INFORMAZIONI SU QUESTO EPISODIO
Welcome to The Intelligence Advantage podcast.
In this episode, Gary Miller sits down with acclaimed crime fiction author and former barrister Simon Michael to explore the riveting world of criminal law and storytelling. Simon shares his journey from an aspiring playwright to a seasoned barrister, revealing how his experiences in the courtroom, ranging from navigating legal aid cases to uncovering police corruption, inspired the gripping plots of his novels. Together, they dive into memorable cases, the realities of the criminal bar, and the art of cross-examination.
The conversation also delves into the creative process behind Simon Michael’s acclaimed books, discussing the challenges of adapting real-life legal drama into fiction and the intriguing differences between British and American courtrooms. From anecdotes about early courtroom victories to behind-the-scenes insights about audiobook narration and future projects set in Cape Cod, this episode offers a unique peek into the intersection of legal careers and creative writing.
Timestamps:
00:00:00 Introduction
00:07:39 Balancing work and personal life
00:11:40 Unexpected turn in court hearing
00:19:40 Impact of PACE on police procedures
00:24:29 Disbarred barristers and legal issues
00:29:25 Differences in legal questioning methods
00:36:43 Rewriting the series beginning
00:43:04 Detecting deception and medical cover-ups
00:46:45 Writing books as a lawyer
00:54:34 Turning book into screenplay
00:57:07 Studying law remotely from UK
If you’re captivated by true crime, legal intrigue, or storytelling, this episode is for you! Don’t forget to subscribe to the Intelligence Advantage podcast for more fascinating discussions with industry leaders and to stay updated on future episodes!
Video Production & Editing: PodLab
https://www.podlab.agency/
#IntelligenceAdvantage #TheIntelligenceAdvantagePodcast #GaryMiller #SimonMichael #CrimeFiction #LegalThriller #BarristerLife #TrueCrimeStories #CourtroomDrama #PoliceCorruption #WritingProcess #BritishLaw #CriminalJustice #LegalAid #AuthorInterview #BookPodcast
IN QUESTO EPISODIO
MOSTRA NOTE 🔗
TRASCRIZIONE 🔗
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I was instructed in a defence case where I was convinced that my client was
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guilty because the evidence all pointed that way. And we
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discovered during the course of the trial that the evidence had been planted on him
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by a police detective sergeant.
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So am I right in saying that in the criminal.
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At the Criminal bar, you never, ever asked a
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client, did you do it? It's like the number one
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criminal barristerial practice. Number one, never ask the
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question, did you or didn't you commit this offence? Did you ever. When
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you were at the bar in the uk, did you ever
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have a police station experience? Were you ever the guy
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that the client called and said, don't worry, I'll meet you down at. And
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you had to engage with the staff sergeant or whatever.
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Welcome to the Intelligence Advantage podcast, where I,
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Gary Miller, get to talk to the movers and shapers in the investigation
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and intelligence industry and find out exactly how they
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got to where they are today. I'm absolutely
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thrilled to be joined by somebody who
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is a man after my own heart, in the sense that he has
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transitioned from being a humble
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lawyer into being a famous author.
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And Simon is a crime
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fiction writer, screenplay writer and, I'm
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sure, many, many more things. So, Simon, welcome and thank you so much
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for joining me. It's a great pleasure. Gary, thank you for inviting me.
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No, that is my pleasure, I promise you. So I guess
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what I want to. You and I have had a little warm up chat before,
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but I want to ask you, what
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is it that made you decide that the law
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was for you and in particular, being a barrister? Because we've
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spoken a bit and I get the feeling that you would have done pretty
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well as a solicitor as well. But what made you decide to become a
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barrister? I had Jewish parents who had very strong views
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on the subject. In fact, I wanted to become a
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playwright, writer and maybe an actor. And they said, yeah, you
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could do that after you've had a career as a lawyer or a doctor. And
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those are my choices. They, you know, they came, they didn't have money,
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so they worked very, very hard to get me. Why? Why?
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Baristerial. That's the, that's slightly the, the more difficult
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barrier to entry. Simon isn't there. I don't know about that. It just looked
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more exciting and it, it felt more in
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tune with my personality because I'm a Bourne show off.
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And I thought that if I wasn't going to go on the stage, I'd better
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do something similar. So the bar always appealed to me. Fair
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enough. And they do say that barristers are either
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frustrated or satisfied thespians.
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There's been many occasions when I've been in conferences with
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barristers and I'm thinking, I don't see how this person
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can possibly command a courtroom. And then you walk into
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the courtroom and the whole Persona
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changes and you go like, wow, that's amazing. So
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did that occur to you? Did you find that as you put on, I
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don't know how often you were. I guess if you're an open court in those
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days, and maybe now you still wore a wig and a gown, did you suddenly
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feel that, that aura of whatever it is come over you and
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the eloquent start? No, I.
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You do feel, when you're putting your clobber on, that you're
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getting into your armor for battle. And I know most barristers feel that
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way, but look, this is going to sound terrible and
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I apologize if it sounds arrogant. Some people walk into
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court and they just don't have the charisma,
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the ability to hold an audience.
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And some have, and you can tell the difference. And
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I'm not even actually sure it's something you can learn. I'm certain as
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the more work you do as a barrister, the
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better you become. But that piece of magic, that little
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something that makes people turn and look at you and listen to you when
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you open your mouth, I just think it's something you've either got or
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you haven't. And I was always a bit of a
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thespian and I think I had it
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and have it, but to be honest, it's for others to
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judge. So just thinking back to what your mom and dad said,
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you did indeed follow their advice. You became a barrister first and then
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you went into the playwriting or screenwriting and book
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writing industry. So I guess you, you
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are a. An obedient and, and
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loyal son. After all. It only took
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you 30 something years, but never mind. So
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tell me about what, if anything, you and the family knew about the
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law. You said mum and dad wanted you to become a lawyer, but had they
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had any brushes with the law at all? No. As far as they
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were concerned, law or medicine, you have to understand,
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they came from a relatively impoverished East End
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family. I'm not going to over, I'm not going to lather that, you know, they
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did. They weren't living on the bread line, but they never had much money. And
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as a result of an accident that occurred at my father's work
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when I was in my early teens, he was unemployed for some years and he
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was disabled by it. So they Were, you know, they were up against it.
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And having worked so hard to get my brother and I through
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university, they thought that me going
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on the stage would just. Would throw it away. And
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eventually, after finishing my pupilage, I applied to
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RADA and got myself
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an audition. The people at RADA said, listen, if you
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were insane enough to throw away a potential
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career as a barrister to want to be an actor, then all
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right, well, come along and show us what you got. Because
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I was about to 24 then, so five
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years older than the average kid who was applying.
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And the. The trouble that got me that my parents,
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they wouldn't talk to me for a while. They were furious. Then they tried bullying.
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Then my mother, who had a doctorate in emotional blackmail, went
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on that tech. And eventually I thought, no, okay, I'm, you know, if I want
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any relationship with them, I'm going to have to do as they said. So
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what I don't understand. Or maybe you'll say he did. Did your elder
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brother also get the same emotional pressure? Younger
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brother and. Oh, younger brother, sorry, yes. And he did. Although, I mean,
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as often as the case with the eldest, you're the one who fight, who
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forges your way through the jungle. You fight the battles and it's always easier for
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those following. So he was. He was able to do a
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lot more of what he wanted without them. I also think the.
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And what does he do? My brother is an entrepreneur.
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Okay. He's worked in this country. He's been living
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in Australia for quite a while, but. So he was. He was an entrepreneur.
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I would say look at that life and think that
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that could have been me, that. And you would have liked to have been an
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entrepreneur or not really? Absolutely not. No, no, no. I did,
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in the end, enjoy my career at the bar. Hugely,
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enormously hard work and very long hours.
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And I have the divorces to prove it. But nonetheless, I
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notice you say is. Divorce is. Oh, dear. Okay.
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And we'll come to that in due course. So there's always a bit of.
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A. Bit of war wounds on the way. Right. Well,
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it's very difficult, I think, for anyone to have a relationship with somebody whose
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principal relationship is with their job. And if you're working 60 or 70
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hours a week and you keep on breaking social dates and
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even on occasion, canceling holidays because a case has run on,
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I can understand how it's extremely difficult to live with someone like that.
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That's putting to one side all my personal faults, and that's just
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the job. So. Yeah, so I. I loved it. I
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enjoyed the job hugely, but I always wanted to go
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back to the writing. I don't know if you know, but I wrote, I wrote
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a couple of books in the 80s. Yes, they did. I'm going to come to,
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I'm going to come to the Cutthroat book, the
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Cutthroat in a minute, but I'm
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gonna try my best to follow a, a little bit of my roadmap
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and sort of build up the momentum and the tension.
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So as a frustrated thespian, or maybe not
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frustrated, as a committed thespian, you quite sensibly
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realize that if you wanted to be on the stage on a regular basis, it's
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a criminal bar, not the civil bar for you. Right. Because you'd spent
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a whole lot amount of time in chambers advising, which is not that much
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fun. That was. Right, that was my first thought. But as you know,
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crime doesn't pay. And as the legal aid rates were cut
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and cut, I had to gradually increase the areas of practice
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into a professional negligence contract. Landlord and
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tenant. I still. The main body of it for the first 20 years was
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still crime, which. How did you go about
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selecting. Let's hope that there are young aspiring
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barristers who are watching this.
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How did you go about selecting the chambers? Because I know from our previous
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chat you didn't go for the obvious city, London
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based criminal chambers. How did you go about
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approaching the selection process? Well, it's usually the other way
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around. You take what you're given. I mean
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if, I suppose if you have a double first from Oxbridge and
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you have relatives in the law, you might get a choice.
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But the truth is I applied for a couple of sets of chambers.
