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In one rarely performed opera, doom hangs over the stage from the very first scene. Nobody says it aloud — but the music leaves no doubt: something here is going to go wrong. Not maybe. Certainly. The only question is when. Projects are no different. In this episode: how to read your risks before t…
In Verdi's Rigoletto, a murder is planned with the precision of a logistics manager. Body in a sack, handover at midnight, everything on schedule. The delivery arrives exactly on time, the process is flawless — only the body in the sack is the wrong one. It's the jester's own daughter. In this epis…

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Welcome to the Operaneum — where every project is a production. Projects, programmes and portfolios aren't just numbers, plans and status reports. They're stagings — with grand visions, precarious plot twists, commanding entrances, and that very particular drama that always unfolds behind the scene…
Leporello has the most famous list in all of opera. Six hundred and forty in Italy, a thousand and three in Spain — a perfect stakeholder register. The only problem: his master never cared about a single name on it. We know how that ends. The floor opens, and hell does the rest. In this episode: wh…
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