אודות פרק זה
SCMS Festival Artist and cellist Astrid Schween speaks about her history with illustrious cello teachers, becoming the newest member of the Juilliard String Quartet, and her recent project performing a new multi-media work Rhapsody, composed for her by her husband Gordon Greene. She also discusses her teaching philosophy, history with the Lark Quartet, and her three cellos.
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חיפוש פרקים ישנים
חפש פרקים קודמים של SCMS: Classical Conversation Podcast.
פרקים אחרים בפודקאסט הזה
Ani Aznavoorian began playing the cello at age 3 with one of America’s most beloved teachers in the Suzuki Method of musical instruction. In part 2 of our conversation with her, Ani talks about how Gilda Barston created an atmosphere of joyful engagement and community among her young students in C…
In part 3 of our conversation, cellist Ani Aznavoorian talks about the despair she felt when the pandemic forced cancellation of so many performances, and how playing solo Bach on the patio of her Santa Barbara, California apartment was a profoundly healing experience. Ani shares how her embrace …
Part 1 of our conversation with pianist Orion Weiss was recorded at the new SCMS Center for Chamber Music in downtown Seattle. Orion talks about how an international concert artist like himself adjusts to life during a global pandemic and how he has used the time away from the concert circuit to l…
Time with his wife and two young children, learning to bake bread, and discovering audio and video production skills, have been pandemic projects of Seattle Chamber Music Society violinist Jun Iwasaki. In Part 3 of our podcast conversation, Jun talks about the positive impact that time with family…
Part 1 of our conversation with cellist Ani Aznavoorian, recorded at the new SCMS Center for Chamber Music in downtown Seattle. Ani talks about how her father left an unsatisfying job as a chemist to retrain for a career as a string instrument builder. She performs on a cello he built for her. Ani…
הצהרה: הפודקאסט והגרפיקה המוטבעים בדף זה הם מ-Seattle Chamber Music Society, שהוא רכושו של בעליו ואינו קשור או מאושר על ידי Listen Notes, Inc.