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I was offered by one. They did a mixture of
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common law with the emphasis on crime. And I thought, no, I
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can probably make a living there. And for the first 10 years I did
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almost exclusively crime, but as you know, the
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legal aid rates were cut and then cut again. And it
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got to the point where I thought I'd better add
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other areas to my practice. So I started doing a bit of personal injury, a
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bit of landlord and tenant, a bit of commercial. I did everything,
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which is very unusual nowadays because nowadays most people specialize
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more or less straight after pupilage. But in my day, when we're talking about
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the late 70s, you did everything, everything that came your
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way, didn't turn a thing down. So do you remember the very first
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court that you ponied up at? I mean, you would have had to do
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pupilage, I guess. And that means you're still going to court. But
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once you've got your wig and gown firmly tucked under your arm,
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do you remember the very first case that you proudly walked in and. And,
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and did as a fully qualified barrister? I do,
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yes. Okay. It's a good story too. I was representing a
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young lady at Tottenham Magistrates Court who was. Who was
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charged with soliciting. She. She'd been seen
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on the. At the junction at Wood Green, at the traffic lights,
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sort of leaning into the windows of drivers
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cars as they pulled up to the traffic lights. The police
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said she was looking for business. She said, no, I'm looking for
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directions. But, you know, it didn't matter to me because I
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read the papers, I was only dealing with an adjournment. And so
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this was my very first case. I went along on the Monday,
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Monday afternoon. It was the middle of February, cold, wet and
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gray. Where were you? In the courts of. Where, sorry, the
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Tottenham Magistrates Court. Tottenham Magistrates. Okay. And
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I met my client, who was charming, very well dressed, very well
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spoken young lady. So. And we just drank tea until
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we were called on almost last. And then my opponent, he
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said I'd read the papers and I didn't have to do much prep because although
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I was extremely nervous, I read it appeared that the
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police were asking for an adjournment and the defense had agreed.
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So I was just being sent along as a body to say my one
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line, though the defence have no objections, sir,
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so we're going to court. And my opponent stands up and says that
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they're looking for an adjournment. And he understood that it was all agreed with the
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defense. And I could sense something was wrong immediately
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because an agistrate started talking between the three of them. And then the
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chairman of the bench spoke to my opponent and said,
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you do know this is the third occasion on which we had. This case has
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been adjourned because you couldn't go ahead. And he said, no, sir, I didn't know
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that this is the first time I'd been instructed. And the magistrate said, well, it
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is and frankly, unless you can get your witness here, we're minded to dismiss
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this complaint. Can you get your witness? And my opponent said, well,
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no, that's why we've asked for the adjournment. So he said, all right, you sit
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down, Mr. Michael, stand up. And he said, would you
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have any objection if we were to dismiss this complaint? And I basically
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read my one line, no, sir, the defense have no objections.
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He said, fine, case dismissed. And I won my first case.
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Wow. There you go. You Definitely. You were. Definitely
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had the luck of. I don't know, whoever it was, but you were
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definitely blessed for that one occasion. So did that go down into
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folklore in the chambers when you went back home, when you went back
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to work? I don't know how much time you got, and I don't know how
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near the knuckle I can get to with this, but it had a sequel because
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the client was absolutely delighted. And as she was leaving,
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she said, you've been paid, haven't you? And I said, no, you're
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on Legal Aid. It'll be a couple of years before I'm paid. And she said,
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no, I don't think I'm on Legal Aid. And I said, no, you are. And
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I opened up the papers again and showed her the carbon of the Legal
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Aid application form. And I said, that's your signature, isn't it?
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And she said, oh, yes, it is. This has been going on for so long,
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I'd completely forgotten. And she said, how much will you get from
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Legal Aid? And I said, well, I'm sorry to say, I don't think they're going
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to treat that as a trial. I mean, I know you were acquitted,
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but they're going to treat it as an adjournment. So it's £4.
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And she said, oh, no, that's how much? £4, £4,
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1978. So she takes. She goes bends down, she said, that's not enough.
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And she picks up the fattest roll of notes I've ever
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seen from her bag and she starts peeling off ones and
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fives. She's trying to give them to me. And look, I
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was a bright kid, but I was very green. And I'm thinking, hang on a
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second, if she's eligible for Legal Aid, why does all this money come.
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Oh. And so she's trying to give
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it to me, and I'm saying, no, no, no, really, I can't take that. And
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she said, why? Well, I could hardly say because I suspect it's the proceeds of
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prostitution. So I had to come up with something. And I said, no, no, I
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can't be paid twice. I'm going to get Legal Aid money. I can't take private.
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And she said, well, I won't tell anyone if you don't. And I said, no,
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no, really, really, really, but just put your money away. I don't. I don't
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want it. And she said, all right, if you're sure. And I said, I am.
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And she put the money back into her bag and this then said, you don't
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want to come in the back for a quickie, do you? It's on the house.
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I was about to suggest, but then I thought a.
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My wife would definitely do something to me if I even suggested it.
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So it was. It must have been from heaven that you came out with
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it. I thought it was like she was either going to invite you out for
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a drink or a dinner or whatever. So that. Did she.
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I have to ask. Did she ever become your client again,
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by any mad chance? No, never did. Never did.
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That may have been because I turned her down. I don't know. She. She got
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very offended when I said no. Oh, she did, did she? No, she said,
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yeah. Why, what's the matter? Don't you fancy me or something? I had to come
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up with some excuse. So I said to her, look, I. I'm supposed to
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pay my clock 10% of my fee. And I said,
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I haven't a clue how I go about calculating that.
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So, yes, well, let's. Let's leave it there because I've got all sorts of
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weird and wonderful formulas going on in my mind, but I don't think we can
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share that with our. With our very
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restrained and conventional public. Okay, so that was.
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That's interesting, because one of my questions was what was
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the first life lesson that you learned
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in your early career at the bar? Something about, I
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mean, that particular event is a good example of
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less is more, I guess. Keep your mouth shut unless you absolutely have to. But
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what was the. Was there something more profound that you learned as you were
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sort of treading the boards in court? And what was it? Don't trust the police?
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It was okay. As simple as that. I lived in
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London. My parents had always said when I was a kid and was out, you
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know, When I was 15 or 16, I was out in town. And they'd say,
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if you're in trouble, speak. You know, go to a policeman. It took less
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than six weeks before I realized that you couldn't do that in. In the
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Met. The time. At that time, they were institutionally corrupt.
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And the trouble was, I'm not suggesting that there were no honest covers, because clearly
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there were. But you didn't know which was which. But
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the stuff that I dealt with on a daily basis revealed the
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level of the corruption in the police at the time.
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I've got to pause you and say six weeks is not very long.
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So what. What was it? Was there one incident that you.
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That must have been something dramatic because it's such a short period of
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time. Yeah, well, I Won't go into details, it'll
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take too long. But essentially I was instructed in a defence case where I was
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convinced that my client was guilty because the evidence all pointed
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that way. And we discovered during the course of the trial that the evidence
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had been planted on him by a police detective
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sergeant. He had just decided that my client looked
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prime for it, he had a case to clear up and
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they had framed him. And the sort of stuff, I mean, I don't know,
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hold on, just pause there. How do you discover that kind of thing? Or does
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it take too long to explain? I mean, of course the client says, I didn't
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have it on me, but was there something forensic that proved that he couldn't have
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had it? Yeah, well, it was all. What they did was they had
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planted a thing called a travel warrant. Now, you
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probably know travel warrant is the document that allowed, in
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those days, allowed people released from prison
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to get home. It was essentially like a government issued ticket,
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a rape ticket. And they had planted a travel warrant
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with his details on it in the place where he
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is alleged to have slept overnight in the house that he was burgling. And
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it had been planted by the officer who had got a
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copy from the prison where he'd been released on the last occasion.
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And this, I almost, almost
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persuaded the guy to plead guilty because the evidence seemed to me to be
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overwhelming. And I said to him, look, with your history, you're going to get 12
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years if you get out for this burglary. So, you know, expensive, valuable, burglary. It
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was burglary. Was it? And he was a career burglar. And he kept
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on saying, but I didn't do this one. And I was saying, well, I'm sure
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there are others that you did do that you haven't been caught for, but I'm
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telling you, the evidence on this is enough to convict you.
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But he would not have it. He said, I know this is my mo, but
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that's why they've chosen me, to fit me up. This was not me.
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And he got it. He dug his heels in and I kept saying to him,
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look, you're comparing 12 years after a fight that you lose
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or eight years if you'll plead early. And he just would not
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have it. And it was only when we got into court that we realized there
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was something wrong with the evidence. And
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it's too long to explain the detail, but he was acquitted in the end.
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But the staff that came in with PACE, the Police and Criminal Evidence
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Act, 1984, it was the first time there'd been ever
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any proper rules requiring the police to record
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what went on once you go inside the
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front door of a police station. Until then, there was a thing called the Judge's
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rules, which were more oft honoured in the breach than the observance
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thereof. And it
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was like the Wild West. It's difficult to describe to people who weren't actually there
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down in the trenches at that time. But all this nonsense that you
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see, for example, on line of duty, when they're interviewing someone
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and they put two cassettes into the machine at the same time and they press
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the buttons simultaneously
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so that it records the interview, one goes to the interviewee and is
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solicited at once kept by the prosecution. None of that happened.
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It was well known that a large number of central London police
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stations had their own experts in creating verbals. A
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verbal is to create a confession that didn't
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exist. It never happened. And so
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it was quite shocking. I mean, I had clients who were beaten up. I had
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clients whose kids were taken into care to put pressure on them to
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confess to things they hadn't done. It was.
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It was quite an eye opener. What was
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the most heinous example that you came
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across? I don't think I ever dealt with a case, a
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serious case like a murder or anything of that sort, where
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the evidence had been tampered with in the same way.
