이 에피소드에 관해
Leviticus review: the queer Australian horror film Joe Bird stars in just opened, and we saw it opening night. Here's our raw reaction. Leviticus (2026) — written and directed by Adrian Chiarella — is one of the best horror films of this year so far. It's sitting at 95% on Rotten Tomatoes and the praise is not overstated. This is a queer coming-of-age horror film that follows Naim (Joe Bird, Talk to Me) and Ryan (Stacy Clausen) — two teenage boys in a small, deeply religious town in rural Australia whose emerging feelings for each other trigger a supernatural entity that stalks anyone who's had a conversion ritual performed on them.
About the film- Leviticus (2026) — written and directed by Adrian Chiarella in his feature debut. Released June 18, 2026 in Australia; June 19, 2026 in the US via Neon. Premiered at the Sundance Film Festival 2026 (Midnight section).
- Produced by Causeway Films (also behind Talk to Me, The Babadook, Bring Her Back). Distributed internationally by Neon, acquired in a reported seven-figure deal post-Sundance.
- Running time: 88 minutes. Currently sitting at 95% on Rotten Tomatoes and 84 on Metacritic. Nominated for an audience award at SXSW.
- Joe Bird as Naim — best known as Riley in Talk to Me (2022). AACTA Young Stars Award 2025 winner. Leviticus is his first leading film role.
- Stacy Clausen as Ryan — praised by critics for conveying warmth beneath Ryan's guarded exterior.
- Mia Wasikowska as Arlene, Naim's mother — widely known for Crimson Peak, Alice in Wonderland. Plays the film's quiet, devastating antagonist.
- Nicholas Hope as the deliverance healer. Jeremy Blewitt as Hunter. Ewen Leslie as Rod.
- Leviticus sits within a larger queer horror tradition — the film draws deliberate comparisons to It Follows (2014) in its use of a supernatural entity as social metaphor.
- The film's central metaphor: a post-exorcism entity that takes the form of whoever the victim desires most. It follows them. It adapts. It doesn't stop. The implication — that sexuality cannot be prayed away — is embedded in the film's rules.
- Meaghan also draws a comparison to Grave Tone's coverage of At the Place of Ghosts, another recent queer horror film dealing with queerness and small community dynamics.
- The book of Leviticus (specifically Leviticus 18:22 and 20:13) provides the film's title — and its central indictment of religious doctrine used to justify violence against queer people.
- Causeway Films has quietly built one of horror's most consistent track records: The Babadook (2014), Talk to Me (2022), The Moogai (2024), Bring Her Back (2025), Leviticus (2026).
- Arthur and Meaghan discuss what makes Australian horror feel distinctively raw and stripped-back — less Hollywood gloss, more visceral grounding in real places and real dread.
- Director Adrian Chiarella filmed across Victorian regional towns including Geelong and Bacchus Marsh — specific locations chosen to reinforce the film's claustrophobic, isolated atmosphere.
- Joe Bird and Stacy Clausen completed two weeks of pre-production bonding exercises — including a shopping complex improvisation (staying in character while buying each other gifts as their characters).
- Director Chiarella drove both leads around the filming locations before production began to build atmosphere and connection. A significant portion of the film's dialogue and movement was improvised on set.
- Production designer chosen specifically for her subdued, drab color palette — a deliberate visual choice to reinforce the emotional bleakness of the setting.
- Score composed by Jed Kurzel. Cinematography by Tyson Perkins.
Follow us & Subscribe:
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
영어
미국
노골적인 콘텐츠
이 에피소드 내
전사 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
이 팟캐스트의 다른 에피소드
Hope (2026) movie review: Na Hong-jin spent ten years away and came back with a creature feature that is not a creature feature at all. Arthur and Meaghan review Hope, the Korean sci-fi horror epic that premiered at Cannes, opened in South Korea in July, and finally hit North American theatres on S…
Daniel Barnett built a horror epic out of eternal night, and the Nightmareland omnibus is only the halfway point. Twelve volumes are planned.
We sit down with horror author Daniel Barnett to talk about the Nightmareland Chronicles, the horror fantasy series he pitches as The Dark Tower meets The L…
Return to Oz and The Peanut Butter Solution both came out in 1985; both were sold as children's movies, and both are genuinely upsetting. Meaghan and Arthur team up with Annie and Caroline from the Drawn to Darkness podcast for a Childhood Trauma double bill made entirely of films that were technic…
Jonathan Janz on Marla, the horror novel that sold out before it went on sale and then spent four years being the book nobody could find. Now it is everywhere, and he came back to Grave Tone to explain how that actually happened.
Marla was published in 2022 by Earthling Publications as a 500-copy l…
Our Resident Evil 2026 review, and the short version is that Zach Cregger cracked the video game movie. Arthur and Meaghan sat down right after seeing Resident Evil in theatres, and this is one of those episodes where the two of us do not land in the same place at all.
Austin Abrams plays Bryan, a…
면책 조항: 이 페이지에 포함된 팟캐스트와 작품은 Grave Tone에서 가져온 것입니다. 이 팟캐스트는 소유자의 재산이며 Listen Notes, Inc.와 제휴하거나 보증하지 않습니다.
