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A signature programming approach of Seattle Symphony Music Director Thomas Dausgaard is to collaborate with folk musicians in exploring the roots of symphonic music by composers like Rachmaninoff and Sibelius. This week’s SSO performances of Stravinsky’s “The Rite of Spring” in Benaroya Hall are preceded by a 20 minute presentation exploring the folk roots of Stravinsky’s revolutionary 1913 ballet score. Dausgaard talks with Dave Beck about the performers of traditional folk music and dance who will be on the Benaroya Hall stage this week with the SSO. We’ll find out how these folk artists take us into the ancient sound world of Lithuanian folk music that Stravinsky studied in creating "The Rite of Spring."
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Performing on an instrument made of ice, introducing a high-tech concert hall and taking musical inspiration from the worlds of dance and martial arts are all in a day's work for the cellist Seth Parker Woods. He's the first ever Seattle Symphony Artist in Residence at the new Octave 9: Raisbeck M…
“Be Prepared” is not only a motto in the world of scouting, but it’s good advice for those who work as Associate Conductors of professional symphony orchestras. Lee Mills holds that position with the Seattle Symphony. When the orchestra’s music director, Thomas Dausgaard, was unable to conduct the…
Though she came from a family of distinguished music teachers, performing is the first love of Seattle Symphony Principal Second Violin Elisa Barston. She'll do plenty of performing in December and January when she solos with the SSO in the demanding Four Seasons Violin Concertos. She'll present v…
For about a year, Seattle Symphony Principal Cellist Efe Baltacigil has been in conversation with Seattle-based composer Angelique Poteat as the two have collaborated on this week’s world premiere of Angelique’s new cello concerto. Angelique is a much admired clarinetist and composer with deep tie…
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