# Pauline Boty
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pauline boty (6 March 1938 – 1 July 1966) was a British painter and co-founder of the 1960s' British Pop art movement of which she was the only acknowledged female member. Boty's paintings and collages often demonstrate a joy in self-assured femininity and female sexuality, as well as criticism (both overt and implicit) of the "man's world" in which she lived. Her rebellious art, combined with her free-spirited lifestyle, has made Boty a herald of 1970s' feminism.
Reframing Pauline Boty
Who was Pauline Boty? With her blonde, backcombed hairstyle and It Girl charm, this pioneer of Pop Art embodied the 1960s scene in London, hanging with Bob Dylan, posing for David Bailey, and acting with Michael Caine in the film Alfie. As a new generation discovers her work, Danielle Radojcin and…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors.
British Blonde: Women, Desire and the Image…
London Gal (Liverpool Gal)
This is likely the most obscure Bob Dylan cover ever. Likely written about, perhaps even during, the young songwriter's visit to England in 1962, it uses a traditional tune and a rambling plot emulating the style of circa 1800 broadside folk ballads to tell a story of an encounter with a woman by a…
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‐ Benjamin "Llamacorn" Franklin
