Episode 5: Stranger Than Nonfiction and Keyboard Fantasies

Cinesthesia 05, Original Broadcast: February 15, 2024, RADIO PLAYLIST 1. Christine Bougie / Dowsing Rod (film: The Rainbow Kid) 2. Christine Bougie / Ambient (film: The Rainbow Kid) 3. Christine Bougie / Lightly (film: The Rainbow Kid) 4. Christine Bougie / The Forest (film: The Rainbow Kid) 5. Christine Bougie / A New Home (film: The Rainbow Kid) 6. Christine Bougie / Anna (film: The Rainbow Kid) 7. Jean Corriveau / Musique De Marcel (film: Un Zoo La Nuit) 8. Jean Corriveau / Rituel (film: Un Zoo La Nuit) 9 Beverly Glenn-Copeland / Old Melody (album: Keyboard Fantasies) 10. Clips from the documentary Keyboard Fantasies 11. Beverly Glenn-Copeland / Ever New, live (show: Q with Tom Power, CBC)

12. Clips from the documentary Keyboard Fantasies 13. Beverly Glenn-Copeland / Sunset Village (album: Keyboard Fantasies) 14. Clint Mansell / San Junipero (80s-90s-00s-??s) (show: Black Mirror) 15. Clint Mansell / Faith, Hope, Fear & Falling in Love (show: Black Mirror) 16. Olivier Bernet / Eye of the Tiger (film: Persepolis) 17. Blood Orange / Sunset Village (Blood Orange Remix) (album: Keyboard Fantasies Reimagined)

Artist Links

https://christinebougie.bandcamp.com/album/the-rainbow-kid-original-soundtrack

https://beverlyglenn-copeland.bandcamp.com/album/keyboard-fantasies-reimagined

https://beverlyglenn-copeland.bandcamp.com/album/keyboard-fantasies

https://clintmansell.bandcamp.com/album/black-mirror-san-junipero-original-score

Often labelled as subjective or objective, there is nonetheless a long tradition of reenactments in documentary films. Could there ever be objective truth in documentaries? The use of reenactments, says one article, “has filmmakers, film theorists, and critics divided. Some believe the use of reenactments brings historical accuracy into question while others feel it enhances history. More recently, exploitative crime television shows and docudramas that utilize eenactments are often over-the-top melodrama, thus further fuelling this topic and giving it a poor name.” 

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