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In this episode of Opera Training Companion, host Rachel Nicholls is joined by Alex Ingram and Della Jones from the National Opera Studio to explore the role of coaching in opera. They discuss what it means to be a coach, how it differs from teaching or accompanying, and the unique skills required for the job, including both musical and psychological insight. The conversation covers when and how singers and pianists should seek coaching, how to make the most of a session, and tips for coaches on breaking through emotional barriers.
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Inglese
Stati Uniti
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ALTRI EPISODI IN QUESTO PODCAST
Welcome to the very first episode of The Opera Training Companion brought to you by the National Opera Studio in London. In this episode, host Rachel Nicholls, alongside Allyson Devenish ( Senior Coach, National Opera Studio) and casting director Sarah Playfair, dive into the essentials of audition…
In this episode of The Opera Training Companion, Rachel Nicholls dives into the fascinating role of opera repetiteurs with Brenda Hurley (Royal Academy of Music) and Susanna Stranders (The Royal Opera).
Discover what it takes to excel as a repetiteur—mastering both the art of playing and the psycho…
In this episode, host Rachel Nicholls explores the vital role of nutrition for singers with guest Julie Cooper, a soprano, vocal coach, and nutritionist. They debunk myths about dairy, coffee, alcohol, and hydration, while discussing how to manage acid reflux—an issue many singers face. Julie also …
In this episode of the Opera Training Companion podcast, host Rachel Nicholls dives into the topic of resilience in elite performance with high-performance coach Cliodhna O’Connor. They explore the parallels between elite athletes and opera singers, discussing what resilience truly is and how to bu…
In this bonus episode of The Opera Training Companion, host Rachel Nicholls, an experienced opera singer and coach, is joined by two National Opera Studio alum: repetiteur Jacob Swindells (2023/24) and mezzo-soprano Joanna Harries (2022/23). They discuss what it's like to train at the National Oper…
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