1
00:00:01,040 -->
00:00:03,759
Yo. What's up? What's up? It's a what's
2
00:00:03,759 -->
00:00:05,299
the matter with me?
3
00:00:06,240 -->
00:00:07,779
I've been having technical
4
00:00:08,320 -->
00:00:08,820
difficulties.
5
00:00:10,880 -->
00:00:12,740
My audio has just been
6
00:00:13,039 -->
00:00:13,539
really
7
00:00:13,875 -->
00:00:17,414
a problem. I need, like, engineers. I need
8
00:00:17,554 -->
00:00:19,015
a radio station.
9
00:00:20,434 -->
00:00:23,074
What's up? It's what's the matter with me.
10
00:00:23,074 -->
00:00:26,035
I'm John. I'm 46 years old. I have
11
00:00:26,035 -->
00:00:27,335
multiple sclerosis
12
00:00:29,289 -->
00:00:29,949
and trigeminal
13
00:00:30,489 -->
00:00:30,989
neuralgia,
14
00:00:31,529 -->
00:00:32,350
and I've
15
00:00:32,810 -->
00:00:33,310
survived.
16
00:00:33,689 -->
00:00:35,549
I'm living right here.
17
00:00:36,409 -->
00:00:37,229
I usually,
18
00:00:39,530 -->
00:00:42,429
have a wheelchair. My wheelchair is broken
19
00:00:43,094 -->
00:00:44,875
right now, so it's, like,
20
00:00:45,335 -->
00:00:45,835
major
21
00:00:46,215 -->
00:00:47,515
stress. I've missed
22
00:00:48,295 -->
00:00:49,114
my son's
23
00:00:50,454 -->
00:00:50,954
wrestling
24
00:00:51,575 -->
00:00:54,695
season. I didn't see him wrestle one time,
25
00:00:54,695 -->
00:00:57,195
and I'm gonna miss the award banquet.
26
00:00:58,179 -->
00:01:00,420
Lame. I wanted to be there to see
27
00:01:00,420 -->
00:01:02,439
him wrestle cheer for him.
28
00:01:03,140 -->
00:01:03,879
It's been
29
00:01:04,180 -->
00:01:06,659
stressing me out that I don't have my
30
00:01:06,659 -->
00:01:08,040
wheelchair. My family
31
00:01:08,900 -->
00:01:09,879
has vacation
32
00:01:10,180 -->
00:01:11,640
coming up in April,
33
00:01:12,245 -->
00:01:14,165
and I don't think I'm gonna be able
34
00:01:14,165 -->
00:01:15,064
to go anywhere.
35
00:01:15,444 -->
00:01:18,344
Like, I can't really go on vacation
36
00:01:18,805 -->
00:01:22,245
without my wheelchair. That's what helps me go
37
00:01:22,245 -->
00:01:22,745
somewhere.
38
00:01:23,765 -->
00:01:25,784
And so the idea of
39
00:01:26,085 -->
00:01:26,745
a jaunt
40
00:01:27,299 -->
00:01:29,479
without the wheelchair kinda pointless.
41
00:01:30,899 -->
00:01:32,119
I need a wheelchair
42
00:01:32,420 -->
00:01:33,239
to go
43
00:01:33,700 -->
00:01:34,200
somewhere,
44
00:01:34,899 -->
00:01:37,719
especially if I'm gonna go on a voyage.
45
00:01:38,899 -->
00:01:41,319
The doctor is signing my prescription
46
00:01:41,954 -->
00:01:43,734
with an auto pen,
47
00:01:44,115 -->
00:01:47,715
and the insurance company's been rejecting it. And
48
00:01:47,715 -->
00:01:49,954
they've been going back and forth, and I
49
00:01:50,194 -->
00:01:52,135
I've been, like, trying to get them
50
00:01:52,594 -->
00:01:53,655
to pay attention
51
00:01:54,034 -->
00:01:57,094
because they've rejected it, the same thing,
52
00:01:57,670 -->
00:02:00,649
four times over, and it's been a month.
53
00:02:00,950 -->
00:02:03,769
And I'm like, hey. Hey. Just
54
00:02:04,149 -->
00:02:05,049
sign it.
55
00:02:06,629 -->
00:02:09,509
And maybe that maybe that'll help. I don't
56
00:02:09,509 -->
00:02:10,009
know.
57
00:02:10,864 -->
00:02:12,484
The war is happening.