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Tended to be more simple cases. But also, I mean, I write
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about this in one of the books. There was a guy. Yeah, this is
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the fall guy. There was a chap. And this can all
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be checked. And I'd put a historical reference and references in the back of the
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book so you know where the truth is. This chap,
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Sergeant Pilcher, his name was,
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was selling licenses to commit crime.
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He was. He was a detective sergeant. He was the guy who
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actually planted the drugs on the Rolling Stones and the Beatles and then nicked them
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for possession of drugs. But he was
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granting licenses to commit crime to certain criminals on
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the basis that he would get 50% of the proceeds and that
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if they got caught, he and his other corrupt officers would
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make sure that the documents and the evidence got lost
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or they'd simply put them under pressure. They would say, look, you can't nick this
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guy. He's one of our grasses and we need an outside. So you're not
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going to proceed with this prosecution? That actually happened, Stuff like
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that actually happened. I've got hundreds of stories. I deal with
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them in the books. Right. So it's
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not surprising that you have what you might Call and still do
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have a jaundiced view of Her Majesty's police
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force. Has it improved, do you think? Oh, absolutely, yes, it's improved a
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great deal. One of the problems at the time was that the only
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body that was authorized in law, by
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statute to investigate the Met, was the Met.
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So they could. And did it. They used to cover their trikes, used to
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protect their chums. There was no outside body looking in.
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Nowadays there is. And also all the
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procedures of what goes on in a police station.
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As you probably know, somebody who is being dealt with for a
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particular crime there, the people responsible for moving them from
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toilet to interview room, interview to cell and so on, they
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cannot be the officers actually involved with the case. You have
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somebody entirely separate and their movements throughout the
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police station are all logged and everything is recorded.
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So that's helped hugely. And as also. And
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the obvious endpoint of this is the
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uniform on cameras which record everything that's going
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on. So the
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widespread criminal corruption which usually
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involved money, has largely gone
387
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right. You do still get. Obviously, you still get bad apples,
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you know, police officers, as you do with lawyers and
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whatever. Did you ever come across. That's an interesting question, a corrupt
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barrister, where you. For some reason, you knew that he was
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being paid to do something he shouldn't have done, or argue something that
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he shouldn't have done. No, there was one. I won't give his name. I
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don't know if he's still alive. There was one who was disbarred and he makes
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an appearance under a pseudonym in one of my books
395
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and who was supposed to have been rather too close
396
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to the Kray twins. And there were a couple of others
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who got themselves suspended for periods for
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sharp practice, but who managed to rehabilitate
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themselves and had very good careers. But I think one of the
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reasons why it happens less at the bar than it
401
00:25:00,930 --> 00:25:04,210
does in other fields by the police, or, for that matter,
402
00:25:04,210 --> 00:25:07,450
solicitors, is that the bar is a very small
403
00:25:07,690 --> 00:25:11,450
profession. When I joined, there was only, I think, 8,000
404
00:25:11,610 --> 00:25:15,210
barristers and the vast majority of them all worked in London
405
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in the Inns of Court. Right. Everyone knew everyone
406
00:25:19,930 --> 00:25:23,570
and so you didn't have much, in a way, of provincial chambers
407
00:25:23,570 --> 00:25:27,250
and things like that. People used to travel up or what? No, in the
408
00:25:27,330 --> 00:25:30,610
early years, there were a couple of small
409
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sets outside of London, but they were looked down upon.
410
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They were considered to be the country cousins. And
411
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if you couldn't hack it in London, then you really weren't good enough.
412
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It's all changed now. The largest set in the country
413
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which I joined, Number Five Chambers started off in Birmingham,
414
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their principal office was in Birmingham. Right. But when I started,
415
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the people in London chambers are very snooty about
416
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annexes or about, you know, sets of chambers outside of
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London. They would, you know, these were the boys who couldn't really hack it, you
418
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know, the. And is that the kind of treatment
419
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you got because you joined Number five or not? No. Well,
420
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I, to an extent that it was the case.
421
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Although Number Five at that time was the largest set in,
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in England and was building a very, very strong
423
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reputation and now is one of the top sets in the country
424
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and some. It's won, you know, the Chambers of the Year award, I
425
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believe, more than once. Fantastic. So it's, it's, it's
426
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all changed and in fact it had to because the law
427
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doesn't only operate in London. Know there's major commercial centers
428
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in Leeds and Manchester and you know, Nottingham and so on. So
429
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they, they have a need for barristers locally
430
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because they don't want to have to drag their clients all the way down to
431
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London for conferences. That's understandable. So let me ask
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you this, which is, I think every,
433
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or, or surreptitiously everyone wants to ask and I,
434
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I wonder whether your kids or your partner have asked you
435
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what do you do as a barrister? Because I'd never really, once or twice
436
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have I been sort of tangentially involved
437
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in talking to a defendant, a client defendant.
438
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But what do you do when you're absolutely bloody, you know, your,
439
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your gut tells you the guy is died in the wall, he did it. And
440
00:27:25,360 --> 00:27:29,200
he's like, no gov, that wasn't me. At what stage do
441
00:27:29,200 --> 00:27:32,970
you just feel unable to or does that not happen?
442
00:27:32,970 --> 00:27:36,770
You just put your game face on and you do what you got to do.
443
00:27:37,250 --> 00:27:41,050
Well, the short answer is read an honest man. And that tells
444
00:27:41,050 --> 00:27:44,850
you exactly what happens. And I'm very proud
445
00:27:44,850 --> 00:27:48,650
of that book. I get a lot of judges and barristers write to
446
00:27:48,650 --> 00:27:52,410
me saying, my God, you nailed what it's like being in the Old Bailey on
447
00:27:52,410 --> 00:27:56,050
a chop. Okay, give me a shortened version and I promise you we will all
448
00:27:56,130 --> 00:27:59,950
weigh and read it. Well, the short version is if they don't,
449
00:27:59,950 --> 00:28:03,790
unless they tell you, if they tell you they've done it, you're not allowed to
450
00:28:03,790 --> 00:28:07,510
put forward a not guilty plea to the court because that's misleading the court.
451
00:28:07,990 --> 00:28:11,630
You cannot be a party to misleading the court. But if
452
00:28:11,630 --> 00:28:15,470
you just strongly suspect, you are obliged to
453
00:28:15,470 --> 00:28:19,230
carry on with a not guilty plea for them because it's not
454
00:28:19,230 --> 00:28:22,870
your job to decide whether or not they're guilty. Your job is to be
455
00:28:22,870 --> 00:28:26,590
their mouthpiece, to put forward their story as well as can
456
00:28:26,590 --> 00:28:30,260
be done. I mean, there'll be many occasions where my client
457
00:28:30,260 --> 00:28:33,220
will give me a story and he will insist it's the truth. And I will
458
00:28:33,220 --> 00:28:37,020
say to him, well, I'm sorry, I don't believe it. It doesn't matter
459
00:28:37,020 --> 00:28:39,780
whether I believe it, but I'm telling you, I don't think the jury's going to
460
00:28:39,780 --> 00:28:43,580
believe that. Is that really what you want me to say? But if
461
00:28:43,660 --> 00:28:46,740
that's what he says and that's what his case is, I will go ahead and
462
00:28:46,740 --> 00:28:50,220
put it. There's such a thing. Sorry, there's such a.
463
00:28:50,460 --> 00:28:54,120
As the cab rank principle. Yeah. And that means you,
464
00:28:54,120 --> 00:28:57,760
if, if a brief comes to you and it's appropriately marked with a fee and
465
00:28:57,760 --> 00:29:01,600
it's within your field, you have to take it. You have to take. And though
466
00:29:01,600 --> 00:29:05,440
it's been weakened in certain areas, when it comes to crime, it's still
467
00:29:05,440 --> 00:29:08,600
there. So am I right in saying that
468
00:29:09,320 --> 00:29:12,120
in the criminal. At the Criminal Bar,
469
00:29:12,920 --> 00:29:16,520
you never, ever asked a client, did you do it? It's like
470
00:29:16,600 --> 00:29:20,080
the number one criminal barristerial
471
00:29:20,160 --> 00:29:23,960
practice. Number one, never ask the question, did you or didn't
472
00:29:23,960 --> 00:29:27,520
you commit this offence? No, I do ask, and I believe
473
00:29:27,680 --> 00:29:31,480
most barristers do, I mean, if they are concerned, if
474
00:29:31,480 --> 00:29:35,200
they're concerned about it. What you do is you
475
00:29:35,200 --> 00:29:38,560
get the prosecution depositions or a state, which is
476
00:29:38,560 --> 00:29:42,400
statements, and you run through them with your client,
477
00:29:42,720 --> 00:29:46,510
asking them when they are, you know, if they're literate, to annotate them
478
00:29:46,590 --> 00:29:50,310
where they agree, where they don't agree, where that wasn't said or
479
00:29:50,310 --> 00:29:53,710
that was said but needs to be explained and so on. So you get
480
00:29:53,950 --> 00:29:57,790
their detailed instructions on what is being said and in a
481
00:29:57,790 --> 00:30:01,390
way, and you can't avoid asking them whether they did it or not,
482
00:30:01,950 --> 00:30:05,710
which is interesting because I've just spent a month in Massachusetts, I've
483
00:30:05,710 --> 00:30:09,190
just been commissioned to write a multi book series about an English
484
00:30:09,190 --> 00:30:12,710
barrister transplanted to Massachusetts, the Cape
485
00:30:12,710 --> 00:30:16,560
Cod. And I followed an attorney around for
486
00:30:16,560 --> 00:30:19,720
a month and met all the judges and went down the steps and so on.
487
00:30:20,680 --> 00:30:23,720
And the attorney who I was with, who is in fact the
488
00:30:24,440 --> 00:30:28,200
president of the Bar association in Barnstaple county,
489
00:30:28,200 --> 00:30:31,880
said, we never ask them whether they did it.
