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I was watching Jerry Seinfeld's new standup release on Netflix the other night and it put me in the mind of nothing. Specifically, how we build music out of essentially meaningless sound events that end up adding up to...something? Powered by Firstory Hosting
In this episode, I do battle with Philip Glass and, by extension, the entire genre of minimalism. To my surprise, though, I found that even while I reject the aesthetic as a whole, there’s plenty I can take from it creatively—but only by adapting some of its techniques in ways never intended by it…
After I finished recording this episode, I remembered that I had already done one early laster season on the same subject. Thus the "again". I didn't go back and listen to that because I gotta believe this one's completely different. Or is it? Powered by Firstory Hosting
Math, science, and logic can explain a lot but not everything about how music works. The strange thing, though, is that great music almost always has a perfect logic to it. How is that possible? Powered by Firstory Hosting
免責: このページに埋め込まれているポッドキャストとアートワークは PETER SALTZMAN からのものであり、その所有者の所有物であり、Listen Notes, Inc. と提携または承認されていません。