58
00:02:12,784 -->
00:02:14,805
I was asking AI
59
00:02:15,264 -->
00:02:16,644
about the way,
60
00:02:18,064 -->
00:02:21,025
on the twenty eighth, I was talking to
61
00:02:21,025 -->
00:02:22,484
AI about the Malian
62
00:02:22,864 -->
00:02:23,364
dialogues
63
00:02:23,984 -->
00:02:24,484
because
64
00:02:25,269 -->
00:02:28,090
I feel like the way our culture
65
00:02:28,469 -->
00:02:29,209
is talking
66
00:02:29,509 -->
00:02:30,009
about
67
00:02:30,870 -->
00:02:31,370
international
68
00:02:32,069 -->
00:02:32,569
relations,
69
00:02:34,069 -->
00:02:34,889
the Greenland,
70
00:02:35,669 -->
00:02:37,909
the whole thing, and now we're at war
71
00:02:37,909 -->
00:02:38,729
in Iran.
72
00:02:39,405 -->
00:02:39,905
That's
73
00:02:40,284 -->
00:02:43,344
the Malian dialogue from ancient Greece,
74
00:02:43,965 -->
00:02:45,025
from Thucydides'
75
00:02:45,884 -->
00:02:47,424
history of the Peloponnesian
76
00:02:48,044 -->
00:02:51,405
War, the idea that the strong do what
77
00:02:51,405 -->
00:02:52,224
they can
78
00:02:52,719 -->
00:02:55,379
and the weak suffer what they must.
79
00:02:56,080 -->
00:02:57,620
And that was the argument
80
00:02:58,400 -->
00:02:58,900
presented
81
00:02:59,199 -->
00:03:00,419
to the island
82
00:03:01,039 -->
00:03:01,780
of Milos
83
00:03:02,239 -->
00:03:02,739
saying,
84
00:03:03,199 -->
00:03:06,405
hey. You need to pay us tax and
85
00:03:06,405 -->
00:03:08,105
become part of our Athenian
86
00:03:08,485 -->
00:03:08,985
empire.
87
00:03:09,525 -->
00:03:12,264
And they were like, that isn't right. And
88
00:03:12,485 -->
00:03:15,685
the response was the strong do what they
89
00:03:15,685 -->
00:03:18,264
can. The weak suffer what they must.
90
00:03:19,310 -->
00:03:21,330
The Melian dialogue
91
00:03:22,110 -->
00:03:24,530
happens at the end of the Athenian
92
00:03:24,830 -->
00:03:26,689
empires. The the empire
93
00:03:26,990 -->
00:03:27,490
grasps
94
00:03:27,790 -->
00:03:28,290
around.
95
00:03:28,750 -->
00:03:29,490
It starts
96
00:03:30,110 -->
00:03:30,610
denying
97
00:03:30,909 -->
00:03:33,490
its place at the table and
98
00:03:34,014 -->
00:03:36,974
denying the other people a place at the
99
00:03:36,974 -->
00:03:38,995
table. That's about compulsion.
100
00:03:40,175 -->
00:03:40,675
Dad
101
00:03:40,974 -->
00:03:41,794
took me
102
00:03:42,495 -->
00:03:43,715
to go see,
103
00:03:45,055 -->
00:03:47,075
Born on the July 4,
104
00:03:47,969 -->
00:03:48,709
and then
105
00:03:49,250 -->
00:03:52,449
a man died in the theater. We got
106
00:03:52,530 -->
00:03:55,330
our tickets were funded. I said to dad,
107
00:03:55,330 -->
00:03:58,389
please, can we leave? And he said, just
108
00:03:58,849 -->
00:04:02,485
promise me he won't join the military. And
109
00:04:02,485 -->
00:04:04,425
I was like, yes. Let's go.
110
00:04:04,805 -->
00:04:05,865
A man died.
111
00:04:06,485 -->
00:04:07,784
It was the weekend.
112
00:04:08,645 -->
00:04:11,365
It was like opening weekend and you know
113
00:04:11,365 -->
00:04:12,185
how movies
114
00:04:12,965 -->
00:04:15,544
used to be. We were sitting in
115
00:04:16,129 -->
00:04:18,610
the side. There was no seat in the
116
00:04:18,610 -->
00:04:19,110
middle.
117
00:04:19,649 -->
00:04:22,209
We were in, like, the third row on
118
00:04:22,209 -->
00:04:23,189
the side,
119
00:04:24,290 -->
00:04:27,009
and the guy in the first or second
120
00:04:27,009 -->
00:04:27,509
row
121
00:04:28,209 -->
00:04:30,470
died in the middle of the movie,
122
00:04:30,925 -->
00:04:34,685
and his date screamed, ah, and the lights
123
00:04:34,685 -->
00:04:36,785
went on, the man was dead.
124
00:04:37,165 -->
00:04:38,705
We stopped the movie,
125
00:04:39,085 -->
00:04:40,305
and the
126
00:04:40,685 -->
00:04:44,125
police came, and I got they offered to
127
00:04:44,125 -->
00:04:45,264
refund tickets.
128
00:04:46,949 -->
00:04:48,789
And I was like, dad, get me out
129
00:04:48,789 -->
00:04:49,449
of here.
130
00:04:50,310 -->
00:04:51,769
I think I was 10.
131
00:04:52,470 -->
00:04:54,490
It was just too much.