490
00:30:32,200 --> 00:30:35,760
And he said, it is very, very unusual that we ever call
491
00:30:35,760 --> 00:30:39,480
our clients. Our job here is to
492
00:30:39,480 --> 00:30:43,320
destroy the defense, the prosecution's case. That's why we have our
493
00:30:43,320 --> 00:30:46,800
own private investigators. And so on our job is to destroy the prosecution
494
00:30:46,880 --> 00:30:50,560
case so that they cannot make beyond reasonable doubt.
495
00:30:50,640 --> 00:30:54,320
But he said, it's very, very rare for me to have a
496
00:30:54,320 --> 00:30:58,040
call your client. So there's a. Apart from that, did you
497
00:30:58,040 --> 00:31:01,720
pick up any other really stark
498
00:31:01,720 --> 00:31:05,320
differences? Don't ever ask the client whether he did it or
499
00:31:05,320 --> 00:31:09,170
not. You very rarely call them. I
500
00:31:09,170 --> 00:31:12,970
mean, you both have in common. Destroy the prosecution case. Is there anything else
501
00:31:12,970 --> 00:31:16,770
you came across that you felt was interesting? Yeah, there
502
00:31:16,770 --> 00:31:20,330
was. The thing that struck me more forcibly than anything
503
00:31:20,330 --> 00:31:23,770
else in the Massachusetts courts was that the
504
00:31:23,770 --> 00:31:26,650
lower courts, it is bloody
505
00:31:26,650 --> 00:31:30,370
pandemonium. I am used to there being a
506
00:31:30,370 --> 00:31:34,050
certain gravitas, a certain dignity in our courts. Even in the
507
00:31:34,050 --> 00:31:37,640
magistrates court, only one person speaks at a time. You
508
00:31:37,640 --> 00:31:41,440
stand up to talk to the bench or the stipe. You sit
509
00:31:41,440 --> 00:31:45,240
down again. When you've finished, you let your opponent do the same. In the
510
00:31:45,240 --> 00:31:48,920
courts there, it's like Piccadilly
511
00:31:48,920 --> 00:31:52,480
Circus. There'll be people at the probation table all chatting,
512
00:31:52,560 --> 00:31:56,400
going through files. The judge will be talking to his
513
00:31:56,400 --> 00:32:00,000
clerk, the barrister, the attorneys will be talking to their
514
00:32:00,000 --> 00:32:03,600
clients. People are coming in and going out the whole time. It is.
515
00:32:05,050 --> 00:32:08,570
And to my eye, I found it very difficult for the first few
516
00:32:08,650 --> 00:32:12,290
days to work out what on earth was going on, because a
517
00:32:12,290 --> 00:32:15,970
judge seemed to be dealing with cases and they call
518
00:32:15,970 --> 00:32:19,729
them the docket numbers and they call people up and they disappear and they come
519
00:32:19,729 --> 00:32:23,370
back again. There are three or four court officials
520
00:32:23,690 --> 00:32:27,530
in uniform, very often carrying guns and
521
00:32:27,690 --> 00:32:31,350
handcuffs and pepper spray and walkie talkies.
522
00:32:31,670 --> 00:32:35,470
One will be on his walkie talkie talking to somebody down in the cells. Another
523
00:32:35,470 --> 00:32:39,230
one will be playing around on a laptop. Another one
524
00:32:39,230 --> 00:32:42,710
will be escorting someone. It's just pandemonium.
525
00:32:43,990 --> 00:32:47,790
But they really get through work. I mean, the idea
526
00:32:47,790 --> 00:32:50,310
of beautifully crafted
527
00:32:51,350 --> 00:32:55,150
sentences by wealth advocacy, forget it. It's
528
00:32:55,150 --> 00:32:58,790
all. And there was one attorney who I met several times.
529
00:32:58,870 --> 00:33:02,720
He wore a crumpled suit, sneakers
530
00:33:02,720 --> 00:33:06,160
and no socks, and he's wandering around the court, the well of the court, with
531
00:33:06,160 --> 00:33:09,480
his hands in his pockets, talking to the judge and then turning to talk to
532
00:33:09,480 --> 00:33:13,200
his client, and then talking to the judge and turning. I'd never
533
00:33:13,200 --> 00:33:16,959
seen anything like it. Unbelievable. Did any of the judges
534
00:33:16,959 --> 00:33:20,720
you come across say, who's that strange gentleman? Or they were completely
535
00:33:20,720 --> 00:33:24,520
and utterly just, you know, distracted by what else
536
00:33:24,520 --> 00:33:28,160
was going on. I had taken a suit with me because I thought, well, I
537
00:33:28,160 --> 00:33:31,880
knew I'm gonna be in court. And a suit and some clean new shirts
538
00:33:31,880 --> 00:33:35,540
and some ties. I was better dressed than the vast majority of people in the
539
00:33:35,540 --> 00:33:38,580
court, and people were looking at me thinking, who the hell is that guy?
540
00:33:39,380 --> 00:33:43,060
But usually the attorney who I was with, who was an
541
00:33:43,060 --> 00:33:46,500
absolute charmer, he was a wonderful chap, he would take me
542
00:33:46,500 --> 00:33:50,300
backstage to meet the judges afterwards, all of whom were delighted
543
00:33:50,300 --> 00:33:54,020
to meet me, and they asked these sorts of questions. And of
544
00:33:54,020 --> 00:33:57,820
course, they're political appointees in the States, aren't they? Yeah,
545
00:33:57,820 --> 00:34:00,810
they're voted into office. They voted in, yeah.
546
00:34:01,600 --> 00:34:04,480
Which. Is that a good idea, do you think? What's your sense of that? Well,
547
00:34:04,480 --> 00:34:06,160
what do you think? Yeah,
548
00:34:10,000 --> 00:34:13,760
I don't know. The Supreme Court, I guess. But
549
00:34:13,760 --> 00:34:16,919
anyway, so coming back to good old
550
00:34:16,919 --> 00:34:20,680
Blighty, I guess it. It must. I mean, it's been a
551
00:34:20,680 --> 00:34:24,320
while since you were in the cut and
552
00:34:24,320 --> 00:34:27,560
thrust of the criminal bar, but even
553
00:34:28,120 --> 00:34:31,800
so, it sounds as if it was just like being
554
00:34:31,800 --> 00:34:35,600
thrown into a bit of a lunatic's asylum and trying
555
00:34:35,600 --> 00:34:39,400
to figure out exactly who were the man, who were the.
556
00:34:39,720 --> 00:34:42,840
The patients and who were the jailers, as it were.
557
00:34:43,320 --> 00:34:46,760
Did you ever. When you were at the bar in the uk,
558
00:34:47,320 --> 00:34:51,120
did you ever have a police station experience? Were you
559
00:34:51,120 --> 00:34:54,520
ever the guy that the client called and said, don't worry, I'll meet you down
560
00:34:55,059 --> 00:34:58,899
at. And you had to engage with the staff sergeant or whatever?
561
00:34:58,899 --> 00:35:02,259
Yes, very infrequently. But it did happen that
562
00:35:02,579 --> 00:35:05,939
certain firms of solicitors would have arrangements with chambers
563
00:35:05,939 --> 00:35:09,139
whereby when they couldn't cover a police station
564
00:35:09,379 --> 00:35:12,819
attendance, they would ask one of the pupils to go. Right.
565
00:35:12,979 --> 00:35:15,859
That happened to me on maybe half a dozen
566
00:35:16,499 --> 00:35:20,259
occasions. One of them was very memorable, actually, because I
567
00:35:20,259 --> 00:35:23,779
was asked to go down to Bow Street Magistrates Court on a Friday evening
568
00:35:24,430 --> 00:35:28,190
to meet some client. I think it was Bow Street. Yes, it
569
00:35:28,190 --> 00:35:31,950
was Bow street, because the smell. I still remember the smell. I
570
00:35:31,950 --> 00:35:34,750
don't. You've probably not been down in the cells at Bow Street.
571
00:35:36,110 --> 00:35:39,790
No. Well, it's very old
572
00:35:39,870 --> 00:35:43,710
sewage systems and so it's when you then
573
00:35:43,710 --> 00:35:47,510
descend the steps and it's a bit like sort of wading
574
00:35:47,510 --> 00:35:50,830
through Brown Windsor soup. It's really not very pleasant. Anyway,
575
00:35:51,220 --> 00:35:55,060
and this. This chap who I'd never met before, it was a lunatic,
576
00:35:55,060 --> 00:35:58,180
he insisted that I got down on my knees and prayed with him. He had
577
00:35:58,180 --> 00:36:01,940
a copy of the Bible with him. It was heavily annotated, all around the
578
00:36:01,940 --> 00:36:05,620
margins of the top. You know, he'd got pencil commentary
579
00:36:05,620 --> 00:36:09,460
on it, so he was obviously a bit of a nutcase. And I got locked
580
00:36:09,460 --> 00:36:12,820
into the cell with him because there was no available conference rooms.
581
00:36:13,620 --> 00:36:17,220
And I've never forgotten that. It wasn't a big
582
00:36:17,220 --> 00:36:20,670
guy, but he was, he was charged with some offensive
583
00:36:20,750 --> 00:36:24,470
violence. I can't remember what it was now to be honest, but I was very
584
00:36:24,470 --> 00:36:28,310
young and quite terrified. And when he said that he
585
00:36:28,310 --> 00:36:32,030
wanted me to get down on my knees with him and pray I did.
