MENGENAI EPISOD INI
In this episode, I chat with Mr. Erik Ulman. Mr. Ulman is a Lecturer in Music at Stanford University whose compositions have been performed by renowned interpreters, including the Arditti Quartet, Claire Chase, and the Formalist Quartet. He studied composition with Brian Ferneyhough at UCSD and Helmut Lachenmann at the Stuttgart Musikhochschule, and has received distinctions including a Fromm Foundation commission and a Hewlett Fellowship at the Djerassi Program. Beyond composing, Mr. Ulman is a published writer on music and the arts, and co-organizer (with Marcia Scott) of the Poto Festivals since 2004.
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EPISOD LAIN DALAM PODCAST INI
In this episode, I chat with Professor Forrest Pierce. Professor Pierce is a composer and Associate Professor of Composition at the University of Kansas whose music blends religious mysticism, contemporary virtuosity, and a deep affinity for the human voice. Sincere, often triadic, and blatantly ...
In this episode, I chat with Mr. Derek David. Mr. David is a composer, conductor, and educator based in Boston whose work spans dramatic chamber, vocal, and orchestral music as well as a deep commitment to Yiddish musical culture. He is currently Lecturer in Music at MIT and serves as musical di ...
In this episode, I chat with Professor Oscar Bettison. Professor Bettison is a British-American composer and faculty member in the Composition Department at the Peabody Institute of the Johns Hopkins University, where he has taught since 2009. Described as possessing "an unconventional lyri ...
In this episode, I chat with Professor Wolfgang Marx. Professor Marx is Professor of Historical Musicology at University College Dublin and a member of the UCD Humanities Institute, whose research centers on the representation of death in music, György Ligeti, post-truth and music, and the theor ...
In this episode, I chat with Professor Gundula Kreuzer. Professor Kreuzer is a musicologist and Professor at Yale University whose research spans the history and theory of opera, staging technologies, media archaeology, music in the Third Reich, and contemporary experimental opera. Her first boo ...
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