132
00:04:55,750 -->
00:04:56,250
War.
133
00:04:57,189 -->
00:05:00,889
Alright. Well, there's war. People shouldn't do war.
134
00:05:01,425 -->
00:05:03,685
Let me get some shout outs.
135
00:05:04,704 -->
00:05:07,365
I wanna give a shout out to Max
136
00:05:07,504 -->
00:05:08,004
Level.
137
00:05:09,105 -->
00:05:11,584
Gotta give a big shout out to Max
138
00:05:11,584 -->
00:05:14,430
Level. He was feeling the last episode
139
00:05:15,050 -->
00:05:15,949
and commiserating
140
00:05:16,569 -->
00:05:18,430
about hopping the hot sauce.
141
00:05:19,050 -->
00:05:21,689
Big shout out. The best shout out of
142
00:05:21,689 -->
00:05:24,269
his whole life going out to Max
143
00:05:24,569 -->
00:05:25,069
level.
144
00:05:26,009 -->
00:05:26,509
Max
145
00:05:27,129 -->
00:05:27,629
level.
146
00:05:28,355 -->
00:05:29,814
Get other people's
147
00:05:30,274 -->
00:05:30,774
perspective.
148
00:05:31,955 -->
00:05:35,894
Be cool with them. Respect them. Respect others.
149
00:05:36,514 -->
00:05:39,795
Get along with other people. I got some
150
00:05:39,795 -->
00:05:41,095
record reviews.
151
00:05:42,279 -->
00:05:42,779
Basic,
152
00:05:43,560 -->
00:05:44,060
almost
153
00:05:44,439 -->
00:05:45,660
record reviews.
154
00:05:46,520 -->
00:05:47,180
The new
155
00:05:47,480 -->
00:05:50,939
album from the local band, San Francisco
156
00:05:51,399 -->
00:05:53,180
band, Magic Fig.
157
00:05:53,720 -->
00:05:56,699
Their new second album is Valerian
158
00:05:57,160 -->
00:05:57,660
Tea.
159
00:05:58,415 -->
00:06:02,754
Their, self titled came out in 2024.
160
00:06:03,935 -->
00:06:07,214
Their new record, Valerian Tea, it's been getting
161
00:06:07,214 -->
00:06:09,074
a lot of play on KFJAC.
162
00:06:10,319 -->
00:06:12,560
My wife and I are, like, perked up
163
00:06:12,560 -->
00:06:14,740
when we hear it. It's kinda interesting.
164
00:06:15,839 -->
00:06:18,180
We're like, oh, what's this? And it keeps
165
00:06:18,240 -->
00:06:22,240
being magic fake. Off Valerian t, it sounds
166
00:06:22,240 -->
00:06:23,699
kinda like Stereolab
167
00:06:24,479 -->
00:06:24,979
sometimes
168
00:06:25,360 -->
00:06:25,860
and,
169
00:06:26,294 -->
00:06:30,294
like, Lady Tron and, like, the French band
170
00:06:30,294 -->
00:06:30,794
Air.
171
00:06:31,654 -->
00:06:33,435
It's a local band.
172
00:06:34,375 -->
00:06:37,334
Where did they really come from last day?
173
00:06:37,334 -->
00:06:37,834
I
174
00:06:38,389 -->
00:06:41,029
And it's like a super group. Let me
175
00:06:41,029 -->
00:06:44,009
see. Where did they really come from?
176
00:06:44,870 -->
00:06:47,430
So they came out of the SFC. It's
177
00:06:47,430 -->
00:06:49,529
like a post pandemic band.
178
00:06:50,230 -->
00:06:51,290
Muzzy Moskowitz
179
00:06:52,365 -->
00:06:55,824
from Almond Joy in color green. The keyboardist
180
00:06:56,125 -->
00:06:58,625
John Chaney from Healing Potpourri.
181
00:06:59,564 -->
00:07:03,345
And bass is Matthew Ferraro from The Umbrellas.
182
00:07:04,699 -->
00:07:05,100
They,
183
00:07:05,900 -->
00:07:08,160
were interested in fuzz organ
184
00:07:08,460 -->
00:07:09,759
sixties, seventies,
185
00:07:10,220 -->
00:07:10,720
prog.
186
00:07:11,340 -->
00:07:15,500
The drummer Taylor Griffin Healing Potpourri came on
187
00:07:15,500 -->
00:07:16,480
and the vocalist
188
00:07:17,564 -->
00:07:18,064
Mellotron
189
00:07:18,444 -->
00:07:20,305
player, Ina Showalter,
190
00:07:21,324 -->
00:07:24,764
kind of an Eastern European vibe. That reminds
191
00:07:24,764 -->
00:07:26,224
me, kind of like Persephone's
192
00:07:26,845 -->
00:07:27,345
bees.
