INFORMAZIONI SU QUESTO EPISODIO
For years now, BBC World Affairs Editor John Simpson can't help seeing his young son in his mind's eye, as he reports on families suffering in war zones. Simpson says he's gloomy about journalism's future and argues that modern conflicts—especially Gaza—are increasingly closed to journalists, shaping what the world can see.
Buy John's book: "We Chose to Speak of War and Strife. The World of the Foreign Correspondent" here
Buy John's book: "The Wars Against Saddam. Taking the Hard Road to Baghdad"
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CERCA TRA GLI EPISODI PASSATI
Cerca gli episodi passati di WAR TRIBE.
ALTRI EPISODI IN QUESTO PODCAST
In this episode of War Tribe, we meet Eliot Higgins, the founder of the citizen journalist collective Bellingcat.
He has changed the way conflict reporting is done in recent years.
Eliot works with more traditional war reporters to investigate what really happened in high profile cases where the …
The first two episodes feature an interview with the photographer Paul Conroy who has died, at home with family in Devon, of a heart attack.
We thought it was important to put out this out as an extended recording in two parts, as a tribute to his unique contribution to conflict journalism.
Paul wa…
PAUL CONROY PHOTOGRAPHER PART 2
What Paul looked for in a reporter when working with one; his unexpected Hollywood red-carpet period with Jamie Doran and Rosamund Pike; and why he and Marie Colvin decided to make the live broadcasts that killed her.
The interview ends suddenly. Paul was unhurt, but…
How do you freelance in a war zone?
In this episode of War Tribe, I speak to journalist and author Jen Stout about reporting from Ukraine without the backing of a major organisation — and what that really involves on the ground. Her book Night Train to Odesa traces that experience, while her report…
Dichiarazione di non responsabilità: Il podcast e la grafica incorporati in questa pagina provengono da Richard Pendry, che è di proprietà del suo proprietario e non è affiliato o approvato da Listen Notes, Inc.
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