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I have had the pleasure of knowing Bones Malone for the better part of 30 years. When I first moved to New York in the mid-80s, Tom was kind enough to send me in on some much needed gigs to sub for him. I’ve always been grateful to him for those opportunities. Tom’s exemplary musicianship has been …
I first worked with Gene Pokorny when he played on my CD, Brass Nation. His playing was sublime and he was an absolute pleasure to work with. Everyone, and I do mean everyone, says the same thing about Gene: the greatest musician to ever pick up a tuba and the greatest guy you’d ever want to be aro…
Chuck Findley is one of my heroes. The Wall Street Journal front page, feature article on Chuck from the early ’80s hung on my college dorm room wall for a year. He has set the standard for what it means to be a studio musician for five decades. I first met Chuck and heard him live at a Manhattan T…
I first became aware of the great Chris Gekker as a student at the Eastman School of Music. His impeccable reputation had lived on at the school well after he departed. I went on to have the distinct pleasure to work with Chris many times on a great variety of projects in New York. His musicianship…
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