193
00:07:28,125 -->
00:07:31,870
And another local SF band with an Eastern
194
00:07:31,930 -->
00:07:33,229
European vocalist
195
00:07:33,529 -->
00:07:34,349
I would like.
196
00:07:34,649 -->
00:07:36,269
That'd be a cool set,
197
00:07:37,370 -->
00:07:38,430
to play together.
198
00:07:39,529 -->
00:07:41,789
Music recorded at Santos
199
00:07:42,329 -->
00:07:43,870
Studio in Oakland.
200
00:07:44,824 -->
00:07:46,205
The Oakland producer,
201
00:07:46,584 -->
00:07:47,084
Joel
202
00:07:47,384 -->
00:07:47,884
Robineau,
203
00:07:48,425 -->
00:07:49,324
that's their
204
00:07:49,705 -->
00:07:50,605
big producer
205
00:07:51,064 -->
00:07:53,324
guy. And I checked him out,
206
00:07:53,705 -->
00:07:56,185
and he was playing a live show with
207
00:07:56,185 -->
00:07:56,685
Wobbly
208
00:07:57,689 -->
00:07:58,829
at the Natural
209
00:07:59,209 -->
00:08:02,569
Batting Cage, which is a batting cage in
210
00:08:02,569 -->
00:08:03,389
San Francisco.
211
00:08:04,089 -->
00:08:07,209
So he played some show with Wobbly, who's
212
00:08:07,209 -->
00:08:08,269
like an experimental
213
00:08:09,050 -->
00:08:09,550
electronic
214
00:08:09,930 -->
00:08:10,430
musician.
215
00:08:11,264 -->
00:08:13,985
We used to check out Wobbly, like, twenty
216
00:08:13,985 -->
00:08:14,725
years ago.
217
00:08:15,665 -->
00:08:18,944
So Wobbly is at the Batting Cages with
218
00:08:18,944 -->
00:08:22,245
Joel Robineau, the producer of Magic Fig.
219
00:08:22,625 -->
00:08:23,764
Kind of an interesting
220
00:08:24,144 -->
00:08:24,644
album.
221
00:08:25,169 -->
00:08:26,389
Recall Stereolab
222
00:08:26,769 -->
00:08:29,669
Lady Tron Air. It's a local band.
223
00:08:30,050 -->
00:08:33,009
Where do they really come from? Oakland, I
224
00:08:33,009 -->
00:08:33,509
guess.
225
00:08:33,970 -->
00:08:37,250
They're an SF people, but they record in
226
00:08:37,250 -->
00:08:37,750
Oakland.
227
00:08:38,495 -->
00:08:39,634
They're an SF
228
00:08:40,014 -->
00:08:42,274
people. I like the sound of it.
229
00:08:42,975 -->
00:08:44,195
Also recently,
230
00:08:44,654 -->
00:08:46,595
I picked up Wet Leg,
231
00:08:47,294 -->
00:08:47,794
another
232
00:08:48,174 -->
00:08:48,674
recent
233
00:08:49,134 -->
00:08:50,195
record purchase.
234
00:08:50,940 -->
00:08:53,519
Their second l p this is all about
235
00:08:53,580 -->
00:08:55,919
second records today, sophomore.
236
00:08:56,779 -->
00:08:57,600
Wet Leg
237
00:08:58,220 -->
00:08:58,720
Moisturizer
238
00:08:59,500 -->
00:09:00,320
l p.
239
00:09:00,940 -->
00:09:03,120
This record kind of soppy.
240
00:09:03,825 -->
00:09:05,745
That was a word. I I had to
241
00:09:05,745 -->
00:09:07,605
look that up. What is soppy?
242
00:09:08,144 -->
00:09:10,404
S o p p y, they said.
243
00:09:10,785 -->
00:09:13,045
Wetleg has turned kind of soppy.
244
00:09:13,985 -->
00:09:15,365
So it got good
245
00:09:16,000 -->
00:09:19,759
reviews, pretty good reviews. It's a catchy record.
246
00:09:19,759 -->
00:09:20,419
I would
247
00:09:20,959 -->
00:09:21,699
the reviewers
248
00:09:22,000 -->
00:09:24,259
are like it's kind of more emotionally
249
00:09:24,959 -->
00:09:25,459
vulnerable
250
00:09:25,919 -->
00:09:27,139
than their debut
251
00:09:27,440 -->
00:09:27,940
record.
252
00:09:29,065 -->
00:09:30,845
And I guess that
253
00:09:32,424 -->
00:09:34,605
it it uses more profanity.
254
00:09:35,065 -->
00:09:36,845
I'm not sold on profanity.
255
00:09:37,304 -->
00:09:40,024
People here know I have accomplished I like
256
00:09:40,024 -->
00:09:40,524
profanity
257
00:09:40,904 -->
00:09:42,924
and I don't like it sometimes.
