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Following a stunning opening concert in Manchester Camerata's new Mozart series, horn player Martin Owen talks about Mozart's Horn Concertos, working with Camerata, and a 30-year career spanning many of the UK's leading orchestras. Owen is warm, playful and generous, and that is reflected in his captivating performance. His is an instantly likeable sound on stage, one that conveys an infectious sense of confidence in performance. Little wonder performance. He fell in love with the sound of the horn at 3 years old. I rigorously checked out his story, of course. His follow up concert with Manchester Camerata is on 23 May 2025 in Stoller Hall.
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Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.
The point this episode seeks to hi ...
Beatrice Nicholas is a British concert pianist and composer. She performs the traditional classical canon, and she composes and arranges, fusing classical and jazz together. She's also a member of the Chineke! Chamber Ensemble, drawn from principal players of the Chineke! Orchestra.
On the seven ...
Composer Laura Bowler on leading the Cheltenham Music Festival's Composer Academy, recorded on-site during the week of workshops in Gloucestershire. She talks about what conservatoire didn't teach her — pitching, funding applications, resilience — plus a look back at Houses Slide, her 2021 piece ...
This episode is being republished during this year's Aldeburgh Festiva. This episode was first published 1 June.
Fifty years after Britten's death, Aldeburgh and Snape still carry his fingerprints — and still provoke the same question: what is this place actually for? In this special episode, co ...
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