# Toril Moi
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toril moi (born 28 November 1953 in Farsund, Norway) is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy and Theatre Studies at Duke University. Moi is also the Director of the Center for Philosophy, Arts, and Literature at Duke. As an undergraduate, she attended University of Bergen, where she studied in the Literature Department.[1] Previously she held positions as a lecturer in French at the University of Oxford and as Director of the Center for Feminist Research at the University of Bergen, Norway.
Toril Moi, "Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin, and Cavell" (U Chicago Press, 2017)
Today’s guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of…
Toril Moi, "Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin, and Cavell" (U Chicago Press, 2017)
Today’s guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of…
History of Ideas: Simone Weil
This week’s episode in our series on the great essays and great essayists is about Simone Weil’s ‘Human Personality’ (1943). Written shortly before her death aged just 34, it is an uncompromising repudiation of the building blocks of modern life: democracy, rights, personal identity, scientific pro…
History of Ideas 6: Simone Weil
Episode 6 in our series on the great essays is about Simone Weil’s ‘Human Personality’ (1943). Written shortly before her death aged just 34, it is an uncompromising repudiation of the building blocks of modern life: democracy, rights, personal identity, scientific progress – all these are rejected…
Toril Moi, "Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin, and Cavell" (U Chicago Press, 2017)
Today’s guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of…
On Vigdis Hjorth
The Norwegian novelist Vigdis Hjorth is a master of the collapsing relationship. In her twenty books, five of which have been translated into English, she turns her eye to estranged siblings, tormented lovers, demanding parents and disaffected colleagues with the same combination of philosophical p…
Conversations in Philosophy: 'The Ethics of Ambiguity' by Simone de Beauvoir
At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and…
'The Ethics of Ambiguity' by Simone de Beauvoir
At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and…
Reading, Sleep, Attention, Grief (Vandal Live at UC-Berkeley)
An episode recorded as part of the Modes of Reading Today Symposium, hosted by the Townsend Center For The Humanities begins with a discussion of John Donne's insomnia and Wilfred Bion's undigested nightmares, followed by a vigorous discussion of attention, sleep, and immersion as they relate to li…
How Fredric Jameson became Fredric Jameson
Perry Anderson once wrote that in Fredric Jameson’s account of postmodernism, ‘the vocation of Western Marxism has reached its most complete consummation.’ Praising the ‘spacious rhythms’ of his ‘complex, yet supple syntax’ and ‘sudden bursts of metaphoric intensity’, Anderson also called Jameson a…
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