258
00:09:44,389 -->
00:09:45,610
It's it uses
259
00:09:45,910 -->
00:09:48,789
some and I it's not like really adding
260
00:09:48,789 -->
00:09:50,330
to it for me.
261
00:09:50,710 -->
00:09:54,470
But it, it's like soppy. So that means
262
00:09:54,470 -->
00:09:55,769
like emotionally
263
00:09:56,470 -->
00:09:56,970
vulnerable.
264
00:09:59,115 -->
00:10:00,014
Some reviewers
265
00:10:00,954 -->
00:10:03,294
felt the album had skip tracks
266
00:10:04,475 -->
00:10:08,014
where certain ballads felt languid and cliche.
267
00:10:09,595 -->
00:10:10,735
Heavy reliance
268
00:10:11,389 -->
00:10:13,730
on ironic quirky immaturity
269
00:10:14,190 -->
00:10:15,330
could be polarizing.
270
00:10:16,029 -->
00:10:18,269
I guess that's what I'm saying. We don't
271
00:10:18,269 -->
00:10:19,250
need the profanity,
272
00:10:19,870 -->
00:10:20,610
wet leg.
273
00:10:20,990 -->
00:10:23,009
It's not showing us anything.
274
00:10:23,684 -->
00:10:26,725
So but another thing people were saying was
275
00:10:26,725 -->
00:10:28,024
it's, like, nineties
276
00:10:29,365 -->
00:10:29,865
nineties
277
00:10:30,325 -->
00:10:32,884
music. So I I was, like, thinking, and
278
00:10:32,884 -->
00:10:34,825
I looked up Marilyn Manson.
279
00:10:35,365 -->
00:10:38,480
It is not like Marilyn Manson. I looked
280
00:10:38,480 -->
00:10:42,100
up Jane's Addiction. It's not like Jane's Addiction.
281
00:10:42,559 -->
00:10:45,940
I looked up garbage. It's not like garbage.
282
00:10:46,159 -->
00:10:48,820
It's a dull thing. It's catchy.
283
00:10:50,254 -->
00:10:53,134
It's kinda like party music. I think wet
284
00:10:53,134 -->
00:10:55,075
leg, I played it at a barbecue,
285
00:10:55,855 -->
00:10:58,095
and the models, she was like, oh, yeah.
286
00:10:58,095 -->
00:11:00,495
I heard this at the they were playing
287
00:11:00,495 -->
00:11:01,715
this at the fashion
288
00:11:02,095 -->
00:11:03,394
shoot or whatever.
289
00:11:03,740 -->
00:11:05,659
And I was like, oh, yeah. That makes
290
00:11:05,659 -->
00:11:07,440
sense. So it's kinda got
291
00:11:07,899 -->
00:11:08,639
a little
292
00:11:09,980 -->
00:11:12,940
it's a little brain dead. It's not it's
293
00:11:12,940 -->
00:11:14,480
not that deep.
294
00:11:15,019 -->
00:11:15,519
But
295
00:11:15,899 -->
00:11:17,199
I kinda like it.
296
00:11:17,855 -->
00:11:19,475
Wet leg moisturizer.
297
00:11:20,095 -->
00:11:22,514
I'm just too old for that, I think.
298
00:11:22,735 -->
00:11:24,834
Not bad for a second album.
299
00:11:26,414 -->
00:11:28,434
I've learned the word soppy.
300
00:11:29,870 -->
00:11:32,509
Another thing I'm too old for, I got
301
00:11:32,509 -->
00:11:33,809
John a CD.
302
00:11:34,190 -->
00:11:35,710
I was like, you know, I'm gonna get
303
00:11:35,710 -->
00:11:37,490
him a CD for Christmas.
304
00:11:37,870 -->
00:11:41,490
And I got him getting killed by geese.
305
00:11:42,434 -->
00:11:45,894
And that's like it reminds me of Radiohead.
306
00:11:46,995 -->
00:11:48,695
It reminds me
307
00:11:49,235 -->
00:11:50,455
of The Strokes.
308
00:11:53,634 -->
00:11:56,615
Does that mean it's a non serious music?
309
00:11:56,754 -->
00:11:57,654
I don't know.
310
00:11:59,100 -->
00:12:01,740
Serious or not serious, I bought it for
311
00:12:01,740 -->
00:12:04,059
my son because I was like, you're you're
312
00:12:04,059 -->
00:12:06,720
getting that age. You need a cool record.
313
00:12:07,100 -->
00:12:09,580
So someone can come over come over to
314
00:12:09,580 -->
00:12:11,340
your house and be like, oh, you have
315
00:12:11,340 -->
00:12:11,840
that?
316
00:12:12,220 -->
00:12:12,720
Cool.
317
00:12:13,795 -->
00:12:15,415
You know, it's it's a teenager
318
00:12:15,795 -->
00:12:17,894
now. He's 12.
319
00:12:18,835 -->
00:12:20,615
He's going on 13.