586
00:36:37,150 --> 00:36:40,910
So let's talk a bit about. I think it was your first
587
00:36:40,910 --> 00:36:44,630
book, Cutthroat, wasn't it? Well, yes, I don't often talk
588
00:36:44,630 --> 00:36:48,470
about that because it's a rather plural version of the
589
00:36:48,470 --> 00:36:51,910
one that I wrote as the beginning of the current series. What happened was that
590
00:36:51,910 --> 00:36:55,590
came out in the 80s, writing for 25
591
00:36:55,590 --> 00:36:59,430
years or so for reasons that needn't concern
592
00:36:59,430 --> 00:37:03,150
us today. But when I picked up the career again, I read that
593
00:37:03,150 --> 00:37:06,710
book and thought that could probably be the beginning of a series.
594
00:37:07,110 --> 00:37:10,670
So I rewrote it, I re edited it, I basically made it a better
595
00:37:10,670 --> 00:37:14,510
book. And so that became the Brief, which is the
596
00:37:14,510 --> 00:37:18,210
first one in the 11 book series. So I
597
00:37:18,210 --> 00:37:21,970
don't talk much about the, the Cutthroat. I feel it's a bit unfair on
598
00:37:21,970 --> 00:37:25,770
my, on my fan base. If they've read all the, the Brief,
599
00:37:26,090 --> 00:37:29,850
I don't think it's fair they should go back and read a. A less than
600
00:37:30,570 --> 00:37:34,290
a poorer quality version called the Cutthroat. But
601
00:37:34,290 --> 00:37:38,010
it, that was, that was my second book. So in other words,
602
00:37:38,010 --> 00:37:40,730
you're not going to give me a free copy to read. It's like one of
603
00:37:40,730 --> 00:37:43,790
those things that you feel should be consigned to history.
604
00:37:44,190 --> 00:37:47,670
Exactly. So. Exactly. Anyway, you can't get it. It's out of print. I suppose you
605
00:37:47,670 --> 00:37:51,430
probably can get it on the, on the Internet. Yes, I shall attempt to
606
00:37:51,430 --> 00:37:55,030
do it because it's now a challenge. But, but let's talk
607
00:37:55,030 --> 00:37:58,550
about the underlying defense tactic of
608
00:37:58,550 --> 00:38:02,230
Cutthroat rather than necessarily the
609
00:38:02,230 --> 00:38:05,470
story around it. It's a, it's a really
610
00:38:06,030 --> 00:38:09,790
probably for me as a civil lawyer, one of the most interesting and
611
00:38:09,790 --> 00:38:13,270
challenging defenses available
612
00:38:13,350 --> 00:38:16,990
because it seems to me either way the two or
613
00:38:16,990 --> 00:38:20,470
whoever manages can only be done with two. Has it got to be, he'd said,
614
00:38:20,470 --> 00:38:23,150
she said. Or can be done with a group. It can be done with a
615
00:38:23,150 --> 00:38:26,950
group. I've never heard of it done with a group. It would create certain
616
00:38:27,110 --> 00:38:30,550
logistical issues. But it's a case, correct? It's okay.
617
00:38:30,950 --> 00:38:34,710
All you need is for the prosecution to be certain
618
00:38:34,710 --> 00:38:38,350
that one of the two or more people did the
619
00:38:38,350 --> 00:38:42,070
deed. But they can't prove which. But they can say
620
00:38:42,070 --> 00:38:45,870
to the jury, you can be satisfied beyond reasonable doubt that one of them
621
00:38:45,870 --> 00:38:49,510
did. Now if the jury can't sort that out. They both have to
622
00:38:49,510 --> 00:38:53,230
be acquitted. But usually when a cutthroat
623
00:38:53,230 --> 00:38:56,750
defence occurs, each of them is blaming the other and
624
00:38:56,750 --> 00:39:00,110
usually the mud slung by one of them sticks better than the mud slung by
625
00:39:00,110 --> 00:39:03,710
the other. And the jury comes to the conclusion that one of them did it.
626
00:39:04,580 --> 00:39:08,180
So, you know, the next question has got to be, how many times were you
627
00:39:08,180 --> 00:39:11,340
involved in a cutthroat defense scenario? Very
628
00:39:11,340 --> 00:39:15,100
infrequently. That's one of the reasons I wrote the book, because
629
00:39:15,100 --> 00:39:18,340
it was such an unusual situation. It was a case of
630
00:39:18,740 --> 00:39:21,860
some. It was a robbery on
631
00:39:22,500 --> 00:39:25,300
a security van that was delivering money.
632
00:39:26,580 --> 00:39:30,260
One of the two people involved took a real gun and one
633
00:39:30,770 --> 00:39:34,050
didn't. And they each said, no, it wasn't me, it was him.
634
00:39:34,770 --> 00:39:38,410
And so because it was an unusual case, that's why I decided to use it
635
00:39:38,410 --> 00:39:42,050
as the basis for the book. I can't actually think
636
00:39:42,370 --> 00:39:45,810
of any other case that I did during the course of my
637
00:39:45,810 --> 00:39:49,090
career in crime that had the same factual
638
00:39:49,090 --> 00:39:52,810
matrix. And by definition, and maybe it's still
639
00:39:52,810 --> 00:39:56,370
the case, I assumed that no firearms were discharged.
640
00:39:56,610 --> 00:40:00,370
Oh, yeah, no, the firearms were discharged and someone died.
641
00:40:00,870 --> 00:40:04,510
Oh, and someone died. Sorry. So I didn't get. So it was rather
642
00:40:04,510 --> 00:40:08,110
important that the jury fixated or
643
00:40:08,110 --> 00:40:11,270
were confident that somebody to take the rat for a.
644
00:40:11,990 --> 00:40:15,750
Would it be. Would it have been a aggravated manslaughter kind
645
00:40:15,750 --> 00:40:19,270
of stuff, or what Charged. Who knows? Charges murder, but
646
00:40:19,510 --> 00:40:23,190
murder? A man was dead and someone took a firearm and fired it. So
647
00:40:23,590 --> 00:40:27,280
usually means that that's enough to prove intent. It usually.
648
00:40:27,360 --> 00:40:31,000
Or it should be. So what was the trigger point in
649
00:40:31,000 --> 00:40:34,800
that? Were you the guy that called it first, as it were,
650
00:40:34,800 --> 00:40:38,440
or was it the barrister for the other defendant that called it
651
00:40:38,440 --> 00:40:41,760
first? Well, that's interesting, because what originally
652
00:40:41,760 --> 00:40:45,120
happened is they each said that an alleged
653
00:40:45,280 --> 00:40:48,960
third person had the gun and had
654
00:40:48,960 --> 00:40:52,770
they both stuck to that story, they might both have been
655
00:40:52,770 --> 00:40:56,250
acquitted. But one of them did a deal with the police
656
00:40:56,890 --> 00:41:00,410
and gave them a lot of information about other crimes which
657
00:41:00,490 --> 00:41:04,130
persuaded the police that they were talking to the honest
658
00:41:04,130 --> 00:41:07,210
man of the two. And so
659
00:41:07,850 --> 00:41:11,330
he then went Queen's evidence. The police
660
00:41:11,330 --> 00:41:15,090
accepted his plea to a lesser charge and he gave evidence
661
00:41:15,090 --> 00:41:18,900
for the Crown against my client, who said
662
00:41:18,900 --> 00:41:22,220
he'd only been the getaway driver and had never handled gun at all.
663
00:41:22,940 --> 00:41:26,740
So that's how that one came out. But under normal circumstances, you
664
00:41:26,740 --> 00:41:30,060
can. And these are great fun to prosecute if you're prosecuting,
665
00:41:30,540 --> 00:41:33,900
because you, you know, you call it. You're
666
00:41:33,900 --> 00:41:37,700
quidzine Aren't you? You're quidzin. You can just put them in the witness
667
00:41:37,700 --> 00:41:41,140
box and let them fight it out between the two of them. Exactly. And of
668
00:41:41,140 --> 00:41:44,820
course, when you think about the overall impact with the cutthroat
669
00:41:44,820 --> 00:41:48,650
defense, either way, someone is going to
670
00:41:48,650 --> 00:41:52,450
get the rap. Maybe deserved, maybe not. But then they've
671
00:41:52,450 --> 00:41:54,810
probably made an enemy. The person that
672
00:41:56,250 --> 00:42:00,090
wasn't convicted of that particular offense has made an enemy for
673
00:42:00,090 --> 00:42:03,050
life. And you wouldn't want to bet
674
00:42:03,690 --> 00:42:07,490
too heavily on their prospects of surviving if they went into the same
675
00:42:07,490 --> 00:42:10,170
prison, would you? But I guess that's another story.
676
00:42:11,370 --> 00:42:15,220
So, cutthroat defense, what about
677
00:42:15,620 --> 00:42:19,460
lying and telling the truth? That's, of course, at the heart of
678
00:42:19,860 --> 00:42:23,620
almost every aspect of law, but in criminal law,
679
00:42:23,620 --> 00:42:27,140
it has rather more significance on the outcome than in
680
00:42:27,140 --> 00:42:30,980
civil cases. How did you. Did you
681
00:42:30,980 --> 00:42:34,580
become really good at detecting yourself, whether
682
00:42:34,580 --> 00:42:38,100
both a client and. Or the police or anyone, a
683
00:42:38,100 --> 00:42:41,740
witness was actually telling you? A bunch of.
684
00:42:41,980 --> 00:42:45,820
Of manure? Yeah, I. I think most. Well, I don't know.
