My Chemical Romance—“Welcome to the Black Parade”
We should have known that, despite the irony, the kid from New Jersey who defended the purchasing of serial killer comics would grow up to become the defender of the broken, beaten, and damned. Today, Rob recollects the discovery of his emo phase with the enduring anthem “Welcome to the Black Parad…
Spoon — “The Underdog”
Today, Rob explains how even after five successful studio albums, Spoon still felt vengeful enough to write the most triumphant song about being the underdog. He reflects on how Spoon's major label dropped the Austin rockers and became the opposite of a muse for the band, shaping their swaggery ima…
The Corrections by Jonathan Franzen, with Rob Harvilla
Jeff and Rebecca are joined by Rob Harvilla, host of 60 Songs That Explain the '90s: The 2000s, for a conversation about Jonathan Franzen's award-winning breakout novel. They discuss Franzen's singular blend of Midwestern sensibility and postmodern satire, the Oprah controversy that made him a hous…
Sade — “By Your Side”
This week’s episode is all about comfort. It’s about being remembered and what better person to commemorate that feeling with than the person whose music doesn’t seem to age- Sade. Sade came out with “By Your Side” after disappearing with no explanation for 8 years because she felt that was best fo…
Evanescence — “Bring Me To Life”
Although this podcast has continuously shown that we cheer for the underdog, every now and then we must tip our cap to the suits and head honchos. When Evanescence’s record label insisted that Amy Lee sing alongside a rapper on their song, “Bring Me To Life,” their seemingly cringey idea only accen…
Lee Ann Womack — “I Hope You Dance”
She sings both kinds of music—country and Western—and you better be grateful for it. Lee Ann Womack followed in the footsteps of icons like Dolly Parton, Loretta Lynn, and Tammy Wynette, but she took even greater inspiration from male country stars like George Jones. After making a name for herself…
Lee Ann Womack — “I Hope You Dance”
She sings both kinds of music—country and Western—and you better be grateful for it. Lee Ann Womack followed in the footsteps of icons like Dolly Parton, Loretta Lynn, and Tammy Wynette, but she took even greater inspiration from male country stars like George Jones. After making a name for herself…
Black Eyed Peas — “I Gotta Feeling”
Are bad lyrics good lyrics? That’s the question Rob posits as he tackles the Black Eyed Peas, who may have mastered the art of good-bad songwriting. He looks back on how the Peas jumped from hip-hop to pop after they added Fergie to their crew, until they ultimately hit dance music in 2009—but they…
Bon Iver — “Skinny Love”
Pack up your winter gear—we’re headed to the Wisconsin woods. This week, Rob retreats into Justin Vernon’s cabin to remember the buzzy indie album ‘For Emma, Forever Ago,’ which launched the career of the eventual Grammy-winning band Bon Iver. He looks back on how critics and audiences were enamore…
At The Drive-In — “One Armed Scissor”
For a brief moment in 2000, At the Drive-In were the best live band in the world—then they broke up. This week, Rob tracks how the El Paso post-hardcore outfit burned so bright so quickly with their complex, politically-charged tunes that made for some of the wildest shows in rock. The band then su…
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