320
00:12:21,235 -->
00:12:24,035
He's almost gonna be a teenager, so he
321
00:12:24,035 -->
00:12:27,554
can have time. Getting killed, keys, the guy
322
00:12:27,554 -->
00:12:31,570
uses the kind of vibrato that's very constant.
323
00:12:33,070 -->
00:12:36,110
It's, like, not very he doesn't, like, ease
324
00:12:36,110 -->
00:12:38,910
in and out of the vibrato. He sounds
325
00:12:38,910 -->
00:12:39,970
kinda like a
326
00:12:40,750 -->
00:12:41,889
he's like, woah.
327
00:12:42,350 -->
00:12:44,210
He sounds kinda like a goose.
328
00:12:45,764 -->
00:12:48,644
You know, it's the time to move on.
329
00:12:48,644 -->
00:12:50,024
We're all old now.
330
00:12:50,644 -->
00:12:51,865
Geese is popular.
331
00:12:52,644 -->
00:12:53,384
I'm reading.
332
00:12:53,764 -->
00:12:56,164
Now it's a book review. Okay? A lot
333
00:12:56,164 -->
00:12:56,985
of reviews,
334
00:12:57,365 -->
00:12:57,865
tertiary,
335
00:12:58,325 -->
00:13:00,424
almost reviews, not very
336
00:13:00,830 -->
00:13:01,970
not very this,
337
00:13:02,350 -->
00:13:04,769
very that, some here and there.
338
00:13:05,230 -->
00:13:07,009
I have been reading
339
00:13:07,710 -->
00:13:08,929
the the
340
00:13:09,710 -->
00:13:11,570
book Your Name Here
341
00:13:12,190 -->
00:13:13,570
by Helen DeWitt.
342
00:13:15,595 -->
00:13:18,335
It's a book that's kinda like the movie
343
00:13:18,394 -->
00:13:18,894
adaptation
344
00:13:19,754 -->
00:13:21,294
by Charlie Kaufman,
345
00:13:22,554 -->
00:13:24,495
like the cover of the book.
346
00:13:25,115 -->
00:13:27,595
I'll just the cover of the book is
347
00:13:27,595 -->
00:13:28,095
just
348
00:13:28,580 -->
00:13:29,080
text.
349
00:13:29,620 -->
00:13:30,519
And it says,
350
00:13:31,540 -->
00:13:33,940
the book is on a table in the
351
00:13:33,940 -->
00:13:34,440
bookstore,
352
00:13:35,139 -->
00:13:37,639
part of a three for two offer.
353
00:13:38,019 -->
00:13:41,399
You've also been meaning to read Seymour Hershey's
354
00:13:42,019 -->
00:13:43,160
Chain of Command,
355
00:13:43,704 -->
00:13:46,345
and this too is in the three for
356
00:13:46,345 -->
00:13:47,164
two deal.
357
00:13:47,625 -->
00:13:48,924
They've got Gravity's
358
00:13:49,384 -->
00:13:51,325
Rainbow by the notorious
359
00:13:52,105 -->
00:13:52,605
recluse
360
00:13:53,225 -->
00:13:53,725
Thomas
361
00:13:54,105 -->
00:13:54,605
Pynchon,
362
00:13:56,039 -->
00:13:57,980
Mao two by DeLillo,
363
00:13:58,759 -->
00:14:00,220
the border trilogy
364
00:14:00,679 -->
00:14:01,500
by McCarthy,
365
00:14:02,360 -->
00:14:04,700
the catcher in the rye by Salinger,
366
00:14:05,399 -->
00:14:05,899
notorious
367
00:14:06,759 -->
00:14:07,259
recluses
368
00:14:08,039 -->
00:14:09,019
to a man.
369
00:14:09,914 -->
00:14:10,735
They've got
370
00:14:11,195 -->
00:14:12,014
The Loser,
371
00:14:12,475 -->
00:14:14,495
a novel about the notorious
372
00:14:15,034 -->
00:14:15,534
recluse
373
00:14:15,914 -->
00:14:16,894
Glenn Gould,
374
00:14:17,355 -->
00:14:18,414
by their notorious
375
00:14:19,034 -->
00:14:19,534
misanthrope
376
00:14:19,995 -->
00:14:21,215
Thomas Bernhardt.
377
00:14:22,289 -->
00:14:25,190
They've got lottery land by the notorious
378
00:14:25,889 -->
00:14:26,389
recluse
379
00:14:26,769 -->
00:14:27,269
misentroped
380
00:14:28,129 -->
00:14:28,629
Zosanian.
381
00:14:29,889 -->
00:14:31,269
You feel certainly
382
00:14:31,649 -->
00:14:32,709
and uncommunicative.
383
00:14:34,725 -->
00:14:36,424
You hate your fellow man.