685
00:42:45,900 --> 00:42:49,620
I think most barristers begin after some time to
686
00:42:49,620 --> 00:42:53,260
get a sense. I mean, I. No one's infallible. Some
687
00:42:53,260 --> 00:42:56,980
people, extremely good liars and sociopaths and so
688
00:42:56,980 --> 00:43:00,820
forth, they. They can lie with incredible facility and
689
00:43:00,820 --> 00:43:04,460
you don't know and there are no tells. But
690
00:43:04,460 --> 00:43:06,780
in the case of. Of most people, yes,
691
00:43:08,270 --> 00:43:12,070
I could usually know whether or not they were lying
692
00:43:12,070 --> 00:43:15,870
to me and I don't know whether. I'm not entirely sure if it's even
693
00:43:16,190 --> 00:43:19,630
conscious, but I think subconsciously you pick up on
694
00:43:19,870 --> 00:43:23,670
people the way their body language, the
695
00:43:23,670 --> 00:43:26,750
way in which they don't look at you directly, or their eyes flick off to
696
00:43:26,750 --> 00:43:30,590
one side before they answer, or a certain hesitation
697
00:43:30,590 --> 00:43:34,030
which doesn't belong there. So I do think that I got
698
00:43:34,290 --> 00:43:37,890
pretty good at deciding when people were lying to me, both
699
00:43:37,890 --> 00:43:41,570
incidentally, doing the crime and later
700
00:43:41,570 --> 00:43:45,170
when I did a lot of professional negligence, especially medical negligence,
701
00:43:45,410 --> 00:43:49,090
there was enormous amount of, in my day, covering up
702
00:43:49,090 --> 00:43:52,850
by the medical profession when one of their brethren was being
703
00:43:52,850 --> 00:43:55,810
accused. Fortunately, things are beginning to change.
704
00:43:56,530 --> 00:43:59,730
And the duty of candor and the fact that the hospital
705
00:43:59,730 --> 00:44:03,570
trusts want to learn from accidents rather than just bury them.
706
00:44:04,200 --> 00:44:07,920
And although, as you know from listening to the news, this stuff
707
00:44:07,920 --> 00:44:11,200
still happens. You know, there are departments which are deeply
708
00:44:11,200 --> 00:44:14,960
dysfunctional and where people are busy
709
00:44:14,960 --> 00:44:18,640
covering up the truth. But I found that the skills that I
710
00:44:18,640 --> 00:44:21,920
developed as a criminal barrister were very
711
00:44:21,920 --> 00:44:25,720
useful when dealing with certain civil cases
712
00:44:25,720 --> 00:44:29,360
where I knew someone was lying, where the DOT records did not match up
713
00:44:29,360 --> 00:44:32,600
with what the evidence. Well, that Advocacy, that cross
714
00:44:32,600 --> 00:44:36,190
examination experience must have been invaluable. Yeah,
715
00:44:36,510 --> 00:44:40,230
it is. And I sometimes am astonished at the way in which
716
00:44:40,230 --> 00:44:43,390
my career, my. Now my career as an author
717
00:44:43,950 --> 00:44:47,790
has developed as a result of what appeared at the time
718
00:44:47,790 --> 00:44:51,230
to be unrelated accidents. You know, I did a lot of criminal work
719
00:44:51,469 --> 00:44:55,310
which wasn't my first choice career, but it has provided the foundations
720
00:44:55,310 --> 00:44:58,950
and the knowledge of the human psyche which
721
00:44:58,950 --> 00:45:01,470
now supports the books that I wrote. Yes,
722
00:45:02,770 --> 00:45:06,450
all good things come to those who wait, Simon. So clearly you are
723
00:45:06,450 --> 00:45:10,170
now receiving the dividend. Were you ever in a
724
00:45:10,170 --> 00:45:13,770
situation which we see sometimes on this great old
725
00:45:13,770 --> 00:45:17,609
Hollywood screen of ours where the client comes in,
726
00:45:17,609 --> 00:45:21,170
you, you found, or they found a witness
727
00:45:21,890 --> 00:45:25,090
and the judge found in your favor
728
00:45:25,490 --> 00:45:29,310
and then it all the, the cobwebs fall and
729
00:45:29,310 --> 00:45:32,790
you see, the client turns around and says, that was a great job,
730
00:45:32,790 --> 00:45:36,270
Simon. And we all know that that was me. Or
731
00:45:36,430 --> 00:45:40,030
something occurred and you realized, oh my God, here's a serial
732
00:45:40,350 --> 00:45:43,630
crook who has played the system and won.
733
00:45:44,270 --> 00:45:47,150
I refer my learned friend to my previous answer.
734
00:45:48,830 --> 00:45:52,270
That is in an honest man. That's exactly the sort of situation
735
00:45:52,350 --> 00:45:55,790
that my hero encounters where
736
00:45:56,270 --> 00:45:59,710
he has believed in the innocence of his client until a certain
737
00:45:59,870 --> 00:46:03,590
moment and then suddenly realizes that he has been
738
00:46:03,590 --> 00:46:07,230
hoodwinked. All right, so if I am going
739
00:46:07,230 --> 00:46:10,510
to assume that that story
740
00:46:10,750 --> 00:46:14,110
was based on personal experience, then we have to read that book
741
00:46:14,350 --> 00:46:18,190
to know the answer to my question. Correct? Yes. Yes. I mean,
742
00:46:18,190 --> 00:46:21,950
look, it does happen. It does, and I think it must happen to all barristers
743
00:46:22,190 --> 00:46:25,070
because you take your client's instructions, you put the case forward.
744
00:46:25,790 --> 00:46:29,070
Sometimes the prosecution evidence just isn't sufficient
745
00:46:29,950 --> 00:46:33,710
for a conviction and you persuade the jury of that. That doesn't mean your client
746
00:46:33,710 --> 00:46:36,830
didn't do it, it just means that the prosecution evidence isn't good enough.
747
00:46:37,470 --> 00:46:40,830
And so you do walk away thinking, ah, he did it,
748
00:46:40,990 --> 00:46:44,590
but the evidence wasn't there and therefore he was appropriately acquitted.
749
00:46:45,070 --> 00:46:47,710
Yes. So unsurprisingly
750
00:46:49,550 --> 00:46:52,670
for the particular combination of two
751
00:46:53,390 --> 00:46:57,110
sort of died in the war. Lawyers. But you are
752
00:46:57,110 --> 00:47:00,830
a convert, an author. Now, I've spent
753
00:47:01,070 --> 00:47:04,870
so much time on the, on the historical side of
754
00:47:04,870 --> 00:47:08,670
things, but I want to ask you, and who knows, I may be lucky
755
00:47:08,670 --> 00:47:12,190
enough to, to attract you back on to talk in more depth about
756
00:47:12,190 --> 00:47:15,950
the 13 or 16 books you've read, you've written.
757
00:47:16,430 --> 00:47:20,260
But one of the things that, again, a number
758
00:47:20,260 --> 00:47:23,780
of people, and I'm sure every, every criminal lawyer,
759
00:47:23,780 --> 00:47:27,260
certainly, and many civil lawyers, if they've been around long enough, always think they've got
760
00:47:27,260 --> 00:47:30,900
a book in them or at least one book in them. And
761
00:47:31,540 --> 00:47:35,300
I have to confess, probably the first time on podcast that
762
00:47:35,300 --> 00:47:38,340
I have sat down a couple of times in my life and tried to,
763
00:47:38,900 --> 00:47:42,660
to sketch out the, the framework of a book.
764
00:47:43,140 --> 00:47:46,900
And of course it never happens. I get distracted, I get
765
00:47:46,900 --> 00:47:50,540
disenchanted. How long did it take you? I know the first
766
00:47:50,620 --> 00:47:54,380
attempt you were not that pleased with, but how long did it
767
00:47:54,380 --> 00:47:57,900
take you to get from sitting down at the
768
00:47:57,900 --> 00:48:01,420
computer, which I guess you were using by the time you had left
769
00:48:01,420 --> 00:48:05,100
the professional negligence bar from the point
770
00:48:05,100 --> 00:48:08,700
of time of I'm going to write this and then it's on the shelf.
771
00:48:09,020 --> 00:48:12,780
Oh, well, the on the shelf bit is
772
00:48:14,510 --> 00:48:18,270
not under your control. Let's say finish the book. Yeah. So to write that,
773
00:48:18,270 --> 00:48:22,070
that is very much a variable feast. I, I, the, the shortest
774
00:48:22,070 --> 00:48:25,550
period of time it has taken me to write a book is about four months.
775
00:48:26,910 --> 00:48:30,590
And that's when the story arrives in your head or you're given it, you know,
776
00:48:30,590 --> 00:48:34,390
completely entire. And so it's essentially a case of getting out
777
00:48:34,390 --> 00:48:37,630
of the way of, of the writing because it just wants to write itself.
778
00:48:38,430 --> 00:48:41,270
On the other hand, and is that, is that eight to ten hours a day?
779
00:48:41,270 --> 00:48:43,870
What kind of work regime is that, Simon?
780
00:48:44,990 --> 00:48:48,750
When it's going well, I can certainly write for seven or eight
781
00:48:48,750 --> 00:48:52,430
hours a day. And because I dictate into the computer
782
00:48:52,430 --> 00:48:56,150
rather than write by hand or type. Okay, I don't type.
783
00:48:56,150 --> 00:48:59,990
My typing is terrible. It was two fingers at its best.
784
00:48:59,990 --> 00:49:03,390
And they. And have you always done it by dictation? Yes,
785
00:49:03,550 --> 00:49:07,150
always. And so because I do that,
786
00:49:08,030 --> 00:49:11,510
and once I know where I'm going with the book, I can easily write 3,000
787
00:49:11,510 --> 00:49:15,360
or 4,000 words a day. So you see that that doesn't take long
788
00:49:15,360 --> 00:49:19,120
if you keep up that pace. On the other hand, the book of which I
789
00:49:19,120 --> 00:49:22,920
am most proud took me in nearly a year to try
790
00:49:22,920 --> 00:49:26,480
and make the plot work properly. And
791
00:49:26,640 --> 00:49:30,240
the writing process was easy, but I'd get stymied. I'd suddenly think,
792
00:49:30,240 --> 00:49:33,760
ah, no, that's not gonna work. And then I would spend several
793
00:49:33,760 --> 00:49:37,480
weeks, very grumpy, sort of stomping around the
794
00:49:37,480 --> 00:49:40,400
house and complaining that I can't make the damn thing work, and going out for
795
00:49:40,400 --> 00:49:44,200
walks and watching silly films and, and scrolling on my phone because I can't
796
00:49:44,200 --> 00:49:47,760
make it work. And then suddenly the logjam moves and
797
00:49:47,760 --> 00:49:51,520
I'm busy. So which book was that? Which one is the year Odyssey?
