MENGENAI EPISOD INI
Oslo. Edvard Munch's most reproduced work. Tempera on cardboard, 1893. One of four versions of The Scream. Taken twice, ten years apart, from two different museums in the same city.
First theft: 12 February 1994. The morning of the Lillehammer Olympics opening ceremony. Every camera in Norway is pointed at a small Olympic village three hours north. Two men set a ladder against the National Gallery. Smash a second-floor window. Walk in. Lift The Scream from its hooks. Walk back out. Drive off. Total time: under fifty seconds. They leave a postcard on the gallery floor. Hand-written. "Thanks for the poor security." Recovered three months later by a Scotland Yard officer running a sting from a hotel in Åsgårdstrand.
Second theft: 22 August 2004. A different version of the painting, in the Munch Museum on the eastern side of the city. Sunday morning. Visitors inside. Two armed men walk in with handguns visible. Take The Scream. Take Madonna from the next wall. Walk out a fire exit. Drive off in an Audi. Total time: ninety seconds. Recovered two years later, damaged. The restoration team worked on it for two years before it returned to public display.
Maren and Ellis on the painting that depicts panic and, in a way nobody quite knows what to do with, generates it.
First theft: 12 February 1994. The morning of the Lillehammer Olympics opening ceremony. Every camera in Norway is pointed at a small Olympic village three hours north. Two men set a ladder against the National Gallery. Smash a second-floor window. Walk in. Lift The Scream from its hooks. Walk back out. Drive off. Total time: under fifty seconds. They leave a postcard on the gallery floor. Hand-written. "Thanks for the poor security." Recovered three months later by a Scotland Yard officer running a sting from a hotel in Åsgårdstrand.
Second theft: 22 August 2004. A different version of the painting, in the Munch Museum on the eastern side of the city. Sunday morning. Visitors inside. Two armed men walk in with handguns visible. Take The Scream. Take Madonna from the next wall. Walk out a fire exit. Drive off in an Audi. Total time: ninety seconds. Recovered two years later, damaged. The restoration team worked on it for two years before it returned to public display.
Maren and Ellis on the painting that depicts panic and, in a way nobody quite knows what to do with, generates it.
Bahasa Inggeris
Amerika Syarikat
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EPISOD LAIN DALAM PODCAST INI
Stéphane Breitwieser was a French waiter, working in Switzerland, who lived with his mother. Between 1995 and 2001, he stole over two hundred and thirty artworks from museums in seven European countries. Renaissance panels. Brueghel. Watteau. Tapestries. Ivories. He never sold any of them. He hu ...
Antwerp, Belgium. The weekend of 15-16 February 2003. The Antwerp Diamond Centre vault — sixty metres below ground, behind a steel door three feet thick, protected by ten distinct security systems including heat sensors, Doppler radar, magnetic field detectors, and a combination dial requiring b ...
Dresden, 25 November 2019. At 4:47 in the morning, a fire is set in a street-side electrical distribution box on the Augustusbrücke side of the Residenzschloss — the royal palace of the Saxon kings. The fire is small but specific. It disables the streetlights. It darkens the area around the pala ...
Zurich, Sunday 10 February 2008. Around 4:30 PM, half an hour before closing, three men in ski masks walk into the E.G. Bührle Foundation — a private museum in a converted villa in the Seefeld district, holding one of the most significant private Impressionist and Post-Impressionist collections ...
Penafian: Podcast dan karya seni yang dibenamkan pada halaman ini adalah daripada The Vault by Crimes from Europe, yang merupakan hak milik pemiliknya dan tidak bergabung dengan atau disokong oleh Listen Notes, Inc.
SUNTING
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