384
00:14:37,044 -->
00:14:37,544
Reclusiveness
385
00:14:38,325 -->
00:14:39,144
and misanthropy
386
00:14:40,164 -->
00:14:42,264
could be the hair of the dog.
387
00:14:43,284 -->
00:14:46,904
They've also got Helen DeWitt and Ilya Grigniff's
388
00:14:47,365 -->
00:14:49,705
new book, Your Name Here.
389
00:14:50,629 -->
00:14:52,330
So that's the cover.
390
00:14:53,669 -->
00:14:56,330
Helena DeWitt and Ilya Gridneff
391
00:14:56,710 -->
00:14:58,250
and Your Name Here
392
00:14:58,870 -->
00:15:01,509
are in red. The rest of it is
393
00:15:01,509 -->
00:15:02,889
just type. It's a,
394
00:15:03,225 -->
00:15:05,884
so it's kind of a meta book.
395
00:15:06,985 -->
00:15:09,725
There's like a book inside the book
396
00:15:10,825 -->
00:15:11,804
that Zosanian
397
00:15:12,825 -->
00:15:16,264
Lottery Land is like a fake book by
398
00:15:16,264 -->
00:15:19,779
a fake author that's inside this book.
399
00:15:20,320 -->
00:15:22,340
It's just like a book.
400
00:15:23,440 -->
00:15:26,879
She had gone through some mental illness. She'd
401
00:15:26,879 -->
00:15:27,779
been committed.
402
00:15:28,480 -->
00:15:29,460
There were suicide
403
00:15:29,840 -->
00:15:31,700
attempts. This is in
404
00:15:32,115 -->
00:15:32,855
Helen DeWitt's
405
00:15:33,154 -->
00:15:34,375
actual life,
406
00:15:35,075 -->
00:15:35,894
real life.
407
00:15:36,355 -->
00:15:36,855
And
408
00:15:38,034 -->
00:15:41,335
she had written this book, The Last Samurai,
409
00:15:41,715 -->
00:15:43,414
in 2003,
410
00:15:44,240 -->
00:15:46,259
and it was a big success.
411
00:15:46,879 -->
00:15:49,839
And she spent a long time trying to
412
00:15:49,839 -->
00:15:51,940
get this book published.
413
00:15:52,879 -->
00:15:55,279
It's kind of a little wild of a
414
00:15:55,279 -->
00:15:55,779
book.
415
00:15:57,074 -->
00:15:59,334
It like imagines a world
416
00:16:00,034 -->
00:16:01,735
in which the Moors,
417
00:16:03,314 -->
00:16:04,615
the Moorish empire
418
00:16:05,794 -->
00:16:08,454
stayed in Spain, and their headquarters
419
00:16:08,914 -->
00:16:09,975
was in Granada,
420
00:16:10,940 -->
00:16:11,820
and they,
421
00:16:12,379 -->
00:16:15,759
settled the new world, like Spain with Columbus.
422
00:16:16,379 -->
00:16:19,100
But the Moors settled the new world, and
423
00:16:19,100 -->
00:16:20,480
they speak Arabic
424
00:16:21,179 -->
00:16:24,559
in the new world, and it's like a,
425
00:16:24,904 -->
00:16:28,205
and then it kinda breaks into this other
426
00:16:28,264 -->
00:16:30,125
novel, Lottery Land,
427
00:16:30,665 -->
00:16:31,384
which is,
428
00:16:31,785 -->
00:16:34,125
about a world where
429
00:16:35,225 -->
00:16:37,565
you everyone gets lotto
430
00:16:37,865 -->
00:16:39,085
lotto monitors,
431
00:16:39,509 -->
00:16:42,410
and they check their luck all the time.
432
00:16:43,190 -->
00:16:45,590
And people have bad or good luck and
433
00:16:45,590 -->
00:16:46,330
some people
434
00:16:47,110 -->
00:16:49,690
lose everything and then kind of become
435
00:16:50,070 -->
00:16:50,570
outcasts
436
00:16:51,830 -->
00:16:52,330
outcasts
437
00:16:52,870 -->
00:16:54,009
from society.
438
00:16:55,304 -->
00:16:55,965
Really interesting
439
00:16:56,904 -->
00:16:57,404
book.
440
00:16:59,945 -->
00:17:03,325
A lot of it is, like, emails.
441
00:17:03,865 -->
00:17:06,345
Takes the form of emails where they have,
442
00:17:06,345 -->
00:17:07,404
like, the header
443
00:17:07,759 -->
00:17:12,500
and it's, like, from popesonecstasy@hotmail.com.
444
00:17:12,799 -->
00:17:15,059
And and and it's, like, MSN.
445
00:17:16,000 -->
00:17:19,119
It has the, like, auto signature at the
446
00:17:19,119 -->
00:17:19,619
bottom,
447
00:17:20,144 -->
00:17:23,045
and you're just like, this is insane.
448
00:17:23,904 -->
00:17:25,765
Then there's, like, Arabic.
