INFORMAZIONI SU QUESTO EPISODIO
Josh and Nick venture to 1920s New York with James Gray’s 6th motion picture, The Immigrant. They talk about James Gray’s commitment to a formalist career, and the challenges it comes with. Is there redemption for the irredeemable? How does it relate to the films blackballed release? Why should the first and last shot of your film be the most impactful? Like, rate, subscribe!
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ALTRI EPISODI IN QUESTO PODCAST
Josh and Nick get their soccer jerseys and finest Italian leather out for this week’s film, The Hand Of God. They chat about writer/ director Paolo Sorrentino’s career, and how his real life inspired the film. Is Netflix still interested in giving auteurs a platform to make their films? What do we …
Josh and Nick put on their mitts to duke it out over Ryan Coogler’s sophomore effort, 2015’s Creed. Favorite Sports Tropes. The Coogler-MBJ connection. What is this movie’s reputation in 2026, and how much of that is its own fault? Is Creed better than Rocky? Like, rate, subscribe!
Josh and Nick are joined by special guest, writer and director of Tube-E Movie, Will Adams! They talk with Will about filming in his hometown of Chicago, his views on streaming culture, where he sees film distribution heading, and what he has coming up next. Like, rate, subscribe!
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Josh and Nick conclude their celebration of Black History Month with 2022’s The Blackening. Comedy as an expression of pain. The films strong inter group dynamics. Can a sketch “make the leap” to a movie? Like, rate, subscribe!
Josh and Nick get ready to wire trip some blackjack clips as they discuss Kathryn Bigelow s 1995 sci-fi film, Strange Days. The film’s origins as a collaboration between divorcees. Kathryn Bigelow and her work in predominantly male-directed genres. How does this film blur the line between passive v…
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