이 에피소드에 관해
The amazingly talented Oona Menges, BSC speaks to me about her early start working in the movie industry with groundbreaking cinematographers. We speak extensively about the feature "LOLA" a remarkable film shot partially on a Newman-Sinclair camera and cameras that would be used in that era. Along with the considerations of using older film cameras we talk about surrounding yourself with collaborators that embrace the imperfections film can add.
영어
미국
전사 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
이 팟캐스트의 다른 에피소드
Fellow Ohioan and film shooter Jake L. Mitchell and I have a conversation about his start and his new feature shot on super16, the magically sublime "Riddle Of Fire"
Long time friend and ASCF ambassador Jessi Spickard joins us in the Ashram to talk about her journey from actress to director, coming off her very first film shot on 35mm. Her path will inspire others to make aspirations a reality.
Legendary steadicam camera operator Elizabeth Ziegler worked on massive shows like "Ghost" "Magnolia" "A Nightmare On Elm Street" "Tombstone" and "Wayne's World" but she is best known, amongst us film nerds, as the operator on director Stanley Kubrick's last film "Eyes Wide Shut" very grateful for …
The remarkably talented Dajiana Huang joins us in the Ashram and talks about fighting for film, adventures in craft, and advice on people wanting to start in celluloid. A great friend to film!
면책 조항: 이 페이지에 포함된 팟캐스트와 작품은 Thom Kuo에서 가져온 것입니다. 이 팟캐스트는 소유자의 재산이며 Listen Notes, Inc.와 제휴하거나 보증하지 않습니다.