449
00:17:26,305 -->
00:17:27,765
Like, I learned that
450
00:17:29,025 -->
00:17:29,924
words like
451
00:17:30,705 -->
00:17:31,205
mujahideen
452
00:17:31,825 -->
00:17:32,724
and jihad,
453
00:17:34,109 -->
00:17:36,289
that they share the consonants
454
00:17:36,829 -->
00:17:38,450
j h d,
455
00:17:38,829 -->
00:17:40,769
and they're like, a lot of
456
00:17:41,070 -->
00:17:41,570
words
457
00:17:42,269 -->
00:17:43,490
share consonants
458
00:17:44,750 -->
00:17:46,515
to, like, kinda point
459
00:17:46,835 -->
00:17:50,454
them in meaning. It's just it's really interesting.
460
00:17:51,714 -->
00:17:54,214
A lot of discussion about Arabic.
461
00:17:54,515 -->
00:17:55,015
It's
462
00:17:56,275 -->
00:18:00,214
a really good book, like, but written by
463
00:18:00,434 -->
00:18:00,934
just
464
00:18:02,650 -->
00:18:03,309
a lot
465
00:18:03,609 -->
00:18:05,710
of what it seems like despair
466
00:18:06,089 -->
00:18:06,589
or
467
00:18:07,049 -->
00:18:09,069
you feel a lot of sympathy
468
00:18:10,970 -->
00:18:12,429
for this person
469
00:18:13,529 -->
00:18:14,670
whose livelihood
470
00:18:15,289 -->
00:18:16,509
is based on
471
00:18:17,744 -->
00:18:21,285
writing, who is writing something that's, like,
472
00:18:21,664 -->
00:18:22,164
unpublishable
473
00:18:23,105 -->
00:18:23,605
almost,
474
00:18:25,105 -->
00:18:27,924
but it's, like, written by a master.
475
00:18:30,320 -->
00:18:30,820
Reinvention
476
00:18:31,440 -->
00:18:32,740
and imagination,
477
00:18:33,359 -->
00:18:35,220
the level of imagination.
478
00:18:36,400 -->
00:18:39,380
Like, James Joyce making up words,
479
00:18:40,559 -->
00:18:42,579
and she's making up
480
00:18:43,805 -->
00:18:46,704
so much where there's so much interior
481
00:18:47,964 -->
00:18:51,825
world that the author lets you into here.
482
00:18:51,884 -->
00:18:53,904
Your name here. Check it out.
483
00:18:54,285 -->
00:18:57,644
Anyway, thanks for listening to What's the Matter
484
00:18:57,644 -->
00:18:59,184
with Me. Check the
485
00:18:59,779 -->
00:19:00,279
the,
486
00:19:01,140 -->
00:19:01,880
the videos.
487
00:19:02,419 -->
00:19:05,240
Check the what's the matter with me podcast
488
00:19:05,460 -->
00:19:05,960
cartoons
489
00:19:07,779 -->
00:19:08,759
on YouTube.
490
00:19:09,700 -->
00:19:10,679
Check it out.
491
00:19:11,835 -->
00:19:13,134
I've been working
492
00:19:13,994 -->
00:19:15,934
on animating the mouth
493
00:19:16,394 -->
00:19:17,775
so it speaks
494
00:19:18,154 -->
00:19:20,974
like more like a human. Anyway,
495
00:19:22,714 -->
00:19:25,515
thanks for tuning in to What's the Matter
496
00:19:25,515 -->
00:19:27,769
with Me? Some book reviews
497
00:19:28,230 -->
00:19:30,250
and some anti war
498
00:19:30,870 -->
00:19:32,090
stuff and,
499
00:19:32,630 -->
00:19:34,410
I kind of let
500
00:19:34,789 -->
00:19:35,930
I believe in
501
00:19:36,230 -->
00:19:36,730
intentions.
502
00:19:38,150 -->
00:19:39,529
And so my intention
503
00:19:39,830 -->
00:19:41,894
is to create a I visualize
504
00:19:42,275 -->
00:19:43,255
world peace
505
00:19:43,954 -->
00:19:47,075
and world peace, man. I'm that guy. I
506
00:19:47,075 -->
00:19:47,575
visualize
507
00:19:47,875 -->
00:19:48,775
all of it.
508
00:19:49,234 -->
00:19:49,734
Visualize
509
00:19:50,194 -->
00:19:51,174
world peace.
510
00:19:52,355 -->
00:19:53,894
Soldiers are kids.
511
00:19:54,420 -->
00:19:55,640
Let them live.
512
00:19:56,740 -->
00:19:57,240
Peace.
513
00:19:58,820 -->
00:20:01,799
Alright. What's the matter with me podcast.
514
00:20:03,380 -->
00:20:05,320
Thank you for tuning in.
515
00:20:06,340 -->
00:20:07,640
Catch you next time.