MENGENAI EPISOD INI
There is simply nothing like Alchemist. Active throughout the ‘90s and into the aughts until their dissolution in 2010, the Australian quartet offered severe heaviness embellished by insanely loopy guitar weirdness and pounding aboriginal rhythms. Their psychedelic metal flew largely under the radar, despite linking with Relapse Records in the second half of their career. Radical Research brings you 15 slices of lysergic Alchemetal in celebration of this most intriguing band. Thank you, Adam Agius, Rodney Holder, John Bray and Roy Torkington. Be there or be cubed.
Note I: We encourage anyone who 1) listens to Radical Research, and 2) wears clothes, to head over to https://www.earthinsound.org/store and buy their Confessor, Disharmonic Orchestra, Ras Algethi and Old Lady Drivers shirts!! Tell ‘em Radical Research sent you.
Note II: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books: https://www.radicalresearch.org/shop/
Music cited, in order of appearance: “Beyond Genesis” (Spiritech, 1997) “My Animated Truth” (Promo 94) “Closed Chapter” (Promo 94) “Chinese Whispers” (two moments) (Spiritech, 1997) “Eve of the War” (Eve of the War, 1998) “Austral Spectrum” (Organasm, 2000) “Alpha Capella Nova Vega” (Austral Alien, 2003) “Escapism” (demo, 1991) “Abstraction” (Jar of Kingdom, 1993) “Brumal: A View From Pluto” (Jar of Kingdom, 1993) “Clot” (Lunasphere, 1995) “Enhancing Enigma” (Jar of Kingdom, 1993) “New Beginning” (Organasm, 2000) “Spiritechnology” (Spiritech, 1997) “Evolution Trilogy Part 2 – Rampant Micro Life” (Organasm, 2000) Ep. 64 preview: GTR, “Hackett to Bits” (GTR, 1986)
Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.
