MENGENAI EPISOD INI
From fibre to found object, Theda Sandiford weaves stories of resilience, identity and social justice into tactile installations that invite healing and dialogue. Rooted in her lived experiences and community engagement, her work transforms everyday materials into catalysts for change – from zip tie blankets to emotional baggage carts. This episode explores art as both a personal sanctuary and a platform for collective truth-telling.
Visit our website to view Theda’s work, explore our courses, or dive into more articles and interviews.
Bahasa Inggeris
Amerika Syarikat
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EPISOD LAIN DALAM PODCAST INI
Dutch, London-based artist Anne von Freyburg creates large-scale textile paintings that reimagine Rococo portraiture in hand-sewn tapestry, sequins and PVC fabric. In this conversation, she unpacks the hierarchy between painting and textile, why pleasure and excess are acts of resistance, and th ...
Melbourne-based repair artist Erin Lewis-Fitzgerald mends clothes with visible, playful stitching that turns holes into design features rather than flaws. Once called "a tattoo artist for clothes," she teaches darning and mending and is the author of her book Modern Mending, now in its ...
Memphis-based fiber artist Paula Kovarik creates layered quilted and sculptural works by cutting up her own quilts and repurposing them as raw material. Her practice channels memory, politics and the news cycle into stitch and line, favouring process over finished product. In this conversation, ...
Austin, Texas-based textile artist Irene Roderick creates bold, improvisational quilts, building each piece outward from a single scrap of fabric pinned to her design wall. After decades as a painter, she discovered quilting at 66 and never looked back, developing her signature Dancing With the ...
Cornwall-based ceramicist Craig Underhill creates slab-built forms that blur the line between sculpture and vessel, their surfaces layered with marks and colour drawn straight from the Cornish coastline. In this conversation, Craig reflects on thirty-five years of practice, sketchbooks, glazes, ...
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