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I used to think accessibility was a checklist.
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Add some more text.
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Pick a readable font.
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Tick the box and move on.
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Then a client called and the building of a website changed my mind.
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Sounds of Wonder is run by DJ Scooby who I work with at Harriket Community Radio.
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So this isn't a stranger's project.
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It's someone I know well asking me to solve a real world problem for real world readers.
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My name is Andrew Batcast and on this podcast I share tips and tricks to help small businesses with a website.
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I've been a freelance web designer for ten years and I've been designing websites since the 1990s.
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So let's tuck in.
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The brief was simple on paper, make the site dyslexia friendly.
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In practice that meant a specific typeface, wider line spacing, careful colour contrast and a much simpler layout, no clever tricks, no busy backgrounds, no walls of text.
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At first it felt like working with one hand tied behind my back.
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Fewer fonts to choose from, fewer colours, fewer layout options.
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But a small canvas makes you more of a careful painter.
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When you can't hide behind decoration, every choice has to earn its place on the page.
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I took it further and made the whole site compliant, not just the dyslexia friendly parts.
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Proper contrast ratios, clear headings, sensible reading order.
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The bounce rate dropped, people stayed because they could actually read what was in front of them without a fight.
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It was great.
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That project changed how I think about accessibility.
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Most people hear accessible design and think about restrictions.
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Fewer options a watered down version of the real thing.
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I think that's not true.
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Some of the best ideas and design started life as a fix for one group of people, then everyone wanted them.
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Let me give you three.
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Take captions They were built for deaf and hard of hearing viewers.
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Now most people turn them on anyway.
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On a train in a waiting room scrolling with a sound off in bed next to someone asleep.
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A feature built for a smaller group became something almost everyone reaches for.
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The same thing happened with voice interfaces.
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Screen readers came first built for blind and partially sighted users to find their way around a screen by sound.
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That groundwork shaped how we talked to Siri, Alexa, and Google Assistant today.
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Now millions of people ask a device to set a timer or check the weather, hands free with no screen in sight.
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None of them are thinking about screen readers, but that's where the idea came from.
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Here's one that has nothing to do with screens.
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Dropped curbs.
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The little ramps at the edge of pavements were fought for by wheelchair users in the nineteen seventies.
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Now watch who actually uses them Parents with prams delivery workers with trolleys Tourists dragging a suitcase Anyone on a bike A change made for one group ended up serving almost everyone who crosses that road.
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Look at all four and the pattern's the same.
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Design for the harder case first and you often build something better for everyone.
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That's exactly what happened with Sound of Wonder.
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Designing for dyslexia gave me a calmer, clearer sight for every reader.
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Accessibility isn't a smaller version of good design.
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It is good design, done with more care for who's on the other end.
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So next time you hear the word accessible, don't hear the word restricted.
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Hear instead tested under harder conditions and better for it.
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Thanks for making it this far.
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For the show notes and a full written transcript of what I've said, please head to the podcast's website.
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Tell three of your mates about this podcast a web designer in Harrikat did what?
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And I'll be back in two weeks' time.
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Thanks for listening.