798
00:49:51,520 --> 00:49:55,280
The. It's called Death Adjourned. And it's about, it's
799
00:49:55,280 --> 00:49:58,400
about. You probably remember a chap Called Rachman the
800
00:49:58,800 --> 00:50:02,640
slum. Yes, the landlord. Yeah, the slum landlord. Yeah. But based
801
00:50:02,640 --> 00:50:06,360
on. It's not based on him, but it's based on the circumstances and
802
00:50:06,360 --> 00:50:08,480
it's based on another slum landlord who is
803
00:50:10,470 --> 00:50:14,310
killing people to clear them. To clear his buildings. Clear
804
00:50:14,310 --> 00:50:17,870
his buildings. And it also deals with the after effects
805
00:50:17,870 --> 00:50:21,670
of the Holocaust on the next generation. And I'm
806
00:50:21,670 --> 00:50:25,510
very proud of the book because it deals with more than just the crime
807
00:50:25,590 --> 00:50:29,350
involved. But it took a very long time to write that to make the
808
00:50:29,350 --> 00:50:32,910
plot work properly. But according to the reviewers,
809
00:50:32,910 --> 00:50:36,470
it's my best book in terms of. It's got. I think it's got an average
810
00:50:38,210 --> 00:50:41,890
4.9 star rating out of five on audible
811
00:50:42,130 --> 00:50:44,770
and I think 4.7 or 4.8 on
812
00:50:45,890 --> 00:50:49,490
Amazon. And how do you choose, or do the publishers choose who
813
00:50:49,490 --> 00:50:53,329
reads your books on Audibles? Well, people
814
00:50:53,329 --> 00:50:56,850
sign up for an Audible. No, sorry, sorry, I'm going bonkers.
815
00:50:56,930 --> 00:51:00,530
Who is the person that narrates? I should have said the book. So
816
00:51:00,770 --> 00:51:04,170
in this case, I was very fortunate when my original
817
00:51:04,170 --> 00:51:07,970
publishers of the first two books in this series went bust. Before they
818
00:51:07,970 --> 00:51:11,610
went bust, they had taken. They had sold the rights, the Audible rights, the first
819
00:51:11,610 --> 00:51:15,370
two books. And Audible UK got a chap called
820
00:51:15,370 --> 00:51:19,210
Colin Mace to do. Right. And Colin is a very good
821
00:51:19,210 --> 00:51:22,930
actor. But unfortunately, when that company went bust, I had
822
00:51:22,930 --> 00:51:26,770
no rights to. I mean, I couldn't get the rights back. He'd. The publishers had
823
00:51:26,770 --> 00:51:30,130
sold them for seven years and I couldn't get the rights back. But I was
824
00:51:30,130 --> 00:51:33,450
eventually able to track down Colin Mace and say to him,
825
00:51:34,110 --> 00:51:37,870
would you be prepared to narrate the rest of the
826
00:51:37,870 --> 00:51:41,710
series? And he happily said yes. And
827
00:51:41,710 --> 00:51:45,310
we went into a deal. I couldn't afford to pay him because I didn't have.
828
00:51:45,710 --> 00:51:49,270
It's very expensive to pay someone to do that. But we
829
00:51:49,270 --> 00:51:52,670
entered into a deal on the royalties and so he does them on spec and
830
00:51:52,670 --> 00:51:55,870
he makes quite a bit of money out of the royalties. And
831
00:51:56,590 --> 00:52:00,350
he is wonderful, if any of your. And he's narrated all
832
00:52:00,350 --> 00:52:03,880
of your Holborn books. Has he? Yeah. Excellent. And he's
833
00:52:03,880 --> 00:52:07,080
excellent. And the reviews I get
834
00:52:07,800 --> 00:52:11,480
are. They all mention him as well as the writing. But the
835
00:52:11,480 --> 00:52:14,440
one thing I did notice, because, as you know,
836
00:52:15,000 --> 00:52:18,040
your literary agent was kind enough to send me
837
00:52:18,680 --> 00:52:22,280
an Audible version of the French Vendetta. Ah.
838
00:52:22,360 --> 00:52:26,000
Did you listen to it? And I am. I'm in the middle of listening to
839
00:52:26,000 --> 00:52:29,000
it. And one of the things that struck me is that
840
00:52:29,720 --> 00:52:33,320
he. Not so subtly, but when
841
00:52:33,320 --> 00:52:37,120
he's talking and it Is a Lady Isabella playing
842
00:52:37,120 --> 00:52:40,920
the part or whatever. He becomes gentle and timid
843
00:52:41,320 --> 00:52:45,080
and then his French accent gets a little bit more robust
844
00:52:45,080 --> 00:52:48,760
with somebody that's drunk. I mean, it really is an acting
845
00:52:49,080 --> 00:52:52,920
narrative exercise. And it was because not many
846
00:52:53,320 --> 00:52:57,000
of the books I've read are narrated in that way. They're mostly read
847
00:52:57,400 --> 00:53:00,620
in a pretty uniform manner. So I thought that was quite
848
00:53:00,620 --> 00:53:04,020
entertaining. Yeah, no, he's. He's wonderful. I'm
849
00:53:04,180 --> 00:53:07,940
very, very fortunate to have got him and. And I hope he'll stay with me
850
00:53:07,940 --> 00:53:10,940
for as long as I carry on writing the Holborn series. I hope he'll carry
851
00:53:10,940 --> 00:53:14,740
on narrating them. He's a terrific actor and a very nice chat. It so
852
00:53:14,740 --> 00:53:18,540
happens, and I'm sure I know the answer to
853
00:53:18,540 --> 00:53:22,260
this, but have you got enough stories
854
00:53:22,260 --> 00:53:25,900
for another hundred books? Is that the reality?
855
00:53:25,900 --> 00:53:29,300
You don't need to tap up an ex police detective or whatever
856
00:53:29,670 --> 00:53:33,150
and find out what's going on. You've got them all stored away, ready to give
857
00:53:33,150 --> 00:53:36,910
birth to them at a moment's notice. I have definitely one
858
00:53:36,910 --> 00:53:40,630
more at least, because I'm halfway through writing it. I
859
00:53:40,630 --> 00:53:44,470
don't know how many more I'm going to do because of this American
860
00:53:46,070 --> 00:53:49,790
contract I've just entered, which is
861
00:53:49,790 --> 00:53:51,750
very much better remunerated.
862
00:53:53,510 --> 00:53:57,190
It may be that I will move my focus to my English. It's called the
863
00:53:57,190 --> 00:54:00,940
English. There's. I think they call it the English Lawyer, something
864
00:54:00,940 --> 00:54:04,780
like that. I mean, when you're the writer, you get very little
865
00:54:04,780 --> 00:54:08,380
say over the. Over the COVID over the blurb,
866
00:54:08,380 --> 00:54:11,860
over the titles even. I mean, the bigger the publisher,
867
00:54:12,180 --> 00:54:14,180
the less control you have. I've got.
868
00:54:16,980 --> 00:54:20,540
They've suggested half a dozen titles and the publishers are saying, no, we're not like
869
00:54:20,540 --> 00:54:23,740
any of those. And is there. Is there a theme to this, like the
870
00:54:23,740 --> 00:54:27,460
Holborn movies or Holborn Books? Have they already decided
871
00:54:28,070 --> 00:54:31,830
for you? I want you to write about this character, Sam
872
00:54:31,830 --> 00:54:35,590
Spade, who does this, this and this. They gave me a sort
873
00:54:35,590 --> 00:54:38,430
of brief. They said, this is what we think would work, but change any part
874
00:54:38,430 --> 00:54:41,870
of it. You don't like. What they really wanted. They loved the
875
00:54:41,870 --> 00:54:44,950
idea of an English
876
00:54:44,950 --> 00:54:48,670
barrister as a fish out of water in a
877
00:54:48,670 --> 00:54:52,150
completely foreign cistern where he speaks the language, but he is
878
00:54:52,230 --> 00:54:56,070
lost in terms of procedure and so on. But it turns out that
879
00:54:56,070 --> 00:54:59,190
he is, in fact a brilliant advocate. So
880
00:54:59,910 --> 00:55:03,470
what happened was they had decided to take on a book I
881
00:55:03,470 --> 00:55:07,270
wrote, which is coming out at the end of this year under my pseudonym.
882
00:55:07,510 --> 00:55:11,270
It's a science fictiony, a speculative fiction Sort of book. And
883
00:55:11,270 --> 00:55:14,430
they really liked it. And they said, could we have 10 of those? And I
884
00:55:14,430 --> 00:55:18,110
said, no, there's not 10 of those in it. Maybe
885
00:55:18,110 --> 00:55:21,790
two more. And they said, no. Were we thinking of one a
886
00:55:21,790 --> 00:55:25,510
year for the next 10 years? And I said, no, absolutely not. But they then
887
00:55:25,510 --> 00:55:28,610
went away and read the whole Melbourne books and they came back very excited. They
888
00:55:28,610 --> 00:55:32,410
said, how about doing that for us in America? We
889
00:55:32,410 --> 00:55:36,170
want it present day. We. You can choose where you set it. You
890
00:55:36,170 --> 00:55:39,490
can set it anywhere you like in America, but we'd like your English
891
00:55:39,490 --> 00:55:43,250
barrister to be a bit of a fish out of water. So I thought.
