# Judith Weston

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10 Minutes, Infinite Connections: Stories That Unite

In this episode, we explore a powerful collection of 10-minute plays that amplify diverse voices and stories. Carolyn Hughes-Bronson and Judith Weston join our network to share how these short performances spark meaningful dialogue and foster connections across communities. Tune in for an inspiring…

Jacquelyn Frohlich - Director, Wayward Film

THE JEREMIAH SHOW, Featuring Jacquelyn Frohlich the Director of Wayward  "Wayward is my favorite film of 2025" - Jeremiah "Sometime getting lost is the only way out" My special guest today is director Jacquelyn Frohlich. Her new film, "Wayward,” follows eleven-year-old Cleo, who becomes enchante…

DZ-118: ADOLESCENCE -- How Questions Create Dramatic Tension

Listen when you need tension without external stakes--subtext, stillness, and thematic weight do the work. In this episode, Stu and Chas delve into the cultural phenomenon of ADOLESCENCE. We try to find the craft tools that have made the show so compelling and such a catalyst for conversation. …

DZ-120: Subtext is Overrated!

Listen if you're struggling to write subtext without it feeling forced! Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We're here to tell you it isn't. Good subtext is a result of good drama, and your focus should be on c…

DZ-128: What even is a Character Arc?

Listen to separate the three layers of an arc -- does the character change? How do they feel about it? And how is the audience positioned to feel about it? Stu, Chas and Mel finally begin their long-awaited journey into CHARACTER ARCS. In this "primer" episode, we try find some learnings and anal…

DZ-131: Negative Character Arcs vs Negative Feelings

Listen to learn how to control your audience’s perception of your character arcs. In our fourth entry into our series on character arcs, we explore both what makes an audience perceive a character arc to be “negative” AND separately what makes the audience feel negative about a character arc. The…