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This time on our presentation of The Bellows, a topic close to the heart of this podcast, Getting Started in Design. Moderator Christopher Ross speaks with lighting designer Jareth Li, performance designer Shannon Lea Doyle, sound designer and composer Alex Williams, and lighting Designer Michael Kruse (:)) about their best advice on getting becoming a theatrical designer.
Bios Jareth LiJareth is a freelance lighting designer based in Toronto. Select lighting designs include: The Glass Menagerie, Casimir and Carolin (The Howland Company); Sinners’ Lounge (Canada’s Wonderland); Dusk Dances (Dusk Dances – Sylvie Bouchard); Crazy For You (Port Hope Festival Theatre); The Trial of Judith K (Thought for Food Productions); Mourning Dove (Sudbury Theatre Centre); Dangerous Liaisons (Red One Collective/Storefront); The Widow (SummerWorks); Disco Pigs (A Lasting Dose Productions). Jareth is a member of the Associated Designers of Canada.
Shannon Lea DoyleShannon Lea Doyle is a scenographer and sculptor from Toronto. In the past year Shannon has collaborated with directors Leah Cherniak, Frank Cox-O’Connell, Alessandro Costantini, Mikaela Davies, Sarah Kits, Jeannette Lambermont-Morey, Adam Lazarus, Viktor Lukawski Gregory Prest, Albert Shultz, Guillermo Verdecchia, and Michael Wheeler. Shannon is currently assistant to the 2016 7a*11d International Festival of Performance Art in Toronto, designing The Last Wife at The Belfry in Victoria, B.C. and working on a new sculpture series. She holds a BFA in Sculpture and Installation from OCAD University and is a graduate of the Soulpepper Academy where she worked under the mentorship of Lorenzo Savoini. Find more details on her website at: shannonleadoyle.com
Alex WilliamsAlex Williams has worked for 12 years on Hollywood features, television series, documentary and indie film productions in both sound and picture editing departments, such as Acts of Imagination, X-Men 3, Scary Movie 4, News for the Church and Mustard Pancakes. Alex holds a B.F.A. In Film/Video from Emily Carr Institute of Art and Design (Film/Video), studied at Concordia University, The Banff Centre, and under Emmy and Juno-award winning sound mixer, William Butler.
Michael KruseMichael is a Toronto based lighting designer and has lit over 125 shows for theatre, dance, opera and corporate events. A graduate of Ryerson Theatre School, Michael was at the Shaw Festival for four seasons, the Blyth Festival for nine seasons, and has worked across the country and abroad. He has been honored with several Dora nominations in lighting design including Studio 180's The Laramie Project and Theatre Direct's Alphonse, and a Sterling nomination for the hit November Theatre show The Black Rider: The Casting of the Magic Bullets that toured Canada and made an appearance at the Tarragon Theatre in 2008. Michael designs have also been seen at the Factory Theater, Theatre Passe Muraille, Theatre New Brunswick, The Globe Theatre, Regina, Theatre Network, Edmonton, Buddies in Bad Times Theatre, Carousel Players, and many others. Michael currently works as an advanced care paramedic for York Region Paramedic Services.
