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Terence Blanchard is up for an Oscar for his BlacKkKlansman score. He stopped by The Evening Program to talk about the stranger-than-fiction story, why he was scared to write the score for Malcolm X and how he’s learned to read Spike Lee’s mind.
KUSC’s Jim Svejda talks to composer John Williams about his score for “Star Wars: The Last Jedi” and “The Post”.
KUSC’s Jim Svejda talks to Oscar-nominated composer Alexandre Desplat about his spare score for Wes Anderson’s “Isle of Dogs”.
American choral composer Morton Lauridsen joins Jim Svejda for a conversation about his latest recording and where we finds his most potent sources of inspiration.
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