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What can be learned from thinking escape and escapism together? Much cultural analysis is rightfully invested in progress, resistance, and revolution as the primary methods for enacting social change. This talk switches the focus to non-pragmatic models of political and aesthetic engagement such as defection, exit, refusal, and withdrawal. Reading Tony Kushner's 2010 The Henry Box Brown Play - which stages Brown's 1849 fugitive tale of disappearance and escape in a cargo box, and his subsequent performance in The Mirror of Slavery - along with Glenn Ligon's 1993 To Disembark, Ball explores the relation between escape and escapism, anarchy and abolition, property and illusion. What is the performative potential of escape in these contemporary art works? Furthermore, what forms of political engagement might they inspire?
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Amerika Syarikat
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EPISOD LAIN DALAM PODCAST INI
When early Royal Society member John Wilkins sat down to create a language that would precisely mirror the reality of things, he found himself privileging poetic aspects of language. Scholars often read Wilkins's Essay Towards a Real Character, and a Philosophical Language (1668) as expressing a ...
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What is Matter? The seventeenth century mathematician and philosopher Rene Descartes had an elegant answer to this question: the essence of matter, or of body, is extension-extension in length, breadth, and depth. And since Descartes also held that the mind is indivisible while everything extend ...
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