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I wanted to talk to James Cullen on Even Cowgirls Get the Blues because of his untrammelled love for the film, his enthusiasm, and the wide array of references he brings to this very intelligent appreciation of the film. James sees the film as, 'Against all the heteronormative expectations we have …
What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three screens-cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversatio…
https://notesonfilm1.com/2025/08/24/jose-arroyo-in-conversation-with-cinema-mentire/ I was lucky enough to see Maria Luisa Bemberg's SEÑORA DE NADIE (NOBODY'S WIFE, 1982)and YO, LA PEOR DE TODAS (I, THE WORST OF ALL, 1990) at this year's CINEMA REDISCOVERED in Bristol, in gorgeous prints, with an  …
The MASKS AND MUSIC: THE FILMS OF WILLI FORST strand of last year’s Il Cinema Ritrovato, curated by Lukas Foerster, was so popular that I was unable to see any of them. Richard is more organised and came out raving about two: MASQUERADE/ MASKERADE (1934) and TOMFOOLERY/ ALLOTRIA, (1936). Luckily fo…
https://notesonfilm1.com/2025/12/06/jose-arroyo-in-conversation-with-glyn-davis-on-rebel-without-a-cause-nicholas-ray-1955/ A treat to talk to the marvellous Glyn Davis on his handsome new book, the ‘BFI Classic’ on Rebel Without a Cause (Nicholas Ray, 1955). In the podcast we discuss how we were b…
Dichiarazione di non responsabilità: Il podcast e la grafica incorporati in questa pagina provengono da Jose Arroyo & Richard Layne, che è di proprietà del suo proprietario e non è affiliato o approvato da Listen Notes, Inc.