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Corrie Chen joins us to talk the films of Nora Ephron!
Rochelle and Lee look back at some key films from this month, including Haifaa al-Mansour’s gothic biopic Mary Shelley (01:37), the Ruth Bader Ginsburg documentary RBG (06:01), the Kiwi comedy The Breaker Upperers (10:29), and William Friedkin’s exorcism doco The Devil and Father Amorth (13:29).
They then welcome this month’s guest, writer-director Corrie Chen, and ask her about one of Nora Ephron’s favourite phrases: “everything is copy”. Is Ephron correct? Is storytelling a way of owning your life story? And has Corrie applied this lesson to her own filmmaking? (18:31)
Then, Corrie takes us through the films and career of Nora Ephron. Now best known for writing the romantic comedy When Harry Met Sally, and for writing and directing Sleepless In Seattle, Ephron was a prolific writer, penning articles, books and stageplays, fighting for justice when denied a writing job by her employer because of her gender, and bringing an acerbic wit to the most heartfelt of stories. We look back at what made her voice so distinct and unique, and discover a few hidden meanings threaded throughout her works. (31:13)
Rochelle and Lee look back at some key films from this month, including Haifaa al-Mansour’s gothic biopic Mary Shelley (01:37), the Ruth Bader Ginsburg documentary RBG (06:01), the Kiwi comedy The Breaker Upperers (10:29), and William Friedkin’s exorcism doco The Devil and Father Amorth (13:29).
They then welcome this month’s guest, writer-director Corrie Chen, and ask her about one of Nora Ephron’s favourite phrases: “everything is copy”. Is Ephron correct? Is storytelling a way of owning your life story? And has Corrie applied this lesson to her own filmmaking? (18:31)
Then, Corrie takes us through the films and career of Nora Ephron. Now best known for writing the romantic comedy When Harry Met Sally, and for writing and directing Sleepless In Seattle, Ephron was a prolific writer, penning articles, books and stageplays, fighting for justice when denied a writing job by her employer because of her gender, and bringing an acerbic wit to the most heartfelt of stories. We look back at what made her voice so distinct and unique, and discover a few hidden meanings threaded throughout her works. (31:13)
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면책 조항: 이 페이지에 포함된 팟캐스트와 작품은 Lee Zachariah에서 가져온 것입니다. 이 팟캐스트는 소유자의 재산이며 Listen Notes, Inc.와 제휴하거나 보증하지 않습니다.
