise, I don't know, but replay value
297
00:14:47.720 --> 00:14:49.720
not too much for me. Six point seventy five.
298
00:14:50.120 --> 00:14:51.279
Wow, So you gave that one.
299
00:14:51.320 --> 00:14:51.519
Wow?
300
00:14:51.639 --> 00:14:55.639
Yeah. Ft W eighty four eight point five out of ten.
301
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You know, probably my favorite off the record. I would
302
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say it's probably my favorite opening track that immediately brings
303
00:15:03.120 --> 00:15:08.000
you back to classic White Zombie, like Golden age White Zombie,
304
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you know, not the stuff, not the stuff before, you know,
305
00:15:12.120 --> 00:15:20.679
devil uh danceable beats, grinding rifts, killer outro, strong, strong
306
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way to kick off the album.
307
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I love.
308
00:15:22.679 --> 00:15:25.159
When I put the record on, first thing I thought
309
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back was like, oh shit, I'm back.
310
00:15:28.120 --> 00:15:32.799
I'm back, you know, from from the beginning. Yeah, I think.
311
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It's a great tune. Okay, here goes our ratings. Damien
312
00:15:36.559 --> 00:15:39.440
gave it a seven point five to one. Mike d
313
00:15:39.639 --> 00:15:42.240
gave it a seven point oh four. I gave it
314
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a seven point five six a mixtapes rating of seven
315
00:15:45.639 --> 00:15:49.000
point three seven, which is a good rating. Anything that
316
00:15:49.120 --> 00:15:52.600
hits a seven is a good rating. Yeah, so let's
317
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go with your final thoughts, Dame, what do you got?
318
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Yeah?
319
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I thought it was really, uh, really solid record. Did
320
00:15:58.840 --> 00:16:01.240
we review the last one? I don't even even remember.
321
00:16:01.320 --> 00:16:02.799
I think we might. We talked about it. If we
322
00:16:02.840 --> 00:16:04.159
didn't review it, we talked about it.
323
00:16:04.399 --> 00:16:07.159
Yeah, so I remember. I think I did check it out,
324
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and I wasn't that crazy about it. I haven't really
325
00:16:09.240 --> 00:16:13.919
been that crazy about a lot of his recent stuff,
326
00:16:14.039 --> 00:16:17.600
to be honest. I kind of think, uh, John five
327
00:16:17.720 --> 00:16:21.519
not being in the band is pretty refreshing to my years.
328
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I kinda I kind of like it. Uh, nothing nothing
329
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against him.
330
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Keeps it heavy.
331
00:16:28.240 --> 00:16:33.279
Yeah, I think the simplicity heaviness is really is really
332
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what's needed. And uh and it just sounds like a
333
00:16:36.320 --> 00:16:40.919
classic the classic record that he that he would have done. Yeah,
334
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you know, like in the nineties or something, so I
335
00:16:43.879 --> 00:16:44.679
was really surprised.
336
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I was happy with it. I liked it.
337
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Mike dank at this point, if I want to listen
338
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to Rob Zombie, and you know, I'm not like this
339
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with everybody but Rob Zombie, if I want to listen
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to him, I'm going to listen to his first two
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White Zombies and his first soul album. I don't really
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need to go much past that. It's not terrible. I mean,
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if you're a Rob Zombie finger, you're probably gonna love this.
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It's it's good, but I don't need it so for
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replay value alone, it just didn't make the cut for
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me as a you know something great. It was good,
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though I didn't hate it.
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Okay.
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My final thoughts is that Wathern may not be a
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single that knocks me off my feet. The album is
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a complete thing.
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It is great.
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It's just great.
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So it don't have that oh my god, this is
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the hit single, but it don't need it. It's it's
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all about the vibe. When I try and do rankings,
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I kind of break it down to some categories, and
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with him, I just can't do that because it don't
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work that way.
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It's more of a vibe a feel and energy.
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You know.
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Of course the hooks are got to count.
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A little bit, but that's the whole collection.
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It's the collection of it, man. I mean the albums.
365
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It's got that classic Rob Zombie twisted gool infused heavy
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metal dam party.
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You know, it's the best way to put it.
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It definitely carries the spirit of White Zombie. Absolutely, gritty vocals,
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horror samples, layered guitars, pounding drums, pulsing low end, you
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know what I mean. It feels like you're at like
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a fucking metal rave or something like that, if that
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even exists.
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You know.
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I think the guitar playing shines throughout the record really.
375
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Man.
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The drums, you know, got a good balance of thrash punk,
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you know, groove. The production it's pretty good. I think
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the production's pretty tight on it. It's got raw edge,
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it's got rawness to it, you know. And I think
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if you're a long time White Zombie fan, you will
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absolutely love this record.
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You know, get in your car and just drive.
383
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Kind of record, like Damien said it earlier, high energy,
384
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a lot of fun, aggressive, it's got the horror elements
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that you know, I like, Yeah, do you're looking for
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something that's going back to, you know, the nineties or
387
00:19:00.839 --> 00:19:03.839
something like this. This is what he does best, definitely,
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00:19:03.960 --> 00:19:06.839
so why not. You know, while it's not, oh my god,
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this is there's no more human than human kind of
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someone it, but it doesn't matter. It's one of those
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things where you just fucking let the whole thing play.
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It's under forty minutes. Let it ride, you know what
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I mean. Mixtapes, We'll see you soon.