892
00:55:44,050 --> 00:55:47,570
Well, I thought. I thought about New York, but there's
893
00:55:47,570 --> 00:55:51,250
plenty of lawyers in New York who. And they're writing this sort of
894
00:55:51,250 --> 00:55:54,770
thing. I thought about Alabama and the southern parts of the states. That's Grisham
895
00:55:54,770 --> 00:55:58,380
territory. I thought about la. That's Michael
896
00:55:58,380 --> 00:56:01,740
Connolly territory. But there was no one doing it about
897
00:56:02,060 --> 00:56:05,660
Massachusetts and Cape Cod. And I love the
898
00:56:05,740 --> 00:56:09,180
fact that they come in Cape Cod. There are people with
899
00:56:10,060 --> 00:56:13,820
phenomenal wealth. Yes. Martha's Vineyard
900
00:56:13,900 --> 00:56:17,660
and Nantucket island, you know, they've got the Kennedy
901
00:56:17,660 --> 00:56:21,140
enclosures and they've got, you know, a lot of big stars live there, but at
902
00:56:21,140 --> 00:56:24,430
the same time, in the winter it's dead. And it's just
903
00:56:24,830 --> 00:56:28,590
a poor fishing community with some artists and so on. I
904
00:56:28,590 --> 00:56:32,270
really love that conflict. So I decided
905
00:56:32,270 --> 00:56:35,910
to set it in Cape Cod and they seem very
906
00:56:35,910 --> 00:56:39,390
pleased with that. And I have made up my own cast of characters.
907
00:56:39,790 --> 00:56:43,630
The only thing I've stuck to, because they particularly wanted it, was that he will
908
00:56:43,790 --> 00:56:47,550
be in court in the same way as Holborn is in London.
909
00:56:48,760 --> 00:56:52,440
So you obviously are going to have to do a huge
910
00:56:52,440 --> 00:56:56,280
amount of learning and watching because, you
911
00:56:56,280 --> 00:56:59,760
know, as you said yourself, the whole
912
00:56:59,760 --> 00:57:03,400
procedure, even the laws are. But certainly the way in which
913
00:57:03,400 --> 00:57:06,920
you advocate, et cetera, totally different in the us. No.
914
00:57:07,000 --> 00:57:10,720
Yep. No, absolutely. I've spent a month over there so far and I've managed to
915
00:57:10,720 --> 00:57:14,320
learn enough, just about. We'll see how
916
00:57:14,320 --> 00:57:17,960
badly I've written it, but just about enough to write the first book.
917
00:57:19,000 --> 00:57:22,520
I've actually thought of myself that the quick way of
918
00:57:22,520 --> 00:57:26,200
learning this might be to study for the bar
919
00:57:26,280 --> 00:57:30,080
in Massachusetts. Now, I have no idea how
920
00:57:30,080 --> 00:57:33,079
long that would take. I don't know if it can even be done remotely from
921
00:57:33,079 --> 00:57:36,680
the uk, but I think the only way I'm ever going to
922
00:57:36,680 --> 00:57:39,880
learn exactly how it all operates is to do it.
923
00:57:40,440 --> 00:57:44,120
What about finding maybe such an animal doesn't exist?
924
00:57:44,640 --> 00:57:48,400
An English barrister who went over There at
925
00:57:48,400 --> 00:57:51,840
some stage. I know one in Miami, but he's gone into civil law.
926
00:57:52,080 --> 00:57:55,880
An English barrister who has done exactly what your
927
00:57:55,880 --> 00:57:59,000
book is being written about. I guess they're one in a million. Right. Well, I
928
00:57:59,000 --> 00:58:02,480
did find a young woman who had gone over there,
929
00:58:02,480 --> 00:58:06,160
but. And I met her while I was there and she was wonderfully helpful
930
00:58:06,560 --> 00:58:10,360
but she's gone into international law and it's really not
931
00:58:10,360 --> 00:58:14,060
the same at all. No, not at all. I'm also. I haven't yet
932
00:58:14,060 --> 00:58:17,580
run this by the publishers, but it seems to me that if
933
00:58:17,660 --> 00:58:20,380
he becomes too familiar with
934
00:58:21,740 --> 00:58:24,980
the legal procedure and so on there, he will lose his
935
00:58:24,980 --> 00:58:28,220
usp. He'll just become an American
936
00:58:28,380 --> 00:58:32,060
lawyer with a British accent. And they don't want that. They
937
00:58:32,060 --> 00:58:35,820
want him to make mistakes and be a fish out of water. And I
938
00:58:35,820 --> 00:58:39,430
think I'm. You like that. Yeah. So we'll see.
939
00:58:41,110 --> 00:58:44,870
I've almost finished the first book in the series. Probably another
940
00:58:44,870 --> 00:58:48,270
week or so to get the first draft finished and I'll send it off to
941
00:58:48,270 --> 00:58:51,990
them and then I'll tackle what's going to happen in subsequent books with
942
00:58:51,990 --> 00:58:55,430
that. Excellent. And what about film rights? Do you
943
00:58:55,430 --> 00:58:58,830
retain those or how does it work in a deal like this? I've still got
944
00:58:58,830 --> 00:59:02,390
the film rights to the Holborn books and they are under
945
00:59:02,390 --> 00:59:06,130
option. Hopefully something's going to come of
946
00:59:06,130 --> 00:59:09,850
that. There's a. There's interest from some British producers who
947
00:59:09,850 --> 00:59:12,810
are very keen to. To produce a TV series.
948
00:59:13,930 --> 00:59:17,250
So far as the Americans are concerned, they kept the rights and they are busy
949
00:59:17,250 --> 00:59:21,090
touting them about at the moment. I heard yesterday who, who, who have you
950
00:59:21,090 --> 00:59:24,930
got in mind before? As one of our last questions, if
951
00:59:24,930 --> 00:59:28,730
this becomes, which I hope it does, a TV series in the
952
00:59:28,730 --> 00:59:32,570
uk, who is the man or the woman that is, I
953
00:59:32,570 --> 00:59:36,210
guess it's got to be Charles. It's because of everything and the structure. Who is
954
00:59:36,210 --> 00:59:39,930
Charles? Which actor? Now that's a very good question. It's a game that
955
00:59:39,930 --> 00:59:43,650
I play often with my mates. I mean, if it was
956
00:59:43,650 --> 00:59:46,850
20 years ago, Ray Winstone would be the obvious
957
00:59:47,409 --> 00:59:51,010
chap because he's an East End boy who can probably
958
00:59:51,970 --> 00:59:55,810
mock up a pretty good accent and he's tough. And Charles
959
00:59:55,810 --> 00:59:59,490
is a heavyweight boxer, so that would be perfect. He's a bit
960
00:59:59,490 --> 01:00:02,950
too old for it. There's a guy called Jonathan. I think his name is
961
01:00:02,950 --> 01:00:06,590
Jonathan Daniel. He was in Bridgerton.
962
01:00:06,750 --> 01:00:10,590
He was in Bridgerton. I don't know if he bought it. He's very good
963
01:00:10,590 --> 01:00:13,990
looking, so he's much better looking than I imagine Charles would be, but
964
01:00:13,990 --> 01:00:17,790
nonetheless, I think he could probably do it. What about.
965
01:00:18,110 --> 01:00:21,870
He might be too old. Stephen Graham. I mean, he's probably too
966
01:00:21,870 --> 01:00:25,350
big as well, but he's too old. Yeah. Two
967
01:00:25,350 --> 01:00:29,030
Liverpudlian, and
968
01:00:29,030 --> 01:00:32,790
he's not big enough. Charles is. Oh, you need someone that's
969
01:00:32,790 --> 01:00:35,830
6 foot 1, 6 foot 2, don't you? Yeah, he's got to be. Well, he's
970
01:00:35,830 --> 01:00:39,590
actually, Charles is 5 foot 11, so he's not enormously tall, but he is
971
01:00:39,590 --> 01:00:43,070
built like a brick shithouse. He's huge. Yes. You know, he's a
972
01:00:43,070 --> 01:00:46,110
heavyweight boxer, so you'd need someone like that.
973
01:00:46,510 --> 01:00:50,350
Okay. Tom Hardy. Tom Hardy. Great.
974
01:00:51,630 --> 01:00:55,270
And he's got. Exactly. I can see it now. That's it. I will sign the
975
01:00:55,270 --> 01:00:59,060
petition for Tom. Okay. Okay. Listen, Simon, the time
976
01:00:59,060 --> 01:01:02,780
has gone just so much faster than I could ever believe
977
01:01:02,780 --> 01:01:06,580
it, and I've got so many more questions in my sheets
978
01:01:06,900 --> 01:01:10,100
here, so if I may just put a
979
01:01:10,100 --> 01:01:13,379
pause in the process of
980
01:01:13,620 --> 01:01:16,740
podcasting with you and maybe grab you on another
981
01:01:17,460 --> 01:01:20,660
day when you feel that you feel like talking about
982
01:01:21,140 --> 01:01:24,880
your books in more depth, I will give you a tinkle. And we will.
983
01:01:25,120 --> 01:01:28,720
We will reappear, probably on Zoom, if Riverside is still
984
01:01:28,720 --> 01:01:32,440
playing games with us. But it's been such a joy talking
985
01:01:32,440 --> 01:01:36,040
to you, and I can't wait to meet you in real life one day when
986
01:01:36,040 --> 01:01:39,280
you come down to London so that we can break some bread together.
987
01:01:39,760 --> 01:01:43,600
Lovely. Thank you very much indeed. It's been lots of fun. It has been fun.
988
01:01:43,600 --> 01:01:47,120
I love it. Thank you for listening and if you enjoyed this
989
01:01:47,120 --> 01:01:50,430
podcast, please click and subscribe. The Intelligence
990
01:01:50,430 --> 01:01:53,550
Advantage podcast on Spotify and other
991
01:01:53,550 --> 01:01:54,310
platforms.