このエピソードについて
Echo Kellum (Arrow, UCB, Groundlings) talks about early influences, boldness, broadening your education, analagous scenes, pirate/robot/ninja, the quest for consistency, humbling experiences, his approach to character, blending Groundlings with UCB, turning life into sketches, humanizing characters, Grand Crew, paying performers, trial by fire, Arrow, his most impactful notes, and more!
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このポッドキャストの他のエピソード
Billy Merritt (UCB, WGIS) talks about midform, gift-giving, removing scenic blinders, subversive comedy, pirate / robot / ninja, gravitas plus absurdity, French scene Harolds, accessing specifics, game shift, improv + Alzheimer's, and more!
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Brad Morris (Bluebird Improv, The Reckoning) talks about his comedic DNA, grounded characters, how aging has changed his improv, institutional dogma, the payment tradeoff, patient play, pace and texture, getting inside of a show, The Reckoning, subverting a game, and more!
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Hillary Anne Matthews (Sentimental Lady, Queen George) talks about character lenses, curing perfectionism, the Harold rollercoaster, offstage connection, Slacker, dissolving ego, a sense of drama, non-laugh reactions, texture, revealing character through object work, and more!
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Marshall Givens (UCB, Second City) talks about the gift of neurodivergence, doing tech for improv shows, letting go of doing it "right", applying notes into shows, imposter syndrome, learning how to coach, comparing curriculums, his new favorite exercise, filling out a world, and more!
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Jazz Lewis (UCB, Crowdsourced Comedy) talks about the improv scene in Salt Lake City, reading corporate audiences, underlining games, support tactics, a great top-of-show idea, emotional mapping, playing vs. talking, set / reveal, consequential premises, an LA improv hack, and more!
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