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Lords of the Cosmos, by Dennis Fallon, Jason Lenox, and Jason Palmatier, presents us with a lot of standard-issue baddies who are out to destroy the peaceful planet of Aiden. But what’s the bad guys’ motivation? Who is the hero who will set things right? And, is the material mismatched to the art?
If Lords keeps the camera lens too wide, North Bend, by Ryan Ellsworth and Rob Carey, keeps it very focused on a personal level, even though it deals with a future U.S. war with Russia and a powerful drug that the CIA wants tested. The art is beautiful, but are the players in this story competent in their respective jobs?
Tim and Mulele critique.
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